SUMMARY REMOTE VIEWING SESSION XXX

• Document Type: CREST
• Collection: STARGATE
• Document Number (FOIA) /ESDN (CREST): CIA-RDP96-00788R000900580001-0
• Release Decision: RIFPUB
• Original Classification: S
• Document Page Count: 34
• Document Creation Date: November 4, 2016
• Document Release Date: June 17, 1998
• Sequence Number: 1
• Publication Date: January 1, 1978
• Content Type: REPORT

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ORCON/NOFORN
INSCOM
GRILL FLAME
PROJECT
CLASSIFIED BY: Director,DIA
REVIEW ON : 31 May 99
EXTENDED BY: Director,DIA
P ASON: 2-301-C (3)_(6)
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REMOTE VIEWING (RV) SESSION XXX
1. (S) This report documents a remote viewing session
conducted for the purpose of orienting a remote viewer
to the protocol which will be used in the remote viewing
training program at Stanford Research Institute (SRI),
Menlo Park, California.
2. (S) The remote viewer's descriptions of the target
show low target correlation. The remote viewer's
analytic verbage reduces target correlation possibilities.
In many cases his drawings show considerable comparison
with the target site. "Noise" obviously played a major
role in this session. The remote viewer appeared very
relaxed physically during the session. He was not dis-
turbed by ambient room noise. He seemed to be able to
concentrate but obviously generated a great deal of
analytical overlay.
3. (S) The protocol used for this session and which
will be used in later training is detailed in the document,
Standard Remote-Viewing Protocol (Local Targets) by Harold
E. Puthoff and Russell Targ, November 1978. The designated
target was not used because it was a restricted area and
the "beacon" could not gain access. An alternate target
was selected.
4. (S) Following is a transcript of the viewer's impres-
sions during the remote viewing session. At TAB A are
drawings made by the viewer reference his impressions of
the target site. At TAB B are photographs of the target
site. AT TAB C is a post-session interview.
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REMOTE VIEWING (RV) SESSION XXX
#7.5: This will be a remote viewing session. (Edited
for security.)
#7.5: #11 is at the target now. He is . . looking
around the area. He is observing the target.
Let yourself relax. . concentrate. . Look around
the target with #11 and describe the area to me.
#36: I'm not seeing anything now as clear as I did
before. As clear as I did before you started
talking. And then I kicked it out of the way.
Before you started talking, I was trying to think
of nothing and . . . a . . very sharp image of
pearls on stick pins were arranged on . . . I
don't believe this, brown velvet. Normally, this
display is on black velvet. This was on brown
velvet. I saw that before you started talking.
After you started talking, I became. . . very,
very thirsty. My mouth is so dry I . . . I can
hardly talk. That may not be significant. Sure
am dry. . . I . . . I don't know what I'm seeing,
I. . . I a . . . Huh, okay. Here it goes. Upper
right quadrant I see a candle with drippings on
the left side of it. Its lit. Now, that's not
right. Its lit. Drippings running all the way
to the base of it on the left side. Right side
doesn't have many drips. Its light tone. Light
in color. I think that's one. . .
PAUSE
+05 #7.5: Look for #11 and describe #11's location.
PAUSE
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#36: I'm too close to everything. I mean, what I see
is so close up. Two or three feet away.
#7.5: Are you inside or are you outside?
#36: I'm too close to see. . . I'm trying to get away.
Oh!. . . Okay. Its not very clear. Its all. . .
Looks like I'm looking at the calperized, polarized
negative. I see a sloping. . . broad roof. Slop-
ing to the right and the left. . . with a raised
portion on the roof. It looked like a meter high,
a meter wide. . . . Awful lot of noise. . .
I just saw peas and I saw fresh corn on the cob.
With the husk still on them. . . .
+08 #7.5: Describe your position to me.
PAUSE
#36: I . . . it looks like I'm ground level.
PAUSE
I don't know if this is overlay, but let's get
it down. Looking north again, and I see a linear
patterns on my left, going towards the structure
I mentioned. Its not sharp. Near me on my left
is. . . it is higher. . . Its running diagonally
from the . . . my lower left. . . towards the left
+10 of the structure. I seem to be looking up into
. . . underneath a . . arch. At about a forty-
five degree angle in front of me. . . This is not
well at all today.
