SUMMARY REMOTE VIEWING SESSION XLIV

• Document Type: CREST
• Collection: STARGATE
• Document Number (FOIA) /ESDN (CREST): CIA-RDP96-00788R000900720001-4
• Release Decision: RIFPUB
• Original Classification: S
• Document Page Count: 13
• Document Creation Date: November 4, 2016
• Document Release Date: June 17, 1998
• Sequence Number: 1
• Content Type: REPORT

Approved For Release 2000/0
INSCOM
GRILL FLAME
PROJECT
CLASSIFIED BY: Director, DIA
REVIEW ON: 30 Jun 99
EXTENDED BY: Director, DIA
REASON: 2-301-C (3) (6)
GRILL FLAME
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REMOTE VIEWING (RV) SESSION XLIV
1. (S) This report provides documentation of a remote
viewing session conducted for training purposes to enhance a
remote viewer's demonstrated ability.
2. (S) The remote viewer's impressions during this session
showed several meaningful correlations to a site contiguous
to the designated target. The remote viewer was able to
adjust to the change in on-target time with minimal disturb-
ances. He was very relaxed and appeared able to concentrate.
He had several very clear images which he was able to describe
very well.
3. (S) The protocol used for this session is detailed in
the document, Grill Flame Protocol, AMSAA Applied Remote
Viewing Protocol (S), undated.
4. (S) Following is a transcript of the viewer's impressions
during the remote viewing session. At TAB A are drawings made
by the viewer reference his impressions of the target site.
Photographs of the target site are on file in GRILL FLAME
Session Report Number XLVI.
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REMOTE VIEWING (RV) SESSION XLIV
#66: This will be a remote viewing session. (Edited
for security.)
The on-target time is now changed + 30 minutes.
(Edited for security.)
PAUSE
#100 is now (not audible).
PAUSE
#31: Ah. . . Going down. . .
+04 #66: Describe . . what you see.
#31: Looking . . at the . . something of a (not
audible) . something long, in the air.
White.
PAUSE
(Not audible) at this.
PAUSE
+06 #66: Describe your images.
PAUSE
+09 #66: Look at the target with #100. Look around
the area and describe the area to me.
PAUSE
#31: (Not audible - 2 or 3 phrases.)
PAUSE
#31: There's a . . .
#66: (Not audible)
PAUSE
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#31:
I see. . . (not audible). . .
+12
#66:
Go on.
#31:
Dark. . . (not audible). . white, white,
silhouette.
PAUSE
+14
#66:
Tell me more.
PAUSE
#31:
(Not audible) outside.
+15
#66:
Go on.
#31:
White. . . White. . . column. . .
+17
#66:
Describe your position in relationship to this
white stuff.
#31:
Nine. . .
#31:
A . . large. . building. Round roof. . I saw
it, it had a round top.
PAUSE
(Not audible) back here.
PAUSE
+19 #66: Is your perception inside or outside?
PAUSE
#31: It's outside. I tried and I . . .
#66: How would you like to, . . its twenty minutes
after now, how would you like to draw some
and look at the drawings and maybe you can go
from there.
#31: I'll try.
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#31: The first thing I said it was dark. The
perspective on this . . . I was . . It goes
like this. That was up. It was here and it
was down. . it was down there. And this was
. . I don't know what the shape of it was.
This is light. Large. Patio. . . or white
large brick, stone. Flat. . . patio or like
a. . . My immediate impression I was looking
down a flag pole.
#66: Did this. . . You were looking down the pole
down onto the patio or an open. . .
#31: Yes, open, like big, big blocks.
#66: Okay, now, was this. . . Since you could see
the top of it. . .
#31: There's no flag on it.
#66: Okay, but since you can see the top of it,
it would mean that it isn't supporting some-
thing. You can look down hill and you can see
the end of that.
#31: It felt like I was about fifty feet. .
#31: Looking at. . miscellaneously, I happen to be
off. . slightly off center of the top of this
pole.
#31: And I was looking down past the top which was
here. First it was wobbling around like that.
#66: Okay.
#31: Which is important, it was wobbling. Okay?
Like it was wobbling around, like in the breeze
or in the wind or something.
#66: Okay.
#31: But down past it, it was connected all the way
down far into the perspective and I had the
distinct impression that I was looking down.
#66: Okay.
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#66: So you are saying the ground that it was
on or the thing that went down to was a large,
light, stone area.
#31: Yes, but they were like big stones, big flat
-- all. . . They weren't bricks; they weren't
stones. They were carved huge blocks. . that
were like laid in there. They were oversized.
They were bigger than that coffee table in
size.
#66: Okay.
#31: Large.
#66: Put a Number One by that.
