SUMMARY REMOTE VIEWING SESSION C3

• Document Type: CREST
• Collection: STARGATE
• Document Number (FOIA) /ESDN (CREST): CIA-RDP96-00788R000900860001-9
• Release Decision: RIFPUB
• Original Classification: S
• Document Page Count: 20
• Document Creation Date: November 4, 2016
• Document Release Date: June 17, 1998
• Sequence Number: 1
• Publication Date: January 1, 1978
• Content Type: REPORT

U a
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ORCON/NOFORN
INSCOM
GRILL FLAME
PROJECT
CLASSIFIED BY: Director, DIA
REVIEW ON : 31 Jul 99
EXTENDED BY: Director, DIA
REASON : 2-301-C (3) (6)
GRILL FLAME
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REMOTE VIEWING (RV) SESSION C3
1. (S) This report provides documentation of a remote
viewing session conducted for training purposes to enhance
a remote viewer's demonstrated ability.
2. (S) There appears to be some target correlation in this
session. This was the remote viewer's first session since
returning from SRI International. He was a bit anxious and
had trouble getting started because he couldn't seem to relax
and concentrate sufficiently to develop adequate imagery.
After considerable effort, however, he was able to resolve
images in which he had some confidence. Room noise was minimal
and it did not disturb the viewer. The "beacon" individual
stood in the parking lot outside the Montgomery Ward shopping
complex for part of the "on-target" (OT) time and part of the
OT time he went inside the main store. The viewer was appar-
ently unable to track the "beacon" once he left the outside
area. The viewer perceived his perspective as being outside
and focused on what looks like the automotive center.
3. (S) The protocol used for this session is detailed in
the document, Standard Remote-Viewing Protocol (Local Targets)
by Harold E. Puthoff and Russell Targ, November 1978.
4. (S) Following is a transcript of the viewer's impressions
during the remote viewing session. At TAB A are drawings made
by the viewer reference his impressions of the target site.
At TAB B are photographs of the target site.
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REMOTE VIEWING (RV) SESSION C 3
#28: This will be a remote viewing session (edited
for security).
#14 is at the target site now. He is observing
the area. Let yourself relax, concentrate. .
focus yourself on #14. As #14 looks at the target,
looks around the area, simply look at the area
with him and describe the area to me.
#10.5:
Its going to take a
a longer cool down,
while.
I think.
I should have had
#28:
We've got plenty of time. Just take your time.
Got lots of time. Just relax. Just relax and
concentrate.
PAUSE
#10.5:
I don't see .
. .
PAUSE
+07 I'm seeing a . . its a (not audible) and its long
square and its open in under it. And the impression
I had it was up on posts. Not big round, big posts,
but little posts like poles.
I feel the poles don't just go into . . they sit
on something that's white and oblong. They're
. . . They stand on something that's white and
oblong and flat on top.
PAUSE
Coming in clear. I'm starting to feel better.
PAUSE
+09 #28: Focus on #14.
RECTO
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#10.5: Mmmrnm. There are at least two things in under it
that. . . One seems to be in the middle of this
flat thing. . andunder it. Like it sits on a
white oblong thing too. It seems to be white on
the bottom half and it seems to be clear on the
top half and then there's one at the other end.
The feeling was that it was the same thing. The
one at the far end. But there's not one on this
end.
I'm starting to feel better now; I'm starting
to get it back.
+11 Ah, there it is. Now I've got my light show,
stand by.
PAUSE
I tried to clear.
PAUSE
+12 I see like a . . looks like a round, low white
thing that stands up and its got something linear
and dark and frazzled sticking out of it.
PAUSE
Vertical. Its a vertical object.
PAUSE
#28: Describe your relative position.
PAUSE
#10.5: I want to say that's on the end of a vertical
plane. I have the feeling of red or ocre and
on the right. . That's on the left and on the
right into that, I want to say that there's.
Hmmmm. . . two white boxes, man sized, on the right.
They seem to be three dimensional. The plane is
two dimensional.
On the bottom there's a white stripe. There seems
like a white stripe on the face to me that is the
end of a horizontal plane, but there's the front
edge of the horizontal plane. But that white
stripe is the front edge of it. I think the top
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edge of that horizontal plane is also red.
PAUSE
+14 #28: Are you alone at this area?
PAUSE
#10.5: I'm outside.
