SUMMARY REMOTE VIEWING SESSION CC66

• Document Type: CREST
• Collection: STARGATE
• Document Number (FOIA) /ESDN (CREST): CIA-RDP96-00788R000800560001-3
• Release Decision: RIFPUB
• Original Classification: S
• Document Page Count: 15
• Document Creation Date: November 4, 2016
• Document Release Date: June 17, 1998
• Sequence Number: 1
• Publication Date: January 16, 1980
• Content Type: REPORT

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ORCON/NOT RELEASABLE TO FOREIGN NATIONALS
SESSION REPORT
z4 2-
CLASSIFlED BY: DIRECTOR, DIA
REVIEW ON: JAN 91,_000
EXTENDED BY: DIRECTOR, DIA
REASON: 2-301c (3 & 6)
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SUMMARY ANALYSIS
REMOTE VIEWING (RV) SESSION
-CC6"
1. (S) This report documents a Remote Viewing (RV) session
conducted in compliance with a request from SOD, J3, OJCS,
Pentagon, Washington, D.C. The purpose of the session was
to provide information relevant to the hostage situation in
the U.S. Embassy compound in Teheran, Iran.
2. (S) The remote viewer's impressions of the target are
provided as raw intelligence data and as such have not been
subjected to any intermediate analysis, evaluation or collation.
Interpretation and use of the information provided is the
responsibility of the requestor.
3. (S) The protocol used for this session is detailed in the
document, Grill Flame Protocol, AMSAA Applied Remote Viewing
Protocol (S), undated.
4. (S) Following is a transcript of the viewer's impressions
during the remote viewing session. At TAB A are drawings made
by the remote viewer reference his impressions of the target
site. At TAB B is target cueing information provided the
remote viewer.
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REMOTE VIEWING SESSION CC 66
#66 This will be a remote viewing session (edited ~`T,J
for security).
~fl lr`~
PAUSE
Relax now. Relax and concentrate on to ay's
target. A target has been selected f you and
this target is designated by a lette . This
designated has been recorded and is in the possession
of #6.5. Focus now on the target which has been
selected for you. Relax and concentrate. Focus
on the area designated as your target. Relax and
concentrate and describe the area to me.
+05 #11 I started out by seeing corner of the... building.
I then moved to the front of this building ...noticed
set of doors. I moved beyond the doors in the same
direction.
#66 Describe the area inside the doors.
#11 Well.... we can go back (phonetic) but there's a whole
puzzle we need to put together first.
#66 All right. Describe it to me.
structure and along with the flavor of this cathedral
building I started seeing a street scene. It was
I'm looking beyond the doors in the same direction
Looking at this building. The front door.. .main
entrance. It (mumbling) similar to one face of the
Pentagon. The building... this face of the building
-"his longer (mumbling) was high. It was devoid of
any decorative (mumbling). It was just a plain
building. Immediately after that impression
I received a impression very clearly of a...of buildi
evening but it was raining. There were people walking
Paris sticks in my mind.. .the cathedral, the streets;
European flavor. That's it.
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#66 Ok. In focusing your attention on the target,
remember to focus on a real time basis, between
two and three in the morning, Iran time. Focus
on a real time basis. love to the entrance way
now and describe it to me.
#11 The doors to enter this building appear to be
double doors that meet in the middle. Oh..original
`l. impression of the...part glass part wood. I have
the feeling there's a short hallway. Appears to
be design on the floor of this hallway. Like mosaic
5 or something, and another set of double doors,
identical to the first.
PAUSE
#66 Search the interior of this building for people.
PAUSE
#11 Once inside both double doors, if you ..... a short
way to your left appears to be a lounge type area.
I sense there's several people in this area holding a
rather active conversation. Perhaps they're guards.
#66 Tell me the raw information that makes you say that.
#11 Several people. Three or four in a group having
active conversation. This small group..uh..
are not apprehensive..uh..seem to be in control of
situation. This, this area appears to be..uh..
this lounge type thing has always been that way.
