SUMMARY REMOTE VIEWING SESSION CCC20

• Document Type: CREST
• Collection: STARGATE
• Document Number (FOIA) /ESDN (CREST): CIA-RDP96-00788R000800780001-9
• Release Decision: RIPPUB
• Original Classification: S
• Document Page Count: 16
• Document Creation Date: November 4, 2016
• Document Release Date: June 17, 1998
• Sequence Number: 1
• Publication Date: March 11, 1980
• Content Type: REPORT

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ORCON/NOT RELEASABLE TO FOREIGN NATIONALS
CLASSIFIED BY: DIRECTOR, DIA
REVIEW ON: MXPCH 7.Qdo
EXTENDED BY: DIRECTOR, DIA
REASON: 2-301c (3 & 6)
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REMOTE VIEWING (RV) SESSION CCC20
1. (S) This report documents a Remote Viewing (RV) session conducted
in compliance with a request from SOD, J3, OJCS, Pentagon, Washington,
D.C. The purpose of the session was to provide information relevant to
the hostage situation in the US Embassy compound in Teheran, Iran.
2. (5) The remote viewer's impressions of the target are provided as
raw intelligence data and as such have not been subjected to any inter-
mediate analysis, evaluation or collation. Interpretation and use of
the information provided is the responsibility of the requestor.
3. (S) The protocol used for this session is detailed in the document,
Grill Flame Protocol, AMSAA Applied Remote Viewing Protocol (S), undated.
4. (S) Following is a transcript of the viewer's impressions during
the remote viewing session. At TAB A are drawings made by the remote
viewer reference his impressions of the target site. At TAB B is target
cuing information provided the remote viewer.
5. (S) The remote viewer was asked to locate and describe the surround-
ings of Kathryn Koob. He described two male individuals in proximity to
Koob, but was not able to identify them or their exact locations. The
viewer described Koob's location as being in a tall multi-story building;
a hotel like atmosphere; definitely a strong feeling of riot being on the
US Embassy compound.
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REMOTE VIEWING (RV) SESSION CCC20
#14: This will be a remote viewing session for 11 March
1980. The on-target time is 1400 hours.
All right, ##36, the time is now 1400 hours. Your
mission for today is to find and locate Kathryn Koob.
I want you to find and locate Kathryn Koob. Describe
the surrounding. . . situation and tell me where she's
located.
+07 #36: I got . .
PAUSE
I got . . . I got a woman. . . looks . . looks
a little like Kathryn. Looks older. Older than the
picture. She's . . . She's . . . very high up.
Tall. Tall. . . . . Tall building.
I think its next to the top floor. Sleep. . . can't
sleep, she's . . . on her feet with the . . . . . .
fancy bedspread and her blanket wrapped around her.
Its kind of cold. . . cool in the room. Looking out
the window, you can see . . . way down there is . . .
street. Street's bright. Lit up. Its like . . .
tall. . . tall. . . like a Hyatt Hotel or something.
It don't look like the picture, but . . . . . My
awareness is . . . this is the right place.
+10 Way off from me and to the left. . . I see . . .
a big white draping shape. Like wires draping downward.
I assume. . . I assume what I'm seeing is . . .
some big. . . lit up monument, way over to the left.
Tops of a city across the street. . . . away from me,
appear darker. It . . . . This street is much brighter.
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#36: Just a minute.
PAUSE
+14 Its amazing. She seems relatively calm.
PAUSE
She's strange. I don't know how I know this.
She was . . . . looking down the street and day-
dreaming. Daydreaming about . . . a fireplace
- a cozy fireplace somewhere in the United States.
I felt . . . .
Somewhere. . . South of Chicago and to the left.
I'm'. . . looking for . . . another person. I
don't . . don't see another person.
PAUSE
+18 Room is . . . relatively . . . neat and clean.
PAUSE
I . . . . Someone. . . female. . . . . . . . . .
comes in here - two of them.
+20 1 seem to sense that . . . a lot of this floor is
restricted. Problem with this elevator. I sense
that you've got to get special permission to stop at
this floor. I don't know why I said that. I don't
see a lot of . . . I don't see a lot of . . military
type . . . physical guarding.
I'll be damned. There's . . . . There's . . . .
a damn TV camera over there watching . . . watching
down this hallway.
Oh, I forgot. The two women that come in here . . .
apparently bring food and . . . and linens, but I
don't . . . don't feel that they are maids or any-
thing like that. One of the women has . . . . . .
tried to develop a confidence with . . this person.
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+25 #36: Appears . to be in . . . good health under
the circumstances. Boredom and fear of . . .
unknown factors seems . . . . to create hallucinations.
PAUSE
Watching street movement seems to be mixed blessing.
PAUSE
Trying to interpret . . . . Trying to interpret the
scene . . . below. Activity below. . . . . occupies
her mind.
+27 False interpretation . . . . apparently . . . causes
extreme depression. Down, down, down. . . . Down the
hall . . . . . . I sense . . . down the hall, . . . .
a couple of important people. At least they are thought
to be. . . by local people.
+29 I have the feeling at least two . . . are probably
male, males. One . . . One . . . One I feel is
early thirties. Other one . . forties. I think
they're . . . If I go out here door, they would be
. . . I'd have to go to the right to find them.
PAUSE
+30 Most surrounding buildings are . . . below me.
PAUSE
Not that its important, but I . . . . . I was trying
+31 get to know this person. I had a very strong feeling
that she is interested in archeology. History.
Ha! Yeah. She's . . . She's aware that she's part
of history.
She. . . She's . . . . . must be very strong person.
She . . . . not . . not afraid. . of being. . killed.
