SUMMARY REMOTE VIEWING SESSION CC79

Document Type: 
Collection: 
Document Number (FOIA) /ESDN (CREST): 
CIA-RDP96-00788R000800630001-5
Release Decision: 
RIFPUB
Original Classification: 
S
Document Page Count: 
17
Document Creation Date: 
November 4, 2016
Document Release Date: 
June 17, 1998
Sequence Number: 
1
Case Number: 
Publication Date: 
January 31, 1980
Content Type: 
REPORT
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PDF icon CIA-RDP96-00788R000800630001-5.pdf415.3 KB
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Approved For Release 2000/08/07 : CIA-RDP96-00788R000800630001-5 ORCON/NOT RELEASABLE TO FOREIGN NATIONALS Q GRILL FLAME SESSION REPORT CLASSIFIED BY: DIRECTOR, DIA REVIEW ON: 5 FEB 2rZ)O EXTENDED BY: DIRECTOR, DIA REASON: 2-301c (3 & 6) Approved For Release 2000/08/07 : CIA-RDP96-00788R000800630001-5 Approved For Release 2000/08/07 , 0788R000800630001-5 REMOTE VIEWING (RV) SESSION CC79 1. (S) This report documents a Remote Viewing (RV) session conducted in compliance with a request from SOD, J3, OJCS, Pentagon, Washington, D.C. The purpose of the session was to provide information relevant to the hostage situation in the U.S. Embassy compound in Teheran, Iran. 2. (S) The remote viewer's impressions of the target are provided as raw intelligence data and as such have not been subjected to any intermediate analysis, evaluation or collation. Interpretation and use of the information provided is the responsibility of the requestor. 3. (S) The protocol used for this session is detailed in the document, Grill Flame Protocol, AMSAA Applied Remote Viewing Protocol (S), undated. 4. (S) Following is a transcript of the vi.ewer's impressions during the remote vi-ewing session. At TAB A are drawings made by the remote viewer reference his impressions of the target site. At TAB B is target cueing information provided the remote viewer. Approved For Release 2000/08/07 R000800630001-5 Approved For Release 2000/ ' 0788R000800630001-5 TRANSCRIPT REMOTE VIEWING (RV) SESSION CC 79 #14 This will be a remote viewing session security). (edited for You have been shown an overhead image of the compound area in Iran. I want you to focus your at ntion, and concentrate on the building in Area "J." Project yourself to that building and describe the impressions. +10 #24.5 I'm inside ...fan) ...familiar ...upstairs...hall. I see a down staircase. (Mumbling) the rest of the stairs... looking at them...is open space... I'm going to try to...explore the short end of the hall. In the..uh..ender (phonetic) room I have a feeling ..uh..largeness and openess windows around.. .there is ..uh..something at the left end of the room against the wall and ..uh..I...am having a image of a..uh.. long table with chairs on both sides and the room is ..uh..bigger. There's something dark and..uh..linear that almost cuts this room in half. It's to the left of the entrance of the door at the end of the hall. It looks like fil' .. .. .. of things whic it pul eing... any little le drawers. -up partition ...in the room I can see over them into another part of the room which has a depth to it past the door (mumbling) that is ................ I am getting a continual feeling of not reach to the roof. What I am ooks like a library card file boxes out tabs on the fronts of man ever this. Approved For Release 2000/08/07 CIA-RDP96-00788R000800630001-5 Approved For Release 200 - 788R000800630001-5 +18 #24.5 library..uh..liko a real library. It's funny I jthere appear to be racks and tables.. .wall racks, like book racks and tables in this section of th room, but no people thatI see. #24.5 Put it on hold and let me go back. PAUSE I think, in the hall again, looking the other way, door at the end, I think. +30 #14 This time I want you to go downstairs to the main meeting room, and describe any activity or personnel in this room. #24.5 I have a ...feeling of very large overstuffed chair. (Mumbling) si mumbling) with black tapestry with tassels on it. This..uh..sits..uh.. with another on its side. A small table there. I'm looking for people, but... #24.5 I'm not tot any luck today. Can't find any people. of being (mumbling Can't see any. #14 All right. I want you now ..... #24.5 No good #14. I'm not having any luck at all. No. I'm just not...not doing any good. Wish I was but I'm not. I can tell. #14 All right. We'll put down on paper what you got. #24.5 That is disappointing too. Dam defenses were up today. For some reason I could not let go of