#7.5: Its still early. You're doing very well. Still
quite early. Just relax and concentrate. . and
let the images come. Just relax and concentrate.
Think about the target. . . Let the images come.
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#36: Off to my left I see. . . a repetitive "U" shaped
patterns with the bottom, . . . roughly . . .
"U", its a brief pattern. Brief. These objects
come down 45 degrees and flat across the bottom
and 45 to get to the other side. They are side
by side and they are resting on . . . black
linear support. . . I just saw a plastic glass.
Plastic, green. . (not audible). Ah. . Ha ha ha.
I think its the same thing. I see it from a
. I see the rim of a plastic glass. This
+13 has got to be overlay. Very close; three inches.
Okay, I'm going to draw those. . . I see letters.
I see a portion of a word. . above me. . . T. . .
There's a T and a B and a Y. But that's not all
of it.
#7.5: Just relax and focus. You're doing very well.
Just relax. . . and focus.
#36: I see a Z or a 2. Very large. And it appears
to be to the left of the other letters. I think
bigger. . . . It appears to have a lighter edge.
+15 Edge is brighter in tone. . . Letters are fat.
PAUSE
#7.5: Are you alone at this area?
PAUSE
+19 #36: #11's there. . . Ha. . . There's a . . man.
#11's not going to remember this. There's a
motorcycle to the right of me. I'm outside.
But the building don't look the same. The slope
of the roof is coming towards me. There's a
motorcycle to my right. There's cooling finns
on the exhaust right near the engine. That's
overlay, I know that. I see. . I see. . three
hamburgers stacked on top of each other. Or,
a hamburger buns. . . And I'm seeing #11. . .
+17 over towards the left. Appears to be raised,
light tone pavement just to the left of him going
towards the structure. . . Awe, if I could only
get rid of the ES sibberings (phonetic).
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#36: I saw a basket. A woven basket. Now,
its paper. Its the basket pattern.
#36: I think that something went by me and I wanted
to remember what it was and I could tell what
it was. Um. . . This is overlay from. . . the
other day. I see the reflection of lights,
glass, diminishing in size as they go away from
me. . .
PAUSE
#36: I felt very uncomfortable there for a moment.
+19 #7.5: Describe your feeling to me.
#36: Wait a minute. . .
I was. . (not audible). . . I . . . a . . I felt
sudden, a sudden fright. . . Oh, pain, that felt
like my heart fibrillated just for a few seconds.
And then it was okay.
Actually, it speeded up very fast for just a
second and then. . . its okay.
#7.5: Where are you now?
#36: I'm trying to figure that out. . . I . . seem to
be. . Oh, this is overlay, probably. That's a
logical question. I'm on the road, facing east.
Looking to the left of the road. I'm not moving.
PAUSE
#36: I don't see anything.
PAUSE
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+21 #7.5: Describe #11's location.
#36: #11 and I are seeing the same thing.
PAUSE
I keep seeing. . on my left, but that would be
north. I don't know, it looks like a lot of
neon signs on a building. Tubes, you know, neon
tubes. I've been trying to make out what it is.
But I did just see yellow. You know,. . . eight,
ten feet off the ground. Forty-fifty feet from
from the road.
It is gone.
I. . . just saw something that looked like old
barn door hinges and I still see them. And they
are relative to nothing. They're just in space.
Rusty. . . The right end is bent on the end, and
it don't have the screw holes, empty. This has
got to be "noise."
I see. . . it a chain. . . it looks like a . .
a bell. . bell-shaped structure. Its hanging
on a . . . six inches high, three by five inches
(not audible).
PAUSE
I don't know that, do I?
PAUSE
+24 #7.5: Okay, #36, in a minute now it is lost. Clear
your mind. Blank out your mind and relax. . Let
yourself relax and don't feel that concerned
about anything at all now. . . Just feel yourself
relaxation and no tension. Just relax. Now.
