SUMMARY REMOTE VIEWING SESSION LXVII

• Document Type: CREST
• Collection: STARGATE
• Document Number (FOIA) /ESDN (CREST): CIA-RDP96-00788R000900120001-0
• Release Decision: RIFPUB
• Original Classification: S
• Document Page Count: 20
• Document Creation Date: November 4, 2016
• Document Release Date: June 17, 1998
• Sequence Number: 1
• Content Type: REPORT

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ORCON/NOFORN
INS COM
GRILL FLAME
PROJECT
SESSION REPORT
CLASSIFIED BY: Director, DIA
REVIEW ON: 30 Jun 99
EXTENDED BY: Director, DIA
REASON: 2-301-C (3) (6)
GRILL FLAME
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SUMMARY ANALYSIS
REMOTE VIEWING (RV) SESSION LXVII
1. (S) This report provides documentation of a remote
viewing session conducted for training purposes to enhance
a remote viewer's demonstrated ability.
2. (S) The remote viewer's impressions during this session
had some correlation to the target area. The viewer appeared
very hypertonic prior to the session. Once into the session,
though, the viewer became very relaxed. Although there was
a lot of noise throughout the session, the viewer stated that
he had not heard any of it.
3. (S) The protocol used for this session and which will
be used in later training is detailed in the document,
Standard Remote-Viewing Protocol (Local Targets) by Harold
E. Puthoff and Russell Targ, November 1978.
4. (S) Following is a transcript of the viewer's impressions
during the remote viewing session. At TAB A are drawings
made by the viewer reference his impressions of the target
site. At TAB B are photographs of the target site.
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TRANSCRIPT
REMOTE VIEWING (RV) SESSION LXVII
#11: This will be a remote viewing session (edited
for security).
PAUSE
#29, its now 10 o'clock. The beacons are at
the target location. Reach out and go to that
location and tell me what you see.
PAUSE
+01 #29: Two light colored parallel lines. They could
be poles. They appeared to be metallic. Appear
to be on the close order of 20 feet high - at
least I can see them going up in the air. Two
parallel, cylindrical poles.
+02 First, a rectangle at the top of that. Now that
may be an analytical overlay. Because the
question . . . intuitively is, what are they
for? And it seems to be to hold something up.
#11: Okay.
#29: And then, what is the thing which is being held
up? And it appears to be a horizontal rectangle.
PAUSE
The poles are definite and they are about 6 to
8 feet apart and about 20 feet high. And then,
I had the feeling that there is a rectangle
above the poles.
PAUSE
+04 That was interesting. They're walking forward.
The beacons are walking forward and I went
drifting forward with them, so that I first saw
an object at a distance like that and then as
they moved forward. . no, that's not wide enough.
as they moved forward, it got progressively
larger.
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+05 Cup shaped object made out of some kind of hard
material. Could be cast concrete. Carved stone.
Something. Something massive . . like that
feeling. I cannot see water inside it. It has
the signature of a fountain, but to say its a
fountain is analytical. It could be a trash
recepticle. Ha ha ha.
+06 I'm not sure the drawing is (not audible).
I just got the impression of a large brick
building with an entrance set in the corner and
some kind of an overhang over the corner entrance.
But I don't. . I don't feel good about the image.
So. Drop that and see if I can go back and look
for #66 and #20. Start. . .
PAUSE
#29: Oops! This one is going to be tricky to draw.
Its a large dark shape, rectalinear object. I
have the feeling that its sheathed in like metal
siding that's you know, kind of a dark color.
Bank your knuckles on it and it sounds metallic,
but is not a metal column. Order of magnitude
would be . . ahh. . that's . . I don't understand
too why I'm looking down on the top of the thing.
Unless my order of magnitude is wrong, but I get
the feeling that its. . four feet and the pro-
portion that I saw in this direction is six and
the height is 10 feet anyway. But I seem to be
looking on the top of it. I don't know, I'm
having a lot of trouble with these dum sessions
because I went through a bench period where there
was a bench in everything. Then I went through
a staircase period and there was a staircase in
everything. And this seems to be part of my stair-
case period. What am I up to? That's four I
think.
#11: Well, you know, a lot of these targets have been
preselected for us by somebody else. There have
been a lot of similar things. So, just go ahead
and describe whatever you see no matter how
ridiculous it might seem.
#29: Its dark. Not shiney, but oxidized metal. Dark.
No oxidized metal implies rust. I don't believe
to imply rust.
#11: Like a primer.
#29: No. No. Like aluminum siding. Yeah, like
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aluminum siding. Bronze. Dark bronze or
something like that.
PAUSE
Okay. Projecting overhang. Now, I can't tell
whether they're inside. . ah. . its one of
those perspective things where if you draw it
this way it flops from there. . by being outside
to there. . being inside.
#11: Uh huh.
#29: But I can see it from both ways.
PAUSE
+12 One of the things that's really odd about this
sensation is that I can see through things. I
know its not normal to be able to see through
things.
#11: Ha ha ha.
#29: That's five. As if this was a doorway set in.
I'll indicate glass doors but I don't see them.
I just get the feeling there's an opening. .
and light being in through here. Five "A".
I'm going to try and draw it as if we were (not
audible). Damn it! I can't see it!