my alert response, you know. Everything that happened, I'd hear it. #14 It was too quiet. That's the problem. Approved For Release 2000/08/07 CIA-RDP96-00788R000800630001-5 Approved For Release 2000/08/07,s CIA- -00788R000800630001-5 #24.5 The one time I woke up I got this.. .when I came out I got this horrendous itch in my eye and my nose. I tried to make it go away and tried and tried. Finally, I just, you know, all it was doing was doing was...it was just like the goddam hook was in my ...in my face and it was just dragging me back up to the surface, you know. I don't know. But, I got in the short end of the hall. I'm pretty solid about that. I don't what is supposed to be down there, but, I ended up with some sort of a funny room. I think it was in that end of the hall. I think I was upstairs. I'm not sure. #14 Well. Perhaps it could have been upstairs, downstairs. #24.5 Yeah. Well, anyway we'll put it down there. OK. Ok. First feeling was this. Right along here. That's a bottom, solid bottom, ok. Here's the down staircase. Down there. This is not the down staircase ramp. The down staircase ramp is there in the background. Like that. That-that goes across, ok. This is what I think was the long end of the hall, and this is where I was. To start with...1 tried to...I was dawdling around there. I couldn't get really in good focus. I knew I was there and I felt like I was up floating against the ceiling to start with and looking down- ward at this thing. What I think I did.. .well anyway I turned around and I went backwards or to my or to the rear of this picture... that's 2, ok. All right. When I got in there I ended up with a rather large type of a room. There's something ..... I wanted to say there's a fireplace along this end. There's something erect, upright, you know and it's against that end, like that. Like that, ok. Up against that thing. Oh...and here was a..uh..the backs of chairs. Like this. The table like that., That type of a thing. Ok. There. On the...ok...t from the right-this is as the door .... from the right s foreground was this .t,ia? th library. Nan; 3x5 file, th all on soli bro...I mean thing. The ravers in i -trace file ty t type thing, piece but it w a..uh..it was her side.. to make a pass way th; ack wall ...ok...here.. ough I just come through ide.... coming into the t looked like it had a ..like a card file and e of a thing. Little k. I don't know if it was s wood ...it was a light ..uh..middle town, wood mething came out like this gh there. I don't know Approved For Release 2000/08/07 : CIA-RDP96-00788R000800630001-5 Approved For Release 2000/08/07t CIA-RDP96-00788R000800630001-5 what it was, but, I got the definite feeling that there was something there. Like that. Had the feeling there was another window, over here. Then, when I went around I went through there. I dotted up to here, looked back at the room and then I dotted through there. That's to 3. When I got into 3 I was just on the other side of this thing so that I felt like, felt as though here was the door, right, the back of those file cabinets.. .no that goes straight up, yeah.. .comes over there and there is the door that I came through. I think it's a double door. Oh..and, the feeling I had was that this was...had depth here and went back farther, ok. Along the back of the room, like this, came along this room, like this, all right. I'll put a couple windows there. Oh-here in the foreground left side is the thing that I thought was a bookcase which goes right into the corner of the room, ok. It would be the corner of the room, like that. Or something like that. Then, that, looking over the room from in here .... oh, there was something right here with its back to this thing as though there were..uh..as though it was a..uh.. a couple chairs or a sofa with its back to this. I'll draw two chairs, but I saw it when I was coming through. Like that, ok. end. Table. Here's the door. Window there. Win Fireplace at that end. Type fireplace thing at that oor plan, ok. Then I had the feeling of a reading room. There was a very dominant reading room, or library or research area feeling in this thing that had..uh..it was hard to explain. It wasn't table upon table upon table working table. It was more like a casual reading room and a library type of a situation, ok. Oh..more like..uh.. more like various size tables, various shape tables, ok. You know. With the chairs pulled up to them like that. I can see the dam place. God, I don't want