Completely relax now. . Now let's go back to the
target area. Let's go back to where you said
you were outside. You were looking at #11 and
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you were looking at the motorcycle and you
were looking at the letters. Let's go back
now to that location. Take yourself back to
the target area there now. . .
Now go back. . and describe the target area
to me.
PAUSE
#36: It keeps changing.
PAUSE
Oh, I. . . (not audible) who knows. I feel like
I'm in the same position that I was before.
and there's a motorcycle. But, boy, this is
weird. . . I see a white silhouette of . . a
of #11 in the same position. Building's there.
It. . . the roof is sloping up away from me
and is slightly to the right because I can see
. . . see the what I think is the front facade
just slightly. . . I don't know, I'm not in
there, but I have the feeling it, its a cathedral
ceiling. . . And while you want everything dumped -
I held it back; but a while ago, I felt it was
garbage - but the roof was a . . . Naw, it doesn't
seem to be a roof. I saw. . I saw bright orange.
+27 There was a large expanse of bright orange. There
it is again.
I keep trying to make the trim on the building
white. But, its not.
The wall towards. . towards me. . on my side, or
what I'm seeing anyway, is a . . about a portion
of it is glass. The portion of glass is to the
right. . . Solid wall appeared to be the portion
to the left.
I. . . I think I'm imagining things, but I see
an aluminum. . . large aluminum pan type net.
And I'm trying to place it and I think this might
be carry over. . . I'm. . a. . I want to relax
one more time.
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#7.5: Okay. I want you to relax now. But I want you
to do it for a good, long period of time, this
time. . . Relax and concentrate. Relax and
concentrate.
PAUSE
TURN OVER TAPE
#36: Hmmm.
PAUSE
+33 #7.5: Describe your location now.
PAUSE
#36: I don't know. . I . . worry just a . . I don't
talk . . talk very well, do I?
I saw. . . I forget what it was. . I saw numbers.
. and I was fooling around, trying to back off
and find out what they were and I . . . There was
a 1, there was a 2 and . . . they were in a line
vertically and I think. . . Can't see them now.
I think the other. . I think the bottom digit was
6.
PAUSE
Boy, that was plain.
PAUSE
I don't know where any of it. . just. . . Its
like I'm real tiny and there's grass standing up
all around me. I don't know. . It appeared to
be vegetation bigger than I am.
#7.5: Okay. Let's focus back on the target now. Let's
focus back on the target. Put yourself now, back
. . on the target. Put yourself back there. . on
the target.
#36: That's right. I don't know where I am. But I'm
going to try and go in.
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#36: I just saw those scallops that I saw the other
day again. They're basic, curved pattern. That's
probably from that blame sign I saw.
PAUSE
But its yellow and its not a Shell sign.
Okay. I'm back there now.
PAUSE
#7.5: Okay. Now. Now that you're back there, hold it.
#36: By the way, there appears. . Naw, that's probably
overlay too. Anyway, for what its worth, . .
behind #11 appears to be a tall structure or sign
holding that. A sign. It appears to have a. .
all kinds of colors are going but the predominant
thing I seem to see is red and white. But there's
some yellow involved somewhere and I can't.
(not audible).
I think I thought a while ago that this building
had a cathedral ceiling. I feel like I'm on the
. . . east side of it, looking in. And it appears
+37 to have a flat ceiling inside. . . I'm beginning
to wonder if I see everything. . from the south
looking north.
Okay. . . There appears. . . There appears to be
a counter. . type structure. I guess its north.
Its in the way #11 was facing from his position
outside. If he waslked straight through the wall,
and then went to the far side of the building, he
would be near that, what looks like a counter top.
It appeared to be curved away from me on the left.
Immediately to my left is a . . I don't know. . .
Its a . . . less than a meter square. . with a wall
or divider going away from it to my left. And
there appeared to be a . . something on top of it.
Without color. Like glass. . I can't get a good
handle on the shape of it. . The. . light, like
there's light reflecting off of it with curved
surfaces of glass. . .
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#7.5: Are you inside or outside?
#36: Oh, I'm inside. I'm just standing here looking
around. I don't know if I'm the same place he
is or not but this is very plain. To the right
of the counter. . the counter seemed to terminate
and I can't figure out whether it curves and goes
to the wall or it just. . but there's a door there.
