SUMMARY REMOTE VIEWING SESSION LXVIII

• Document Type: CREST
• Collection: STARGATE
• Document Number (FOIA) /ESDN (CREST): CIA-RDP96-00788R000900210001-0
• Release Decision: RIFPUB
• Original Classification: S
• Document Page Count: 17
• Document Creation Date: November 4, 2016
• Document Release Date: June 17, 1998
• Sequence Number: 1
• Content Type: REPORT

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ORCON/NOFORN
INS COM
GRILL FLAME
PROJECT
SESSION REPORT
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CLASSIFIED BY: Director, IDA
REVIEW ON: 30 Jun 99
EXTENDED BY: Director, DIA
REASON: 2-301-C (3) (6)
GRILL FLAME
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SUMMARY ANALYSIS
REMOTE VIEWING (RV) SESSION LXVIII
1. (S) This report provides documentation of a remote
viewing session conducted for the purpose of orienting a
remote viewer to an applied remote viewing protocol.
2. (S) The remote viewer's impressions during this session
correlated very well with the target area. The viewer was
relaxed and cheerful prior to and during the session. This
viewer started the session after a five-minute relaxation
period. Once into the session he decided to sit up and continued
the session in a sittingposition. Due to difficulties with the
tape recorder, the transcript is incomplete at times.
3. (S) The protocol used for this session and which will
be used in later training is detailed in the document, Standard
Remote-Viewing Protocol (Local Targets) by Harold E. Puthoff
and Russell Targ, November 1978.
4. (S) Following is a transcript of the viewer's impressions
during the remote viewing session. At TAB A are drawings made
by the viewer reference his impressions of the target site.
At TAB B are photographs of the target site.
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TIME
TRANSCRIPT
REMOTE VIEWING (RV) SESSION LXVIII
#14: This is a remote viewing session (edited for
security.)
PAUSE
#33: I keep flashing on this. . on this shape. Its
a row. . a row of pointed things. No matter
how much I try to clear my mind, I keep coming
back to it. I've made it into several different
things. But basically its a row of pointed
things sort of coming in from upper left. Just
have the perspective of looking down a fence.
Or a row of small pointed shrubbery like trees.
#14: Okay. Well, just keep that image in mind and
you can draw it later. Or do you usually draw
(not audible)). Now, #28 and #15.5 are at the
location now. Reach out there and find them and
tell me the impressions that come in your mind.
Tell me what you see.
PAUSE
#33: Well, I'm going to sit up.
PAUSE
#14: Picture #28 and #15.5 (not audible). Kind of
stand along there with them or behind them and
look out ahead of you and see if you can see
them.
PAUSE
#33: I get a lot of light and shadow. Light and
shadow. There's something flat and square on
the ground.
PAUSE
I don't know what it is. Its not . . . Its
not flush to the ground; its about an inch
or so above the ground. Its not the same
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color as the ground. It has like two legs
leading off from it, its like . . almost
like a sign that's laying down on its face.
PAUSE
#14: Do you have a feeling for indoors or outdoors?
#33: Out. Outside. Doors. I have space around me.
But there's an awful lot of light and very dark
shadows.
PAUSE
There are people there.
PAUSE
There are people there. . that comes from all
different directions to get into this. They
can. . see them coming from the light and
going into the dark. Where they're going in
is dark but its not an overhang. I don't. .
I don't feel anything coming out over, over
the people. They are just going into a dark
place.
Like walking into a shadows, like they dis-
appear. But I don't know. . if . . I feel that
its a place where people go. But I can't tell
if there are people there right now, doing,
going there or whether its like a place people
go at some other time. Thepeople aren't. .
aren't as strong. If that makes any sense.
It doesn't to me.
#14: That's okay.
PAUSE
#33: I just got an impression like trees or. .
grass or ground. It just came and went.
PAUSE
Someone was looking at it. Like they just
looked at it and turned away. (Not audible).
They are not huge trees, they are some types
. . they're not (not audible), they're local
(not audible).
PAUSE
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#14: Focus again on #28 and #15.5 and tell me if
you have the impression of their interacting
(not audible).
PAUSE
#33: Talking. #15.5's talking.
#14: (Not audible). . Ha ha ha.
#33: Yeah.
PAUSE
#33: They're outside.
A lot of . . seems like pavement or something
around them. But I think the trees or things
that I saw was sort of behind them. And one
of them looked at it and (not audible). But
I could still feel, I could still feel it there.
But neither one of them, neither one of them
(not audible).
PAUSE
#14: Good. (Not audible).
(Next two phrases - not audible).
PAUSE
#33: The colors that I had. I had a colored impres-
sion. Like brick (not audible). . wall (not
audible).
PAUSE
There's more distance in front of them than
over to the right.
#14: (Not audible).
PAUSE
#33: To the right its all jumbled up. There's
nothing there that's all the same shape. There's
houses, trees, its all mixed up. There's not
just one thing (not audible) (Not audible).
Some trees (not audible).
PAUSE
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(Next two phrases - not audible).
#33: But (not audible). . but people (not audible).
#14: (Not audible).
#33: Yeah. I had the feeling that people go down
(not audible). I don't know (not audible).
PAUSE
(Next four phrases - not audible).
#14: Would you like some more light?
#33: Uh, yeah.
PAUSE
#33: (Not audible).
PAUSE
NOT AUDIBLE
#33: Like I say, I think. . Can you understand that.
#14: Oh yeah.
#33: Its like a round (not audible) sharp corners.
Its not my first impression of it. (Not
audible).
NOT AUDIBLE
(Not audible) it kept coming back. Kept getting
the same shape from different perspectives.
#14: (Not audible).
#33: Yeah. Its (not audible). Yeah. Very (not
audible).
#14: The next thing you described was a black and
square kind of on the ground (not audible).
#33: (Not audible).
NOT AUDIBLE
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PAUSE
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#33: (Not audible) all directions going into this
shadow. Really dark shadow.
NOT AUDIBLE
I'll tell you one thing, I can't draw.
TAPE FAILURE - NOT AUDIBLE
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TAB A
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TAB B
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0
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