Ummm. . . No other. . . No people around, but
I detect motion. I feel motion, I think. I
want to say I feel motion behind me. But not
human motion. Its . . I have a peaked roof over
the square bay. I don't know where it is and. .
its white. The front of the . . the front of the
. . . and under the roof is a bay.
And its dark inside. But I only see one, one dark
square in there. The front face of it is white
though. And I had the feeling that I could look
through the dark and into light on the other end
as though there might be open on the side away
from me, inside.
PAUSE
+16 Something extraordinarily tall for the area.
PAUSE
I feel its super tall. White. And cylindrical.
But it tapers at the top. Tapers down - small
at the top, big at the bottom. Bottom is not.
I feel the bottom is square but the thing that
sticks out of it is round and it tapers up.
#28: Where is this in relationship to the other. . .
#10.5: I don't know. I had the feeling that it was like
overlooking this over whatever the hell it is.
This rectangle thing I first started. That I could
see in behind it as though I was looking at it
it was on the other side of this fat rectangle
from me and I could . . . and like out from its
far corner but then I got a quick close-up of the
base. It seemed different. And I want to. . There's
+18 a. . I want to say there's a fence somewhere in
there. I can't really put it all together. I don't
really feel . . sufficiently removed from the target
to try to do an overhead. I'm afraid I'll fill
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in the blanks but somewhere in there, there's
a long. . . there seems to be a long fence that
is . . . .
I think its the standard hurricane type, four foot
. . it seems to be butressing. . on the other side
of it, it seems to be butressing against a rising
green curve. And, I wanted to say that its . . a
set in or low wall of some sort which like maybe
makes the whole thing six feet high instead of four
feet high. Let me clear again.
#28: Describe to me again some of the first images
you had.
+22 #10.5: Black shingle roof. I have the feeling of black
tar paper type stuff. Gummy in the sun. I got
a feeling of a projection on the side of structure.
A roof. A roof line continues right straight down
and overhangs as projection farther down. . than
the rest of the structure is the roof line.
The top of the roof, the roof center line is
straight. . . all the way to the other end.
I want to say that there's another projection
on the back or the other side. The roof line
also overhangs but this is open somehow. The
projection on that other side of the structure
is inclosed. This one is open.
PAUSE
No. It is not a continuous roof line on this
side. Its a separate roof line, its below, its
like a little back porch. . with a separate roof
dropped below the roof line but the little roof
of it is the same stuff. Its this black gummy
stuff. Squares. And it seems that that back
roof has got two tapering sides on it so that it
goes up and then across. It doesn't seem like
its very big. It . . just seems like it only
projects maybe two or three feet.
4
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#28: What goes on at this location?
#10.5: Grease and oil. Its kept nice, but I . . .
feel that its hard work. Its a place of work.
Mechanical. Not of any. . Not much of anything
else.
That's . . . I don't know. What do we do in
the building?
#28: What's happening now? Right now, what's happening
now?
#10.5: Ummm. Its rather quiet. Not a lot of . . . Not
a lot of anything. Its . . Somewhere I get the
feeling of a curving window. Like its curving
away from me. Inside that curving window, I see
I feel like there's all sorts of junk against
the wall. The wall is not too far away. The wall
is only . . I want to say a counter on the left
with something black on it. Black rectangular.
Dark. Counter or something square on left bottom
and then something on top of that and then the
junk goes to the right. But that . . that's only
about ten feet deep from the window to that junk.
#28: Are you ready now to draw some of the things
you've had?
#10.5: Yeah.
I don't know. I don't know. It took me about
darn near seven or eight or nine, ten minutes
I guess in order to get my light show.
PAUSE
By that time, I may have been too far gone.
PAUSE
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#28: How do you feel about your images?
#10.5: I feel good about them, but it just seems like
I had to work an awful lot. I was working
through. . that's why I didn't . . . I was
working through.
You know. That's why I didn't want to draw or
didn't want to try to get an aerial layout of
the thing because I was, you know, trying to take
what I got and not put it together.
PAUSE
Now, how do I draw this thing.
PAUSE
What did I have. I had . . okay. This should
probably be a little smaller there because it
was in the distance. Okay.
They are like islands okay. (Not audible) islands.
Nope, in here, I've . . this peculiar layout is
that. . layout I have is that in this one and in
this one. . . is where I had this funny and this
one up here is where I had this funny thing.