It goes on further into the back of the building.
And its a yellowish orange and so is the frame
around it.
I. . am now seeing, I don't know what the scale
is, . . what looks like a little three-bladed
plastic props. There's a red one, there's a
blue one, there's a yellow one. . Ah, the kids
hold up on a stick and run around with. . There's
no kid attached to these. They're just. . I just
see them in space. No background.
PAUSE
#7.5: Are you alone inside?
PAUSE
#36: I was worrying about that. I was concerned about
a. . . seeing. . them, people. No, there's people
here. They don't seem to give a darn about me.
I was concerned about that, but I've been looking
around and being so curious. Ha ha. This has got
to be overlay. There's a. . figures in a . . I
have a feeling that this thing is a . . fast-food
place. Obviously, I think that's what I'm describ-
ing. But, I also. . fast-food places you have at
leat one fat guy back there. . stoking the grill
and we've got one here. He's quite large - 5, 8,
9. I can tell he's so big but he looks short.
I tried to look at some of the other people behind
the counter. He was the only one I could really
see good. Not many other people here.
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#36: I mean, when I said that, I was looking at.
I don't know. . rust, reddish, hued tables I
was looking at. There's not many people there.
Ah, there's something that went by me a while
ago and I, well, I was still trying to figure out
what it was. Maybe I shouldn't try and figure it
out.
#7.5: Just describe what you see.
#36: I meant to tell you what I saw and I forgot. At
first I thought I . . I thought it was a . . in
a flash back to my camera because I saw Nicon,
what I thought was Nicon, lenses. . . in a vertical
position on edge pointing down. Then as I looked
closer. . they appeared to be black tubes. One
about eight inches in diameter. Another one about
four inches in diameter inside of it and sticking
slightly below it. I just had the feeling, for
some reason, that these were. . black light fix-
tures against an overhead. A dull black. I see
them now. . . Like some of the lights you have in
track lighting. . except this one had a four inch
black tube coming out of the center. Big eight
inch black tube, its about. . about 10 inches long
and the smaller tube is sticking out about three
inches. I wish I didn't have to try and understand
all of this.
It makes me very tense trying to figure. . figure
why some of these things are where they are. Wait
a minute! It don't require any analysis. . I see
a. . yeah. . it sure looks like. . ice cream cones.
A stack of about eight or nine of them. I think
I've convinced myself I'm in a fast-food place and
I think I'm just. . I think I'm just building a
scene. But I don't recognize this scene, okay?
#7.5: Okay. Let's try now to go back outside and to go
up in the air about 100 feet and take an aerial
perspective of the location. Work yourself outside
and very slowly go up, very slowly so it doesn't
lose focus, very slowly. . go up.
#36: Very hard to .
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#36: It is significant that I'm not thirsty anymore.
I don't know whether it is or not, but I've got
it down. I'm not thirsty.
#7.5: Fine. That's fine.
+46 #36: Okay, let's go up.
PAUSE
#36: Ahhh. . . This is not as sharp as some of the
other stuff but I . . But at 1,000 feet. . that
roof doesn't appear orange from here, it appears
darker. . It doesn't seem to reflect light. It
seems to be scattering it. The orange thing I
saw before was shiney. This appears to scatter
light. I'll be. . be. . its a road there. There's
a. . 60, 70 feet back from the road. There's a
structure. . . that a . . the ridge line of the
roof is . . parallel to the roof. . Somehow, that
doesn't seem the case before. In this one. . and
there's a . . another little roof line adjacent
to, its a different level, I think. . I have the
distinct feeling that the front of the building
is facing to my left. By the way, I'm looking
south. That's interesting. I'm above and looking
south. Parking lot seemed to be. . it comes and
goes. I don't know that's a parking lot. Its an
open space to the left. . . that comes towards me
past the building and appears to come part way
around behind the building. Its not very clear,
but I have a feeling that behind that towards me
is a . . . brush. Brush. . an embankment. . going
+50 down. It slopes down. . I . . I . . What happened?