Has faith, will return.
3
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+35 #36: Dip. . . Diplomacy. . . is slow.
PAUSE
Ha ha ha ha. Humph!
PAUSE
A pretty good nest egg. With bonus.
PAUSE
I don't know why but I have a very strong feeling
. . . . . very strong feeling that when . . . we
look out the window. . the compound is . . . I
thought the compound was on the other side of the
building, but way over there I see - its very
bright, so I'm confused, but at first I thought the
compound was . . . off somewhere to the other side
of the building.
+37 For some reason, I. . I have a feeling that . . .
Its very strange. Like I know what she's. . . what
she's thinking. Its no big deal. Its just . . .
nothing exciting, would make a good argument. Its
a pretty nice place. I could watch the shell from
this vintage point.
#14: What is the name of this building that you are in?
What is it called?
#36: I don't know, I hadn't thought about that.
+41 I don't know, but I had the feeling that . . this
makes no sense to me. It had something to do with
meaning of . . . of hand or . . palm. Palm.
I I. . . . . . . . .
PAUSE
Oh, I can't . . . I can't . . I can't get it.
#14: That's okay. I want you to think again about the
other two people that you described down the hall.
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+44 #36: I didn't . I didn't see them. I just
some how or another. . . . . I have a feeling
that one of them is . . . . . . I said that.
Dark haired, early thirties. Beard. Male.
#14: Are they hostages?
#36: I haven't thought about that. I think so.
I think so.
I just had a warm feeling towards them. I just
naturally assumed they were Americans.
+45 #14: I have no further questions. Is there anything you'd
like to add?
#36: Did I say, the street, down the bottom, forty feet
to street level is very bright, way down the street
and there's some people out there.
This person seems to be coping with a bad situation
at this moment better than anyone. . . . . well, very
well at any rate. Perhaps more calm than anyone I've
seen. Seems to have complete faith that . . . all
will be well. All she has to do is wait.
That's about it.
PAUSE
Boy, I feel like I could . . . .
TURN OVER TAPE
Let's see, the first scene I got was looking over a
person's shoulder Lhrough a big window down a brightly
lit street, far below. Most of the buildings above
street level was very dark, dim, except for the
reflection from the street. And, there was a woman
to the left, wrapped up in bedspread and a blanket
pulled over her shoulders kind of Indian style. . .
just looking out the window. I had the feeling it was
quite high. And perhaps, one to two stories above the
roof of the building. I had the feeling it was at
least one floor above this level. If I remember
correctly.
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#36: Is that what I said?
PAUSE
#14: You said you were high.
#36: I was quite high. But, I thought there was a floor
- one or two floors above me.
I felt the building rather than being very wide and
high, was fairly slim with a width ratio of about
two to one. I think I can draw that.
And there was other buildings off behind this, but
I felt it was somewhere around the vicinity of the
. of the window indicated by the arrow. And, I
. . . . . felt that off over in this direction,
indicated by Arrow B, I'll make the first one Arrow A.
In the direction of Arrow B, I thought I saw the
drooping, line like shape of wires, which I interpreted
to be . . . It was like looking at the end of a four
shortened suspension bridge. And for some reason, I
thought, I interpreted that to be perhaps the big, big
monument they put up to something a few years ago.
Beyond, was either a picture or another window, I
couldn't . . couldn't make it out, but I suspect it
was a picture on the wall. This is not a very good
drawing. For quite a while she was standing near the
window with her hands on the window sill. And, there
was a table back over here.
PAUSE
With a fairly comfortable chair nearby.
PAUSE
#14: Then you went out, must have been in the hallway.
And, I'd like you to draw a picture of that, and you
mentioned a TV camera.
#36: Oh, Okay.
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#36: Oh, wait a minute. I lost the elevator. This
room here is too big. That hall was quite long.
It was down here on the right here somewhere and
some of these rooms below the camera on here, I felt
there was some other people. There appeared to be
a central area in here; the elevators are somewhere
in this area here. Then there was, apparently, more
windows and rooms over on the other side. But, the
TV camera was way down the hall looking down past the
door up here. That's better.
I don't know, I think the elevator might have been
this (not audible) section down around here somewhere.
There was more than one elevator and I tried to see
where they were in relationship to each other, but
I couldn't make it out. But I did have a very strong
feeling there was more than one. But there was some-
thing about one could stop at this floor. One elevator
could stop at this floor. I don't know whether it was
because of mechanical or whether someone . . . made a
ruling that that's the way it would be. I had a feel-
ing that you had to get permission to stop at that
floor. . from somebody. It had the feeling of a hotel
or like area. It was fairly plush compared to some
of the areas I've been looking at. It could have been
an office building and this was some kind of executive
suite. It appeared cleaner and better kept than most
areas I've visited. . before.
Is there anything else I had on there?
PAUSE
I never did look at the center section. I don't know
what's in there.
Is there anything else?
PAUSE
#14: No. Is there anything else you can think of?
#36: No. I had a vague awareness of two men down the hall.
The one younger than the other. I felt they were . .
It was felt that they were important. . . by the local
people. And I felt that they were probably American.
And being American, I just naturally assumed that they
were hostage. But I guess that's not necessarily true.
But I felt they might be. That's about it.
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TAB
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,qQ
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TAB
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If
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REMOTE VIEWING (R1/) SESSION CCC20
1. (S) The viewer has been exposed to open source news media information
as well as classified overhead imagery. He knew he would be working
against the hostage situation in Iran.
2. (S) At the time of the session, the viewer was told he would be
trying to locate Kathryn Koob. The viewer was shown the attached
photograph and asked to locate and describe the surroundings of the
individual in the photo.
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