SUMMARY REMOTE VIEWING SESSION XLVII

• Document Type: CREST
• Collection: STARGATE
• Document Number (FOIA) /ESDN (CREST): CIA-RDP96-00788R000900040001-9
• Release Decision: RIFPUB
• Original Classification: S
• Document Page Count: 19
• Document Creation Date: November 4, 2016
• Document Release Date: June 17, 1998
• Sequence Number: 1
• Content Type: REPORT

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ORCON/NOFORN
INSCOM
GRILL FLAME
PROJECT
CLASSIFIED BY: Director, DIA
ON: 30 Jun 99
EXTENDED BY: Director, DIA
REASON: 2-301-C (3) (6)
GRILL FLAME
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REMOTE VIEWING (RV) SESSION XLVII
1. (S) This report provides documentation of a remote
viewing session conducted for training purposes to enhance
a remote viewer's demonstrated ability.
2. (S) The remote viewer's impressions provide little
or no target correlation. The remote viewer was uncomfort-
able throughout the session. He was not confident of his
efforts and stated that he thought this would be a bad
session. The remote viewer was troubled by the mechanical
noise of the tape recorder and other ambient room noise.
The viewer used no "quiet time" before beginning the session.
3. (S) The protocol used for this session was a modifica-
tion of the protocol detailed in the document, Standard
Remote-Viewing Protocol (Local Targets) by Harold E. Puthoff
and Russell Targ, November 1978. This session's protocol was
modified in that a randomly generated preselected target was
not used. In lieu of a randomly generated, preselected target
the "beacon" simply chose a site which, in his opinion, was
unique and identifiable.
4. (S) Following is a transcript of the viewer's impres-
sions during the remote viewing session. At TAB A are
drawings made by the viewer reference his impressions of the
target site. At TAB B are photographs of the target site.
At TAB C is a post-session interview.
CCnC'T
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REMOTE VIEWING (RV) SESSION XLVII
TIME
#7.5: This will be a remote viewing session
(Edited for security.)
#7.5: Okay, #6.5 is now at the target. He's paying
attention to his location . . . observing the
target area. . .? taking notice of the target.
See if you can't hone in on him. . . and
describe the area to me.
#7: Can't you set that thing on the hinges so
it won't make a sound board out of the table?
I had the feeling a moment ago, I wasn't sure
what it was, I'm still not. I had the sensation
of looking through glass. I felt there was a
glich in the glass in the lower left side. It
could be dirt, it could be chipped.
+03 #7.5: Do you perceive him to be . . . Do you perceive
the target to be inside or outside?
#7: I don't know. I saw a horizontal shape like
a shaft with. . . with, not really a shaft
where its shoved through something that was
about five times the diameter of the shaft.
And whatever that was, was about eight times
as long as it was as it stands. Or if you cut
the top off a cat tail so that you have the
shaft tubing on each end of it. Laid in a
horizontal position. . . that was the thing
I saw.
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+05 #7: it isn't working today.
PAUSE
I see triangles. I have the feeling of metal.
Its like straps of metal put together in form
a rigid structure as in bridges, towers, some
(not audible) use it as trusswork.
I'm getting conflicting information. I see
the trusswork extending horizontally and then
as I look at it I feel as I'm looking up in
the air. It could be vertical but, its
horizontal. Its kind of looking at it with
no reference point so I can't tell whether I'm
looking up or horizontal.
PAUSE
Well, where is he?
PAUSE
I had the feeling that #6.5 was looking in . .
. . I see a little blonde girl, a little flowered
dress - the background is dark, the background
of it. The little figures are light toned.
#7.5: #6.5's looking at this? You say he was
looking. . . .
#7: I saw it. I have a feeling it would be to
his left about thirty-fourty feet.
#7.5: Are they inside or outside?
#7: I don't know.
I'll go back to what I was talking about.
I though #6.5 was looking at . . I think maybe
posted material. I get a feeling the paper
was on glass at first. Kind of a framed area.
#7.5: What do you mean by posted material?
#7: I thought it was something I was supposed to
read. Its something somebody wanted me to
read. Wanted people to read. And it could be
2
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on a bulletin board but I had the feeling
of glass. It would be my guess it was put
up on glass.
#7.5: Okay.
#7: Like maybe he's standing outside and there's
something on glass. I don't know where.
#7.5: Tell me more about this.
#7: I just had the feeling he was standing - I am
probably building this, because its coming
fairly clear now - as though maybe he's stand-
ing outside of the window and there's paper on
the window. Pink or orangish. There's some
white. I think its got writing on it. I'm
not sure he's seeing the paper, I think he kind
of looked past it. I see a wrapped box shape,
you know, like brown wrapping paper.
#7.5: Okay.
#7: I am aware of a bunch of bananas went by a
while ago. I didn't mention it because I
thought maybe it would cause me to try and use
it to identify (not audible). I saw the letter
M. (Not audible). . .
#7.5: Okay. I want you to concentrate now solely
on one thing. I want you to concentrate on
the bulletins, these things on glass that you
felt you were supposed to read. Concentrate
solely on that.
#7: I . . . I think what I'm seeing . . what I'm
seeing is analytical. I felt I saw big numbers,
+14 bold numbers. . on one sheet. And I distinctly
saw a three. It was a black three. I am getting
the feel of exposed agregate. Its in a vertical
plane.
#7.5: That's good. What is exposed agregate?
#7: Its some kind of encasement . . .
PAUSE
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#7: I'm sorry . . . Wall or something and I kept
seeing about four or five feet in front of it
some kind of vertical structure with exposed
agregate as well. Like that design carried
over. Had a feeling that board, window, what-
ever was to the left of this.