Well, something just went by. You know, an image
that didn't belong. I saw a circle, neutral back-
ground, and I saw a hand with a ring on it laying
on a yellow napkin. Red finger nail polish. (Not
audible.)
#7.5: Okay #36, its a. . its time now. . that you think
about your images and focus on them and you've got
so many images now. Its time to draw them so that
we don't lose them. So take a quick glance at all
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the things you want to draw again and when
you're ready, its time to sit up and draw. So
you don't forget what we've got already.
#36: I don't. . . I don't have a (not audible). I'm
back in the cotton-picking building again.
#36: #7.5:, I swear, I think I went to sleep. Did
you have to wake me up?
#7.5: I suggested that you stop and draw some pictures
now.
#36: Oh my God. I did go to sleep on you, didn't I?
#7.5: Well, we'll talk about that in a minute. Let's
see if you can't draw. Do you remember the things
that you saw?
#36: Not very well. Oh, wait a minute. Yeah.
#7.5, I can't get these in order.
#7.5: What do you remember?
#36: I remember some where in the game seeing a . . .
orange or yellow roof. Wait a minute. Well, even
earlier than that I saw a . . Oh, okay, I see it.
Very early in the game, I saw a low. . .
#7.5: There's lots of pencils. That one looks like it
has a worn down point. Do you want a little bit
more light?
#36: #7.5, these won't be in order. (DRAWING)
PAUSE
#7.5: I'll have to go and get another cassette tape.
So, go ahead and draw and I'll be right back.
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#36: I had the feeling that this thing, you know, ran
the bigger part, the length of the roof. I was
looking. . I drew it this way because that's what
I thought I could see. But actually, I was look-
ing straight on to the roof. I . . a . . what I
. . What I was seeing was this, but I felt that.
#7.5: Okay.
#36: I felt this was thin. And I think I felt it was
a cathedral ceiling. . . and I think this was
I think this was a . . glass.
#7.5: Keep talking to me.
#36: Are we still. . .
#7.5: I have to go get another tape. You keep talking.
I'll be right back.
(DRAWING)
#36: Okay, I don't know how to draw this. . . No, I'll
draw something else and come back to this.
#7.5: How are we doing?
#36: I don't know. I have a feeling some of my drawing
is a . . I think I may be making a picture fit the
scene. I felt this may have been a curb line. I
felt that, #7.5, ah. . He may have been standing
here.
Some kind of a tall. . I think it was a sign. . .
Hmmm. Its funny, I didn't see this, but I have
the feeling now. That this portion, this may be
overlay, I had the feeling this portion was solid.
Because inside. . was a counter top, coming over
in this direction and curving away from me. There
was a door. How in the heck to draw this. 'Cause
. . . there was a door in the vicinity. Going.
that way.
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#36: I don't know, something about there wall going
that way, a divider. Appeared to be tables back
in. . . this area here. Never did look behind
the area here. I had the feeling there was tables
or booths or something here. I thought this was
probably flass because I stood here. . I stood here
and looked in before entering somewhere in this
vicinity. . .
How's this? Oh, that's me. I didn't get the
feeling of this structure on top of this. This
appeared orange at one time. . I tried to make
this white but it came out warm tone. Oh, when
I went inside I had the distinct feeling that the
ceiling was black. And I had the feeling the road,
the highway, was back here.
Hmmm. That's interesting. . . From overhead the
building looked longer than it does. . than it
did. . when I was on the ground. This is not
exactly the right angle, but I seem to be . . more
vertical.
There was another roof line off of this somehow.
. . that appeared to be lower. I can't. . I don't
know. I can't. . It was another. . . It wasn't as
simple as that. I felt that #11 was here.
END OF TAPE T-32
BEGIN TAPE T-33
#36: Oh, yeah. . .
I saw some more things that time I saw this. . .
Oh yeah, I saw a glass. I saw a plastic glass.
Plastic. . . That don't make sense. Nobody uses
plastic glasses.
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#36: Oh, yeah. Very early in the game, I saw a . .
I saw a . . display of draped, brown velvet.