#31: And the next one I had was . . the angle was
sort of like this . . . The angle was . . This
one I'll call Number Two here. And this is
also from an aerial. This is light. This is
dark. This is dark. Okay, and this is like a
light. . . I'm not even going to say its light,
dome. This is from, also, like high up, look-
ing down at an angle at this thing.
#66: Um hm.
#31: From the air.
#66: Um hm.
#31: And then I said it was curved, right? I said
it was curved. I had the distinct feeling . .
that there were many of these things around.
Okay?
#66: Um hm.
#31: This was dark here. These are . . .
#66: What did you have (not audible)?
#31: White poles.
#66: White poles.
PAUSE
#31: That one (not audible). . .
PAUSE
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#31: Now, the four, let me go back. I want to do
a couple more. I remember sitting there
cogitating, waiting for our new target time,
I had, that's one. I know this isn't really
appropriate for me to do, but I. . I'll get
back to those other ones, I want to do this
one first.
This is not a wall. This is like a ledge
along a bank. This is black. This is . . .
I have. . Its not like those walls, something
like that, I have . . going that way and this
is up hill. And this is distance.
This was during the "wait" okay?
#66: Can you guess how much prior to. . .?
#31: Ah. . . ten minutes. I'd say about ten minutes
before.
#66: Okay.
#31: I'll call it minus ten minutes, okay?
#66: Okay.
#31: Okay. And then I had that about minus five
minutes.
#66: Um hm.
#31: Okay. This being the Jefferson. Okay.
#66: Um hm.
#31: And I had the flag. And then they were just
fleeting thoughts, I wasn't concentrating, you
know, I was just relaxing. But then I had this
you know. . .
#66: That, that Jefferson thing, . . . did you have
any colors associated with it or (not audible)?
#31: I had the association of dark.
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#31: Overhanging darkness, okay, like I was look-
ing at it through the trees and foilage and
something. Something in the foreground that
was causing a shaded effect.
All right.
#66: But you haven't labeled that the Jefferson?
#31: Um hm.
Those are white. Then this was, I'd say at
about plus, well it's on the tape now. I'd
say this was about plus two and one-half or
three, maybe four.
#31: But this was totally different, you know,
that's why I sort of trust this reasonably
well.
Was. . you know. . And this was sort of dark,
but it was wobbly, you know, like a flag pole
and with no flag. There was nothing on it.
And this thing was as though it was a circular
drive or a pull-in parking area or something
like that. And I don't know what the overlay of
flag poles was legit'. If I asked what else
was there and I ended up with my first flag
pole and that (not audible) built around it.
But that was the first impression like that.
#31: No, not a horse shoe. A curve, but. . I didn't
say on the tape, but the ends were definitely
flattened off.
And that's all I have.
Then, after that, then I got back to I think
left brain. It was left brain, I think, from
there on. I ended up with. . . big. . . stair-
cases.
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And this is the big brick or the big stone
I said. Brick or stone stairs. . and that.
That didn't. . yeah. . that's about it.
No other big impression. You see, this is
it, you know, I'm downtown D.C. and I've got
all this other crap behind me to, so this
time I ended up with a place like the Lincoln
Memorial, something like that. Big, stone
structure in the background.
PAUSE
With a curved roof.
#66: Does the Lincoln Memorial have a curved roof?
PAUSE
#31: I don't know. Off hand, I don't know if its
like the Jefferson. See, the Jefferson does
have one. I'm sure of that. But off hand,
I've never paid much attention to it.
#66: Um hm. I think its flat but I couldn't swear
to it.
PAUSE
#31: This is like, Three.
#66: Um hm.
#31: That's all I got really.
#66: Okay.
#31: I'll make this stone. And I'll make this;
no I'm not going to make it anything.
#66: Okay.
#31: I got this definite. . you know, if I could
say what they were, that was him leaving the
Pentagon down that side ramp, south parking.
And that was when he was trying feverously
to get to the target. He was driving in
around the Mall. You know, he was entering
in the Mall off of the road. And then. . .
if he actually does make it to the target,
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that's the . . One and Two is it. And then,
probably Three is left brain, you know, over-
lay. Going back to this, reminising of . . .
#66: Well, I notice. . . you've got, of course,
we're always wondering about what in Washington,
you're picking a famous place in Washington,
but isn't this the flags around the Washington
Monument. The flags are circular shape around
the Washington Monument. . a bunch of flag
poles.
#31: Yeah.
#66: You wouldn't know, right.
#31: No. I may have been by there. I may know that
but. . .
#66: And obviously, these other things are famous
places or whatever. Interesting.
#31: What sort of precog did you get before?
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TAB A
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 4?ot Fease 2000/08/07 : CIA-RDP96-00788R000900720001-4
TARGET: 100
TAPE : T-47
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 SESSION: XLIV ' -re
AyapBmI4 For F;O?iease 2000/08/07: CIA-RDP96-00788R0009ObZDd1-4
TARGET: 100
TAPE: T-47
L
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