There's overhang. I'm sorry, that's probably
important. It appears. . I think its brown.
Well, it sure isn't fast and furious by golly.
PAUSE
+17 Okay, I see linear repetition. Going away from
me at an angle.
I keep trying to get that board. I don't know
what it . . .
Its gone.
#7.5: Tell me what #6.5's doing.
#7: I think he's as bored as I am.
PAUSE
#7.5: What makes him be bored? What is the activity
he's doing?
#7: Oh, I can't really say, its too logical. He's
wishing the time would go by so he could get
the hell out of there.
#7.5: What's he doing? What's he . What activity
is he participating in? What is he doing that
makes him bored?
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#7: I can't see him.
#7.5: Is he alone?
#7: I don't see him. I'm sorry, the reason I was
hesitating, I was looking around for him. I
saw an image of him in a place that I've been
before, so . . .
#7.5: Tell me about it.
#7: No, I was with him there once and I'd rather
not tell you about it. You know. I'm just
flashing back to the time I went out with
him on one of these trips once. That's where
I saw him standing and that can't be right.
But I had the feeling that he was looking in
the direction that would be Northeast. But I
don't know why I said that.
r~l
+20 I think I must be getting bored because there
are all kinds of garbage flying by that do not
have any connection with each other. By garbage
I mean different scenes.
One of those things that's flying by is boxing
gloves. They are not attached to anything.
#7.5: Okay, how about drawing some of the images you
had, V. See if you can't give me some drawings
here.
#7: Okay. Let me sort through. Wait a minute. . .
I just . . I just saw the word WEEK. Or something
like that in a very distinct style letters.
Okay.
PAUSE -- DRAWING
#7: That's when I heard the. . . .
#7.5: That's an "A" I guess.
#7: Um hm.
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#7: This was a bad one.
#7.5: Okay. Do you have any confidence in this at all?
#7: It was so weak and sporatic there. It wasn't
a case of just stepping right on the scene and
standing and looking around. It was weak
impressions.
#7.5: Okay.
#7: There were all kinds of things going by. I
saw a tire go by; I saw a bunch of bananas go
by; a chicken drum stick go by; things that;
many things that I never even touched on;
I saw a spoon; many items that I didn't even
know what they were at first and then they were
gone. I feel that . . to get confidence, I've
got to be able to stand and look at it.
#7.5: Okay. So you thought this was very weak and
you're not too happy with what you've got.
#7: That's about the size of it.
#7.5: Okay. I still have an interest in that. . a.
window or bulletin board object that you had a
feeling that you were supposed to look at. You
have some sort of . . something displayed in
window type thing or a bulletin board type
thing that you're supposed to look at, okay?
Seem to associate this with the target. Perhaps
#6.5 was supposed to look at this thing or he
was looking at this. Now . . .
#7: You want me to take a look at it, right?
#7.5: Well, I don't want you to look at it, I want
you to find it and then, since maybe #6.5
was looking at it, I want you to find it again,
find this display thing here and stand in its
position and look back out and describe what
you see.
#7: its going to be a bad day because I feel I'm
inside.
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#7.5: That's fine. Now describe that. That's good.
Now describe that.
PAUSE
#7: I saw what looked like a bright ceiling.
#7.5: Okay, let's focus down from that, down from
that. . .
#7: And that. . .
How in the hell can I be looking through the
window on the inside?
#7.5: That's fine. Don't, don't analyze.
#7: Yes but it smacks me right in the face.
PAUSE
#7.5: What is it thatyou see?
PAUSE
#7: I feel . . . I think there's fabric. I think
there's fabric around me. There's something
long and soft and I think that its fabric.
#7.5: Okay now, further away from you, out and away
from this, around you close to where. . .
#7: No, I don't mean on me. I mean . . its . .
all around me and that's completely contrary to
what I felt . . .
before. I didn't feel anything about this
fabric. I . .
#7.5: Stand at the display thing. Let's not call it
a window. Stand at the thing that was the
display that you.had'to look at before that
you were supposed to look at. Stand there and
look way out. Look way out to the area from
where you would be looking at this.
What's out there?
7 ( ?' nr r
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#7: I see what appears-to be an overhang. (Not
audible) overhang. Overhead structure coming
towards me. This is the other direction by
the way. Where I had the feeling of the
ceiling.
#7.5: Okay, that's fine. Now, down below that
overhang. What's down below the overhang?
#7: It feels rather open, spacious.
#7.5: Yes. Open. Spacious.
#7: I wish I could get to where I could see the
layout (not audible). I've been trying to get
up where I could see the layout - see where I
am.
#7.5: Well. . stand by that . . thing that you had
to look at.
You said you felt as though you were inside
now.
#7: I can see a window again but its not the same
one. I don't think.
I think we better stop. There's just too
much garbage. I'm seeing electronic tubes
now. And nobody's used electronic. . vacuum
tubes in ages.
I can't get the scene.
#7.5: Okay, that's fine. We'll stop here then.
You can't seem to get (not audible). That's
fine.
11 CkEPUT -
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TAB A
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IN / Y~qh a a--,Vo
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{
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TAB B
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TAB C
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REMOTE VIEWING (RV) SESSION XLVII
1. (S) Post-session interviews are conducted after the
completion of a session to provide the selected remote
viewer with the opportunity to express himself concerning
his viewing experience.
2. (S) #7 was not surprised that he had "missed" the
designated target. He has no explanation for his "miss"
but believes the problem in part was his lack of proper
relaxation and focused concentration during the session.
Again, he related that he simply felt uncomfortable during
the session.
3. (S) #7 and #7.5 appear to work well together. #7.5
was enthusiastic about the session and had hoped for success.
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