SUMMARY REMOTE VIEWING SESSION XXXVI

• Document Type: CREST
• Collection: STARGATE
• Document Number (FOIA) /ESDN (CREST): CIA-RDP96-00788R000900310001-9
• Release Decision: RIFPUB
• Original Classification: S
• Document Page Count: 17
• Document Creation Date: November 4, 2016
• Document Release Date: June 17, 1998
• Sequence Number: 1
• Content Type: REPORT

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ORCON/NOFORN
INSCOM
GRILL FLAME
PROJECT
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CLASSIFIED BY: Director, DIA
REVIEW ON : 31 May 99
EXTENDED BY: Director, DIA
REASON: 2-301-C (3) (6)
GRILL FLAME
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REMOTE VIEWING (RV) SESSION XXXVI
1. (S) This report provides documentation of a remote
viewing session conducted for the purpose of orienting a
remote viewer to an applied remote viewing protocol.
2. (S) The target impressions related by the remote
viewer during this session provide for little or no target
correlation. The remote viewer was not confident about
this session. He was bothered by personal/work problems.
He was unable to physically relax and concentrate on the
task at hand. He was also under the influence of a virus
cold. Ambient room noise was extreme.
3. (S) The protocol used for this session was modified
from that which will be used in later training. The
protocol to be used in later training is detailed in the
document, Standard Remote-Viewing Protocol (Local Targets)
by Harold E. Puthoff and Russell Targ, November 1978. This
session's protocol was modified in that a randomly generated,
preselected target was not used due to the unavailability of
the target pool. In lieu of a randomly generated, pre-
selected target the "outbounder" or "beacon" simply chose a
site which, in his opinion, was unique and identifiable.
4. (S) Following is a transcript of the viewer's impres-
sions during the remote viewing session. At TAB A are
drawings made by the viewer reference his impressions of
the target site. At TAB B are photographs of the target
site. At TAB C is a post-session interview.
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REMOTE VIEWING (RV) SESSION XXXVI
TIME #66: This will be a remote viewing session.(Edited
for security.)
#10 I seem to be . . I can't get down on the ground
. . I seem to be overlooking an area.
#66: Okay, well, #43.5 is out at the site now. So,
take a look at the site with him.
#10: I'm trying to get on the ground so I can get a
perspective of where I might be. Or what might
be there.
#66: Okay.
#10: It's difficult. I felt like I was flying around
in a helicopter.
PAUSE
Something long and narrow. . .
#66: Okay.
#10: Just kind of comes and goes.
PAUSE
(Not audible)
I see something like a warehouse. Big.
several openings. (Not audible).
There seems to be an awful lot of movement. I
don't. . But I can't. . . It appears that its mov-
ing, very rapidly. As if it were a train. It
appears to be something like a train or moving
around tracks, very fast. I feel like I'm in the
middle of it and its just whizzing by me.
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#66: Hmmm. Concentrate on it. Let it slow down.
In your mind, slow it down.
#10: Its at a high rate of speed.
Now I've lost it.
PAUSE
I don't know how to. . I don't know how to put
it on paper because its moving.
+05 Long, narrow, structure of some kind. Overhang.
Could be a storage. . . Shoot, I lost it.
I got the same thing back. . it was rapidly moving.
Rapid movement. . going to the side and very fast.
I. . Its hard to tell if I'm moving or its moving.
I keep getting something associated with tracks
and speed. Buildings, very few, but long and
+07 narrow. Something with an overhang.
Strange looking.
PAUSE
Ahh. . I can't. . I can't figure it out. Its
nonsensical.
#66: That's fine. Remember you don't have to figure
it out, all you have to do is describe the images.
Just watch the images. Don't try to figure it out.
You're doing very well.
#10: I can't get that one thing out of my mind that
I've drawn here. It just seems to want to hang
with me. I don't know why. I don't know what it
is. Its like something out of Buck Rogers.
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#10: I can't. . . I keep getting the same thing. Only
in different variations of it.
I was . . . I was up looking down. It appeared
for a while there, he was in a . . oh, a . . .
an area with lots of shrubberies and lots of houses
like a suburb, suburb of some kind. Just scattered
all over the place. Houses everywhere. Structures,
trees, heavy trees, heavy bushes.
#66: Get in down around there. Focus a little closer
down. . . (not audible).
+12 #10: I seem to be having trouble getting down. That's
what I was trying to do at first. And then, I
went over this place and then when I came down
I was in. . it had something to do with speed and
large, long, narrow structures. Now, I'm back over
to this same place again. I'm picking it up again.
I got down on the ground in one place and then when
I get to this place I'm up in the air and I can't
seem to be any place to come down. Its like look-
ing over a triple canopy. There's no place open.