And it had. pearls. Some on stick pins, some
clusters of stick pins. . . There were some
pieces lying down. . . broaches maybe. But there
was all across here was what appeared to be stick
pins. And I can't. . . They were very fancy,
some of them.
Don't know. That doesn't tie into anything. But
I saw that before. . . before.
I know I saw more than that. No, wait a minute.
I took a trip down the street to the east. . and
to my left. . Hmmm. There was some kind of
structure here with neon tubes. High. I think
there was a yellow. . involved with it.
I saw fat letters. I don't know what they were.
They were fat, like, you know. . like that. I saw
a big Z. Edges were light in tone. I saw numbers,
vertical. They seemed to stand out.
I saw three letters with a big Ion, and well, the
word was at least three times more letters than I
could make out. I can't remember what the letters
were.
I think that's about it, #7.5. I can't. .
#7.5: Okay. How do you feel about this session?
#36: I don't feel good at all. I feel I went to sleep
on you, didn't I? Fell asleep.
#7.5: I . . .
#36: I must have.
#7.5: Tell me why you think you fell asleep.
#36: Because of the way I felt. The way I felt when I
started coming out of it.
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#7.5: When you. .
#36: I felt like I . . . I felt like I had been
asleep. . . and I felt like I had forgotten
to do what I meant to do.
#7.5: All right. How long did you.
#36: Before. . my memory was. . my memory was very clear
of what I saw. Previous sessions.
#7.5: Okay.
#36: My memory is very weak on what I saw.
#7.5: Right now?
#36: Yes. Like I . . Like I dreamed it. Wait a minute.
I felt thirsty, right?
#7.5: Um hm.
#36: I remember that. I . . I felt. . nervous, excited
at one point, somewhere. And I have no idea why.
I had the distinct feeling that my chest went "ch
ch ch ch ch".
#36: And then quieted down. I can remember that very
good. Why'd you let me go so long?
#7.5: You. . a . . seemed to be talking quite well. And
you were describing an area.
#36: Ha ha ha.
#7.5: I wanted you to . . .
#36: (Not audible). . go around any other places than
here? Or is it hard to say with the garbage?
#7.5: Well, you've obviously focused on a particular
building area.
#36: Oh, by the way, I thought. . I know what I thought
I was in. I have a feeling now, yeah. I have a
feeling now that I saw a type of structure. I had
a ceiling. I saw things that were related to fast-
good places. And I think I might have sat there
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with building blocks and built me a fast-food
place.
#36: I thought this had a cathedral ceiling and it had
a flat ceiling inside. I felt, after I got inside.
Window. . Its awful hard not to put what logic
tells you . . should be there.
#7.5: Okay. What confidence level do you have in this
session? If you'd rate this on a confidence
level.
#36: The feeling is so. . strange to me right now that
I don't know what to make of it. I do know that
this scene has very, very clear. I imagined
myself going in here and standing right there.
Looking around. That was orange or yellow.
If I had of had this. If I had of had this scene
. . day before yesterday, I'd of felt very good
about it.
#7.5: Um hm.
#36: Right now. I think I went to sleep
#7.5: Okay.
#36: And I think. . I think in my mind I might have
built a . . I might have imagined things that
looked like a fast-food place that . . Wait a
minute. I also. . saw a . . a stack of hamburger
buns. I think there was, I don't know, may be.
three of them. That was. . . that was very. . I
saw. . I saw a. . (DRAWING). . . I wish I could
slow down and draw slow.
#36: There was three letters, I remember that and I
can't. . I don't know what to make of it, #7.5.
I don't have enough experience to analyze it. I
feel. . I feel different. I felt embarrassed
when I woke up. That I had gone to sleep on you.
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#7.5: So, you are. . do I understand you right? This
drawing that you did afterward is like recalling
a dream.
#36: Yeah. Its exactly like recalling a dream. And
it don't have all the connections. This is . .
this is pretty clear. I feel, you know, if thought
about it a long time I would remember some of the
other things that I saw there. And I feel I saw
things. But they are kind of fuzzy and hazy, like
a dream.
#7.5: Okay.