PAUSE
Patience. Patience.
PAUSE
I guess that's what I was trying to see. God!
Oh, there's a rectangular metal frame sign on
the wall that. . it was like, you know, if you
+14 go to a movie theater, it say Now Playing - King
Kong and the Lord of the Underworld or whatever.
A glass fronted case that has material displayed
showed inside of it. I don't want to say that its
(not audible) yet. Order of magnitude - 6, Oh
come on pencil (not audible), 6 inches deep and
21/2 feet by 31/2 feet high. Glass front. Aluminum
sides.
SIRENS - OUTSIDE
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#11: Yeah, that's pretty good.
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#29: I just went back to drawing 3a. And I got it
again clearly and I added the color light blue.
. to the projecting (not audible).
PAUSE
#20 on that concrete thing. It could be a
drinking fountain too.
PAUSE
Okay. I think that;s what I want to . . I
don't . . seem to be getting anything new.
+21 It seems to be review time.
PAUSE
(Not audible) a strange pattern.
PAUSE
Hmmm.
Number 2 - I had the feeling there's a you know,
concrete type area. But the lines are not very
strong. You know, its just a concrete walkway
area. Hard, flat surface and this object was
something that was walked by. Sort of noted in
passing (not audible). Yeah. Height of the
thing is three feet.
PAUSE
No, I'm not going to say that. If I think that
its a drinking fountain or something like a
drinking fountain, then I'll make it 31/2 feet.
I'll say three feet but (not audible) that order
of magnitude.
PAUSE
Initially, well I get the cup shape, more than
I get the base. So the base is less important
than the cup shape.
PAUSE
So here's a large corner of . . its the corner
of a large building and I'm going to put in a
dotted line because I have a feeling that that
itiToonn.'1900120001-0
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original roof line that I drew isn't tall
enough. Going back and looking at the second
perception, that I had of it when I added the
color to the overhang, blue, or projecting
entrance way or whatever you want to call it.
It did seem like the building was taller than
I had it drawn here.
PAUSE
Four I don't understand. Dark. Bronze,
metallic. Shape. But I seem to be looking
down on the top of it and I don't. . I still
don't understand that. I just have a feeling
that it was quite tall. Oh well. Five and
5a was this inside/outside entrance side thing
where. . . Yeah, . . its an optical illusion
the way I got the, the image of the thing is
an optical illusion. Sort of snapped back and
forth like I have trouble with perspectives
sometimes.
Six was the display case that is next to a
set back. Term it a set back rather than
calling it an entrance because it may not be
an entrance.
PAUSE
Seven was another shot of the overhang. And
that's all she wrote. Do you have any questions?
#11: No. It sounds to me like a pretty good session.
#29: Ha ha. So did the last one.
#11: What? I don't know. How do you feel about it?
Confident?
#29: Nope. After three zeros. . . I don't feel
confident.
#11: Well, that's good because most of the time when
you feel confident that's when (not audible).
Is there anything that you want to go back and
look at, at the location? I know you realize
that once the beacon has gone from the location,
we can go back and (not audible).
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I don't necessarily want to say that its a
movie poster. It could be a display case for
something and this is on a . . on a . . on a
wall to the right. . to the left of an opening.
It could be the same opening that I was drawing
at five. It could be a display case for
merchandise. It could be a display case for a
poster. (Not audible) I say its a display case
for a picture for a movie then I'm going to build
a movie theater out of that damn place and I
don't want to do that.
#11: Okay. Well, start over again. Concentrate on
#66 and #20. Find them.
#29: (Not audible)
PAUSE
+15 There's that projecting overhang again. I have
a feeling they're idling around in front of this
building. It has this projection but I keep
getting the projection from different directions.
I just got it sticking out over top of my head
as if I'm towing around like a balloon behind
#20 at that, at that particular moment. And he's
. . . Oh yeah. He's idling around underneath
this, this overhead projection doing type "0"
circles. Orbit is the term I normally use.
PAUSE
What am I up to? Label that One. That's Six
and this is Seven.
PAUSE
+18 Okay, I want to say that #66's got the camera
and is taking pictures. Seventeen, that can't
be.
PAUSE
Okay, throughout this session I didn't have
the feeling that they were inside. I had the
feeling that they were idling around out front
of a building.
PAUSE
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#29: Well, when I go back to the drawings I call up
the images and in that sense I've already gone back
through the perceptions. Its a fifty - I think
its a diminishing return thing, for me, when I
go back and look at the perceptions. Because
there's a huge tendency to do a lot of analysis.
#11: Exactly.
#29: I seem to get, you know, I seem to go through
the target to a certain point and then, you know,
I just don't. . . the camera stops running or
whatever.
#11: Um hm.
#29: This stair glass, if there's anything I want to
do, its the vertical (not audible). . .
#11: Okay, yeah, that would be your first and
strongest impression. (Not audible).
PAUSE
#29: #11, its just not coming.
#11: Okay.
PAUSE
#29: No. Anything I put on it at this point, I
just have the feeling its going to be analytical.
#11: Sure.
#29: I can change the object up at the top of those
poles almost at will. I've done it twice and
I don't think either one of them's right.
#11: Well, then we'll call it the end.
#29: Okay.
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TAB A
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Juki 28/q79
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0.?""
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TAB B
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