It doesn't appear to be make-shift. I get the feeling
that before the situation it was a waiting area or
lounge.
#66 Move through the remainder of the building intending
to look for people.
##11 I get the impression of a fairly large room which
has been partitioned off... partitioned off into
separate little cubicles. Seems to be a number of
people in this ...in this room.
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#66 And who are these people?
ll
#11 The thing that pops into mind are Marine guards.
#66 Expalin the data which makes you say that.
#11 It's just impression that popped into my mind.
I also got impression of...I saw a young man...
dark hair.. .wooly (phonetic) mustache... fairly
young. Late teens, early 20s. Spanish, Mexican
descent. Fact is, I have a feeling it was the
oung man in a television interview.
#66 Describe the activity in this large room area
you are viewing.
No activity. Quiet. The young man that I saw was
in bed.. ~eeme"c to be resale -at~~~{arppp9d up on his
`"Tight elbow looking directly at me. No otTi~T sst,.. vvity,;
other individuals appear to be quiet in their beds.
They are all in a common area that are separated by
partitions.
f ' T '" ou to take a moment now to examine this
room in an attempt to determine the number of
personnel in the room. Take a moment without reporting
to me to examine the room. And when you feel, you
may report to me.
I see four people on my side of the room. Three or
four on the other. I just have a feeling that there
are supposed to be four on the other side but there
are three occupying... more than four and less than
eight. Six or seven. Seven. I have a feel for seven.
#66 I have no further questions about this target. I'd
like to present you the opportunity, at this time, to
add any perceptions you feel you would like to add.
#11 Several things. As you went into the main entrance
I had a feeling you could either go left or right.
There seemed to be nothing happening to the right.
All personnel and all activity were to the left of
the main entrance. Also this common room is down
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on the left beyond the lounge area. When I
entered this common room for a moment when I
observed an individual on his elbow... resting on
his elbow, it was almost as if he was aware of
my presence. Very shortly thereafter (mumbling)
moved around to his left side.
#66 Anything else you would like to add before drawing
your impressions?
#11 Give me a secood. I'll put it in neutral and see
what comes .......
PAUSE
#11 ,,..kht only other thing is I feel somebody o .s group
is missing. Person of this group that should e there
or supposed to be there is not. Should be ei t
d of seven.
+30 #66 All right. Let's draw your impressions then.
#11 Ok. Drawing number 1. I used this perspective I
had from when I went...of the building... perspective
of the building... and, over here there appeared to be
steps leading up to it. Here, it almost seemed to be
II set back, but I'm not sure if it was or not. There
was these double doors and appeared to be partially
wood with big glass windows on it. It's really not
a very good drawing, but... I started up on this
corner and moved in the direction of the arrow. I got
about here and was looking back at it. Didn't see
alot of detail. There appeared like there might have
been some long narrow straight windows. But, the
building was not ornate Didn't have any ornate things
on ern at all. It was very plain.
#66 How tall was the building?
#11 //It appeared to be multi-story. Maybe two-thre e
stories.
Uh..drawing 2. Immediately after that impression,
I had the impression of looking up at a very Gothic
ornate cathedral. Just the opposite of what this
was. It reminded me of a cathedral. High... it was
very high.. .ornate. I had a street scene. It was
dark, evening. It was raining. I don't know what
value drawing those would be.
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#66 Why don't you proceed on into the session.
#11 Uh..and I saw people walking... .not people... .riot
clot of people ...uh...several people walking on the
street with umbrellas. Then we went back to this
entrance way and from here on I might as well draw
an overhead view of the clan or the scheme of things.
Uh..this is the building. I'll put some steps on it
here. Here we have these double doors. There seemed
to be a small entrance way there and another set of
double doors. There appeared to be, in this little
hallway here, some type of mosaic into the stone.
