SUMMARY REMOTE VIEWING SESSION CC35 & CC36

• Document Type: CREST
• Collection: STARGATE
• Document Number (FOIA) /ESDN (CREST): CIA-RDP96-00788R000800280002-3
• Release Decision: RIPPUB
• Original Classification: S
• Document Page Count: 11
• Document Creation Date: November 4, 2016
• Document Release Date: November 5, 1998
• Sequence Number: 2
• Publication Date: December 18, 1979
• Content Type: SUMMARY

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REMOTE VIEWING (RV) SESSION CC36
1. (S) This report documents a Remote Viewing (RV) session
conducted in compliance with a request from SOD, J3, OJCS,
Pentagon, Washington, D.C. The purpose of the session was
to provide information relevant to the hostage situation in
the U.S. Embassy compound in Teheran, Iran.
2. (S) The remote viewer's impressions of the target are
provided as raw intelligence data and as such have not been
subjected to any intermediate analysis, evaluation or collation.
Interpretation and use of the information provided is the
responsibility of`-he requestor.
3. (S"I The protocol used for this session is detailed in the
docuumen_t, Grill Flame Protocol, AMSAA Applied Remote Viewing
Protocol-(S), undated.
4. (S) Following is a transcript of the viewer's impressions
.during the remote viewing session.. At TAB A are drawings made
by the remote viewer reference his impressions of the target
site. At TAB B is target cueing information provided the
remote vi-ewer.
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TRANSCRIPT
REMOTE VIEWING (RV) SESSION CC36
#20.5 This will be a remote viewing session (edited for
security).
You've had these photos for the last few minutes.
Had the opportunity to think about them again.
Now, we want to go back to those photos and describe
to me where those two individuals are. Let's go
back to the area where that one individual was with
the glasses. Back to that area first, and tell me
about it.
I'm certainly having a lot of difficulty focusing.
I'm getting a lot of stuff coming through but it's
#20.5 Just relax. Relax and concentrate.
I don't seem to be getting anywhere What I'll do
is I'll sit up and try to put down the impressions
I did have, but I don't feel that comfortable with
them.
#20.5 OK. You know, we don't have to, you know, achieve
anything. You had an awful lot of noise.
Yes. Well I did, I had some very unusual things.
embassy. I was away from the embassy. OF-R-1 don't
know, but perceive a s ree..,.a street just
*r'nVMG LO
outside this building. Or this building was on a
street. Uh... uh..seem to focus on a second story
window in this building. Now, what's really odd is
I would look out on the street and there would be....
it would seem like a normal scene...not too crowded
not ..... you know. I would look out again and it would
be empty. At one time I looked out, it seemed to be
crowded and there seemed to be a..uh..a straight line
of soldier looking type individuals. I'd say..uh..
about 10 or 12 in a line going through this crowd.
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#14 They were in a hurry to get somewhere. Uh...then
another bit and piece, I had...uh...I had a strong
image of a black Cadillac limousine. Then, I had
another disjointed image of being inside a courtyard
with walls, and there was this gateway with an arch
over it. Now, that was quiet inside there. Another
completely different vehicle, which was a dark blue
ehicle. In fact, I saw it from the back. It kind of
reminded me of a European type vehicle-like an Opel
or something, and those were all just completely
disjointed. They didn't come together at all. Each
one of bits and pieces.
#20.5 Just couldn't get that one thing to help you focus
and, I..uh..
#14 1 don't know. I just...I didn't feel like I was
making a connection ..something. But still there
was these things that would flash in and flash out.
The..uh..the building, by the way, probably was two
stories and an attic, but, it was kind of a.... be...
yellow or beige stucco. It seemed to be on a corner
somewhere.
#20.5 Did you see an entrance way or anything like that?
#14 There appeared to be numerous entrance ways. How do
I describe it? I mean....to different buildings.
It looked like ...uh...looking down the street it looked
kind of like a residential type place, but, a city
I residential... you know-with row houses-something
Isimilar to that. Uh...but, the one that did come into
focus towards the end...the building was probably more
Isignificant, than anything, because, that came back
everal times...and there was...My...my attention was
nought to a set of windows on the second story. The
only thing about the windows is that they...there were
two windows and they opened outward from the center.
#20.5 Ok. You feel you want to draw those...uh....
U
#14 Perhaps the building, and perhaps the..uh..this type
of courtyard scene I had was.. vivid.
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#14 It almost seemed like I was...if I had to describe
it...like I was jumping back and forth in time.
All over the place. Not being able to focus on a
point in time. Because, as I said I perceived a
street. It was empty. I perceived it again. It
had the normal people in it. I perceived it again.
It seemed rather crowded.
#20.5 Well, go ahead. Why don't we do the drawings of the
scenes that you recall?
#14 Ok.
#20.5 You want the lights on?
#14 No. That's ok.
#14 There was definitely a sidewalk outside in front
of this building. That window is where my attention
was drawn to when I tried to focus on the individual.
#20.5 This building is located right on a corner.
#14 It appeared that way. It certainly seemed that way to me.
But, the building was a..uh..a light colored. I would
say..uh..beige, dirty white, or yellow, but it was a
stucco type thing. It seemed like all the street
activity that I had was out in this area here.
In other words, the windows would be facing the street.
#20.5 You never could tell what relationship this building
had to the embassy compound.
#14 A No. It may be a part of the compound, but, I had...
I had the initial feeling that it wasn't. It didn't
have anything to do with the compound. It may have
been some..... some ways away .....somewhere in the
inner city.
#14 Now,.this courtyard scene I had...it had a totally
different atmosphere, but it may be related to that
building somehow. Again, I don't know how-and I guess
we'll leave that to somebody else. This...uh...these
walls here were either made of brick or stone or some
type of masonry or something.... and this .... this is
a heavy arch.... solid ..... I don't know if it was brick
or if it was.....I would....you know.... analytically
I would say it was brick-but I'm not guaranteeing it.
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#14 But it was stone, or masonry ...the same thing that
these ...uh...these walls were made out of...and,
I had that this was a vehicle entrance. I had the
feeling of vehicle around there somewhere.
#20.5 How tall is that wall? Do you have any idea?
#14 Uh...well as I was standing I had the impression it
was probably about 8 feet.... roughly.
#20.5 Ok. So you couldn't look over from the ground.
#14 No. No. Definitely not. It was about 8 feet at
least...and...uh...I didn't see anything. It was
empty. There was nothing.... absolutely nothing
happening, but, I had the feeling that it related
to a specific vehicle of some kind. In fact, of the
vehicles I saw...uh...it might appear to relate more
to the Cadillac than anything else. Or whether it
was a Cadillac, I don't know, but it was a big black
limousine... square... she could have been a Mercedes.
Uh...the blue .... the blue European Opel type car was
out on the street. In fact, it may have been out in
front of this building, because I had a feeling of
standing on a sidewalk with the building to my side and
back and seeing this blue car...parked.
#20.5 That was about it, then.
#14 Yes.
#20.5 ,is there anything else that you want to add?
#14 // No. Except, I really didn't feel like I was making
contact with the target. I was making contact with
some part of thewhole thing.
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TAB
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TAB
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REMOTE VIEWING (RV) SESSION CC36
1. (S) The viewer has been exposed to open source news media
information as well as classified overhead imagery. He knew he would
be working against the hostage situation in Iran.
2. (S) As in the earlier session (CC35), the viewer was provided
photos of the following individuals. Again, he chose NOT to look at
them.
ADMIN NOTE: Outside noise was tremendous and viewer was not able
to concentrate on the task at hand.
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