But I can see many, many structures. . white. Lots
of bush-like. . . shrubbery, trees.
I get the feeling. . . I feel very uncomfortable
over these houses.
I feel better over in the other. . area where
the buildings are. The long narrow buildings.
#66: Where is #43.5 in relationship to this?
#10: I can't. . . It doesn't seem to relate at all.
It could be anywhere. To me, he should be over
with the warehouse or long, narrow buildings.
Where this speed that I was getting was. Flash-
ing by, as if it were a railroad car.
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#10: It could have been a highway with cars going by
for that. . . I get a mixture of things. .
PAUSE
Like that . . .
PAUSE
+15 Its like some type of a security fence. It looks
something like wire and metal, dull. Okay.
Okay. . . He must be on post.
#66: That's analytical. What was it that flashed in
your mind that gave you that? Describe the flashes
in your mind that gave you that.
PAUSE
#10: That clued me to that particular??
#66: Yeah.
#10: I saw the. . when I was picking up these long,
narrow buildings, I had the impression that it
was perhaps a warehouse or something. The. . .
compound for. . . prisoner compound?
#10: At the security fence around it popped into my
mind. Very clear. Very clear. With the long,
white barracks. Its just suddenly there it was.
#66: Is that a memory trace?
#10: It could be 'cause. . .
#66: Have you seen like. . anything like that around
here or anything?
#10: When I was at the hospital for my EKG, I saw it.
#66: Um hm.
#10: Its possible that. . . that jumped out. The
security fence or what I thought it. . what I
think is a chain link fence or something. . could
have been along anything but that was like the
buildings and the fence sort of triggered the. . .
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#66: Now, is that image in your mind? If its not
a memory trace, is that image in your mind?
#66: Close by these things?
#10: The other things. . . hardly. I don't know if
there was a railroad track that runs through the
post or not. I can't remember, but I just get
the impression that. . . it could be railroad;
it could be a long, narrow walkway, but I picked
up a railroad, what I thought was a railroad.
And I felt related to the compound. I don't know
#66: Okay. Separate images?
#10: Separate images.
PAUSE
+18 The buildings that I saw; the mass number of
buildings was like a subdivision of just lots of
houses clustered together with lots of trees.
#66: Okay.
.#10: White. Everything appeared white. No color.
The roofs were dark. The sides were white. Every
building that I've seen.
That compound seems to stick
may have been jogged out by
where I'm standing right now
in my mind. It just
the fence. But that's
is outside that fence
#66:
looking in.
Then, again,
And I'm by myself.
that may be a memory trace that you're
#10:
developing?
Its probable.
#66:
Um hm.
#10:
The thing that clued me was the fence. A security
fence.
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#66: Okay.
#10: That's what I saw. And then I saw. . . Then I
kind of put it with the long, narrow buildings,
which I thought at the time were warehouses. . .
I still haven't discounted it as a storage type
building. It could be barracks. They seem to
fit the pattern. Those buildings in the compound
and this particular type of building.
#66: You (not audible) with a lot of analysis.
#66: I know its difficult to do. Just give me your
flashes. Stick to your one or two word things
and see if you can't stick to that. Lets see if
that falls together just with the flashes without
you doing any analyzing.
PAUSE
+20 #10: I can't seem to get a picture (not audible).
PAUSE
I see a circular. . . like discs.
PAUSE
It seems very difficult today. I can't seem
to settle in one place. And, I. . it just
keeps changing on me. Which, I'm really screwed
up now.
I'm not getting anything positive.
#66: Okay. Is there anything that you want to add to
your drawings? Do you want to draw any more?
Elaborate any more?
PAUSE
#10: Helicopter. . . Interesting. . (Not audible).
PAUSE
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#66: Okay. Is there anything that you think that
you want to add?
#10: No. I'm just. . I really hop, skipping and
jumping around. I'm not. . . I can't seem to
settle on one real positive thing.
#66: Okay.
#10: Today must be hopeless.
#66: Okay. Well let's go with what we've got then.
#10: Okay.
7
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TAB A
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TAB B
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TAB C
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REMOTE VIEWING (RV) SESSION XXXVI
1. (S) Post-session interviews are conducted after the
completion of a session to provide the selected remote
viewer with the opportunity to express himself concerning
his viewing experience.
2. (S) #10 feels that he made a mistake by attempting
remote viewing this time. The conditions were definitely
not favorable. But having done a session he at least
learned what was not the ideal atmosphere for remote viewing.
3. (S) #66 was unhappy with this session as well. The
ambient room noise was horrible and #10 seemed unable to
discipline his mental processes throughout the session.
He simply was unable to focus on the target.
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