All right.
The bottoms of these are white and this is white.
And this is open. But structured. Okay. Struc-
tured open. That's the best way I can do to
describe these two little things that are in under
this . . that are tucked in under there. That
was first.
#28: I see. Um hm.
#10.5: Feeling. First. That's white and I wasn't
actually looking at it from this perspective,
I was looking at it in under like that but in
order to get the roof line in and everything that's
the way I have to draw it.
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Two was . . okay. Okay. And this is letting
in like three dimensional thing and this darker
I called it, I forget what I called it, irregular
or something like that sticking out of it.
#10.5: Okay. Three then. . but what I think is that
thing.
#28: The same as Number 2?
#10.5: The same as Number 2 but put it along a horizontal
plane of ocre was the feeling.
#10.5: Ocre. . Brown, burnt brown, red brown, burnt
red brown type off color. And I had the feeling
that on the right end of thatplain were two
white man size boxes.
No. They weren't boxes necessarily. They were
just simply two white man sized frames in the
. . in two dimension. Okay. That's all I got.
I didn't get them in three. I have to watch
myself.
Then that . . out from it was this white stripe.
And this was a horizontal thing. Also . . Ocre.
And this was a vertical plane. That's three.
And I'll put a little Figure 2 in that one on
the left side.
Then I had this, I forget where I got the . . .
forget what order is . . you'll have to check
against the transcript. Three, Four. . I got
this . .
And there's dark. I called it a bay. An oversized
door. Okay. But this thing. . and it was dark
inside.
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#10.5: All right. The thing is that there was light
peeping through the right corner or along the
right side. So I'll shade it like that. And
I had the feeling that it was framed light.
Okay. And that I could go right through that
and there was something on the other side of
it.
#28: Okay.
#10.5: Then, I had the feeling of a very tall. . I'll
draw it and then I'll position it on that
because I remember you asked me where it was
Okay.
I really got to relocate that so I can use the
full side of the paper.
I'm just going to do the same thing; I'm going
to put it right over here. Tapering at the top.
The lines. . the lines are, you know what I'm
trying to draw.
Okay, this is round and this is square. Round
is the way you spell round, okay. I'll relocate
that number over there so. . I wanted to say that
Five was in the background here. Okay. So on
Number One I'll put in Five here but it was on
the far side from this . . from that view. Okay.
#10.5: Then. . um. . Six was as though I was just
peeking down the roof. How do I describe this
one?
anal ooooo,
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This here would be the center peak line. Okay.
Its fairly . . there that's the way to draw it.
That, see that. Okay. That overhang continued
down like that. Okay. But that along the back
of it there wasn't really that much. That was
my impression of a roof line. Okay, as though
this was overhanging something down there. That's
when I talked about the other end. And this is
the dark, I wanted to say, gummy. Okay, but on
the back of it. . there is this type of a thing.
Here is on the back or the other side of it. And
there is . . How would I do that? This is tilted,
can't believe it and flat on the top. So I'd end
up with a line like this; a line like that.
Following a perspective and a line like that.
Okay.
What I'm trying to get across is that its not
part of the roof line like this, its down below
the roof line like its a little back porch roof
or something that's separate from it. But its
also black.
Oh, okay. First Seven, what I'll do is I'll
draw. . Okay, that's what it looks like say from
looking at it from the front.
#28: Okay.
#10.5: J U N C K . . . junk! Ha ha ha Come on left
brain, junk. Ha ha ha ha
Said it was junk. It looked . . um. . Then this
was ten feet to what is a . . in the foreground
a curving window. I didn't get any bottom base
plate or any bottom rack or anything like that
I was . . I had the feeling I was up maybe eight
feet looking sort of gazing into this room. Okay.
Okay. I'll just draw the line there. Its as
though this is glass in the foreground. I'll say
clear. . .
#28: Okay. Anything else you want to add?
9 P
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#28: What's your confidence level?
#10.5: Except my . . by this afternoon I want to try
a little more cool down. I thought I could just
snap back into it but I couldn't. It took me
a little bit longer.
#28: Okay. You want a little more cool down time?
#10.5: Just to get me reorganized I guess.
#28: Okay.
#10.5: Change of environment I guess.
#28: Yeah. That's cool. That'll do it then.
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TAB A
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it
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TAB B
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LAI
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