to put anything in there that is not in there. I had the feeling that this ...ok..this feeling ...... I'm not going to put in more tables or anything.... this feeling of bookcase, floor to ceiling type bookcase, was here where the X is. Somewhere against that wall, ok, and against this wall where that X is. All right. That type of a feeling where the area was surrounded... that' s it. Four. T'll give you what I think is just a regular old there. That boo ng. e here. ow ow there. Ok Oh..table or Iwo. Chair Chair there. That's the way out of it as I was in a corner. Window here. You can't see that in Approved For Release 2000/08/07 CIA-RDP96-00788R000800630001-5 Approved For Release 2000/ 00788R000800630001-5 'sketch. I guess you can. e. Window ...IV for window o #14 #24.5 #14 #24.5 #24.5 Then, when you told me that's.. .when I faded out of ff-hat one, you told me to go to the main conference room type thing...I only.. .the only thing I got.. first thing I got was door. Didn't I tell you...yeah I said a door...got a feeling of this shape of a door with a window in it...a hallway, ok...door at the end of a hall concept. That's five. Then six. The thing I had a feeling for was ..... big overstuffed chair, type of arrangement. Not a bad overstuffed chair, is it. I really surprised my art work today. Getting better. Yeah. Practice. That may be it. First thing .... let me drop back ..... I'll do that for 7...the feeling that this thing sat...this is round table .... the insert in 6... it shows, ok...table there.. .chair ...and t other another chair ike that. t le ..... ok .... sitting like this.. No people! Cou d not find any this type of thing. pe-w.as--tk~--a biau, --~,~~ all the time. I went there .... you know....I was sort of free to do my own thing to start ..... the whole time I kept people right in ...when I got there and I knew that was the job and I just could not find anybody. The other thing that I had.... the other fee 1 ' ~-Hed ~-? '--'- --+_ wi 6 b I had that first.... .hum.....ok.... old fa ed glass and a martini glass sitting around surface and then I went .... that's actually before I had six. But, I ..... like I said ...I had.... when I saw that I had the feeling that they were sitting empty. That they had been there along time .... not a long time but that they were there unused. There weren't anybody around drinking out of them. They were just sitting there. You know. Just sitting on top of the table. That's all I got #14. #14 Ok. We'll call that the end of the session. Approved For Release 2000/08/07 : CIA-RDP96-00788R000800630001-5 Approved For Release 2000/08/07 : CIA-RDP96-00788R000800630001-5 TAB Approved For Release 2000/08/07 : CIA-RDP96-00788R000800630001-5 Approved For Release 2000/08/07 : CIA-RDP96-00788R000800630001-5 Approved For Release 2000/08/07 : CIA-RDP96-00788R000800630001-5 0 8 Approved For Release 2000/08/07 : CIA-RDP96-00788R000800630001-5 Approved For Release 2000/08/07 : CIA-RDP96-0 81000800 COM Approved For Release 2000/08/07 : CIA-RDP96-00788R000800630001-5 Approved For Release 2000/08/07 : CIA-RDP96-00788R000800630001-5 Approved For Release 2000/08/07 : CIA-RDP96-00788R000800630001-5 Approved For Release Z,QOD/08/07-:-CIA RDP96-00788R00080063 001-5 Approved For Release 2000/08/07 : CIA-RDP96-00788R000800630001-5 Approved For Release 2000/08/07 : CIA-RDP96-00788R000800630001-5 Approved For Release 2000/08/07 : CIA-RDP96-007848000800630001 Approved For Release 2000/08/07 : CIA-RDP96-00788R000800630001-5 Approved For Release 2000/08/07 : CIA-RDP96-00788R000800630001-5 TAB Approved For Release 2000/08/07 : CIA-RDP96-00788R000800630001-5 Approved For Release 2000/08/07 GIA-PD096-00788ROO0800630001-5 TARGET CUING INFORMATION REMOTE VIEWING (RV) SESSION CC79 1. (S) The viewer has been exposed to open rce news media information as well as classified overhea magery. He knew he would be working against the hostage situati in Iran. , the viewer was asked to describe 2. (S) At the time of the sesel, an area referred to as Area "Y' e was shown overhead imagery of the US Embassy compound in Teheran, Iran. The area designated as Area "J" was pointed out to the viewer by the interviewer. The imagery is not included herein due to its classification. 3. (S) The viewer has worked against this target in the past. During this session he was not told anything about the area he was trying to describe except for its letter designation. Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0800630001-5