Some design. Uh..for some reason it appeared to be
somewhat circular. This design in the floor was made
up of little tiles.. .or appeared to be. Through
these doors there appeared to be a hallway on my right
and a hallway on the left. But, over here, on the left,
and just to make it clear I'll draw an arrow down here
on the bottom, left and this is right... there appeared
to be a lounge area here. With sofas. Almost seemed
to be arranged this way. Sofas, chairs, etc, table,
and, there were several, as I described, uh..several
individuals sitting there involved in.. .discussing,
talking rather lightly ...in a very light mood. Uh.
there may have been two, there may have been three.
I don't know. But, there were several individuals
in this lounge area. As I say, this appeared to have
been a lounge area in the make of this building. It
wasrf t make shift. It was a waiting room or a lounge
area of some sort. Uh..further on down this hallway
or corridor was where the common room was. It would
appear to have been down the corridor and towards the
front of the building. Somewhere down in there. It
seemed to be down on the.... down on the end. All the
way to the end of that corridor.
#66 Ok. I take it you have no opinion as to what's in
this direction.
#66 Ok. Why don't you write something in here that says:
"I don't. know what's over here" so that when someone
looks at your drawing they can tell. Because I know
we really confined your travel. You went in. You
went down to the left and you found this room, and
we didn't worry about the rest of the building. So
draw in your drawing there. Yes, that's a good way
to do it.
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#66 Just write "unknown area." I don't want anybody to
be confused as to.... we simply didn't explore that area.
So now you move on to page 3 and you can draw me...
Now 3 then, if we were to follow the arrows down to
the left corridor.. .now in 3 then you can draw the
larger room or the common area room as you described
it.
#11 In fact, I'll even put 3 at the end of that arrow
on drawing 2. Again, I'll do an overhead. But, I'm
not...I'm not really sure where in the heck I am.
#66 Do you have a feeling for what the floor of this room
is?
#11 It all appeared to be on the...the ground floor...the
ground level.
#11 I had no feeling of moving up or anyplace. I'm
not sure exactly how this arrangement goes but there
appeared to be 4 beds inside of this room. These
on the lower half, I seemed to remain...how do I want
to identify the area that I was in?
#66 Just put an X to where your position of observation
was.
#11 Ok. It was about here and the individual that I
observed with the activity..uh.. I'll do a crude
stick drawing. Just make it a little quicker...
was in that ...in that-on that bed. These things are
beds. I was sure of these partitions and how they
were arranged. Now, on the other side of the room,
I was aware of 4 other beds. The occupant that was
supposed to be in this end bed.... how do you want
me to mark that?
#66 Just draw a little arrow "unoccupied" bed or something.
#66 Were there partitions across the hall?
#11 Oh..I'm not really sure. There were partitions.
#66 Ok.
#11 Oh..Nay have gone like this. I'm not sure. But, I
was mostly locked in and concentrated on the area
where I was where the X is. I perceived everything
else from that position. Oh..l don't know. There
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was little activity. Like I said most everybody
seemed to be quiet, asleep, or whatever. Except
this one person here who I described like I said
he was rather restless and up on one elbow, for
a short period of time. Then covered up .....
#66 Ok. I understand that you feel you could recognize
this individual.
#11 Yes. A young person. Late teens, early 20s.
#66 Ok. Anything else you want to add?
#11 There isn't anything else I can think of. I have
nothing.
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TAB
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0
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01
0
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Pj
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TAB
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REMOTE VIEWING (RV) SESSION CC66
1. (S) The viewer has been exposed to open source news media in-
formation classified overhead imagery and photographs of many of
the hostage personnel.
2. (S) An area target had been selected for this viewer the day
before the sesion. Target designation information was maintained by
the Project Manager and the interviewer and viewer were not told what
the target was to be. At the time of the session the viewer was told
only that a target had been selected for him and that the letter
designation for this target was in the possession of the Project Manager.
He was asked to remote view the target that had been selected for him.
ADMIN NOTE: The target selected] for this viewer was lettered "K."
This was the irs time this viewer had attempted to
describe are"
d~_ \ LS
(Ld.oe
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