#36: I saw a. . Wait a minute, we went back. We went
back and I saw #11 standing there. . He's a white
silhouette. . And he didn't move. He's just a
silhouette. He just stood there and I went on by
it. Oh, this is weird. . I went on by and stood
here a while. And I don't know how I got in, but
all of a sudden I was right about here. Whoops,
I mean right about here, and I moved over to here.
#36: And this is a counter top. Believe it or not.
I don't know. . . It could be very good. It could
be that I went to sleep and had one heck of a
whopping dream. It was a thin line.
I don't know. I really don't. What happened?
I went to sleep didn't I?
#7.5: Well, from this point of view, it was, to me,
it was just like a regular session until you sat
up and told me that you thought you had gone to
sleep. To me it was a regular session. Were you
disturbed by any room noises or by any outside
noises?
#36: I heard heavy equipment somewhere. Early, I think,
before we really started, when I was just relaxing
I seem to remember. . I heard about 110 pound
woman on the spike heels, upstairs I think.
#36: Right. I heard a man. . with hard rubber heels.
But I think that was before we got started.
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#36: Somehow I felt that I really had a lot of stuff.
But I don't remember many things.
#7.5: Well, is there anything else you want to add?
#36: Can't remember what I'm. . . I'm concerned about
that I can't remember more than what I see here.
#36: Thank God. I saw no picutre frames for a change.
Oh yes, I was concerned about the possibility that
because, on maps. . Maps are always north is at the
top. I had the feeling that I had been viewing
everything from a southerly direction. I was happy
to find out that I was looking at this building
. . from a northerly position.
#36: Hmm. See the trouble I got in. . I wanted to make
it backwards.
#7.5: Okay, is there anything else you want to add?
#36: You know the time that I went back to the place
- this is a hunch, okay?
#7.5: Um hm.
#36: You know the time that we went back a second time?
#7.5: Okay.
#36: #11 had left. He was no longer there.
#7.5: Yeah, and that would. . .
#36: I'm. . I'm thinking about the white silhouette.
#7.5: Okay, I had the same impression of your description
there. The time. . Sufficient time would have
elapsed that he possibly could have left the area
by then.
#36: Do you know what time that was?
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#7.5: I have it recorded in here.
#36: Okay. I don't know, #7.5. I'm a little nervous
about this one because I don't. . it don't feel
like any of the rest.
#7.5: It doesn't feel like the ones you did before?
#36: No.
#7.5: Okay.
#36: If I imagined him inside of a place, I would
probably imagine a glass. He would not want to
sit down and have a . . I'm just analyzing, okay?
#7.5: Okay.
#36: That'll to it then.
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TAB A
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 Approved For Release 200j/03/07 : CIA-RDP96-00788R000909.500001-0
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 Approved For Release 2001/03/07 : CIA-RDP96-00788R000900580001-0
ay rcf
proved For F2elease...2001/03/07 : CIA-RDP96-00788R00090058 1-0
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I/
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 Approved For Release 2001/03/07 : CIA-RDP96-00788R0009005 0001-0
v/ACCyy~
.754/
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 Approved For Release 2001/03/07 : CIA-RDP96-00788R000900580001-0
Approva c .erReIease 2001/03/07 : CIA-RDP96-00788R000900580001-0
 ,((ts001 /03/07 : CIA-RDP96-00788R000900580001-0
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TAB B
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 Approved For Release 2001/03/07 : CIA-RDP96-00788R0009
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TAB C
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 Approved For Release 2001/0
f,krny
MUM
P96-00788R000900580001-0
REMOTE VIEWING (RV) SESSION XXX
1. (S) Post-session interviews are conducted after the
completion of a session to provide the selected remote
viewer with the opportunity to express himself concerning
his viewing experience.
2. (S) #26 was confident that he did "hit" the right
target even though he had described the target as a "fast
food" place. He recognized that he had tried to make his
images into a "fast food" place. This process is known
as analytical overlay and #36 is working on learning to
avoid this pitfall during remote viewing.
3.
(S) The relationship between #36 and #7.5
continues
to
improve and develop. #7.5 is urging #36 to
willfully
let
go of his left hemispheric perspective and
accept
raw
imagery from selected targets during remote
viewing.
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