GRILL FLAME REMOTE VIEWING SESSION CC15
Document Type:
Collection:
Document Number (FOIA) /ESDN (CREST):
CIA-RDP96-00788R000800100001-3
Release Decision:
RIPPUB
Original Classification:
S
Document Page Count:
20
Document Creation Date:
November 4, 2016
Document Release Date:
June 17, 1998
Sequence Number:
1
Case Number:
Content Type:
REPORT
File:
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CIA-RDP96-00788R000800100001-3.pdf | 539.17 KB |
Body:
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ORCON/NOFORN
GRILL FLAME
PROJECT
SESSION REPORT
Approved For Release 2000/08/07
CLASSIFIED BY: Director, DIA
DECLASSIFY ON: 31 Dec 99
EXTENDED BY: Director, DIA
REASON: 2-301--C (3) (6)
DTT 7 -71-1 A 71 if
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SUMMARY ANALYSIS
REMOTE VIEWING (RV) SESSION CC15
1. (S) This report documents a Remote Viewing (RV) session
conducted in compliance with a request from SOD, J3, OJCS,-
PentaFon, Washington, D.C. The purpose of the session was
to provide information relevant to the hostage situation in
the U.S. Embassy compound in Teheran, Iran.
2. (S) The remote viewer's impressions of the target are
provided as raw intelligence data and as such have not been
subjected to any intermediate analysis, evaluation or collation.
- Interpretation .and use of the information provided is the
responsibility of therequestor.'
? 3. (S) The protocol used for this session is detailed in the -
document, Grill Flame Protocol, AMSAA Applied Remote Viewing
Protocolr(S),Iundated.
4. (S) Following is a transcript of the viewer's impressions
during the remote viewing session. At TAB A are drawings made
by the remote viewer reference his impressions of the target
site. At TAB B is target cueing information provided-the
remote viewer.
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TRANSCRIPT
REMOTE VIEWING (RV) SESSION CC15
This will be a remote viewing session (edited
for security).
PAUSE
For the past few minutes now I've asked you to
study a photograph of two individuals that we're
interested in today. At this time I'd like to
ask you to relax and concentrate. Focus your
attention on these individuals. Focus your
attention on the area in the vicinity of 42
degrees, 31 minutes, 0 second, North
51 degrees, 25 minutes, 30 seconds, East
PAUSE
Focusing your attention on these individuals in
that area, relax and concentrate.
PAUSE
And describe the area to me.
PAUSE
+03 #49: Looks like a black floor.
#66: Okay.
PAUSE
#49: Black and white, with some white streaks in it.
Its like a tile. Walls are white. Off-white.
#66: Okay.
PAUSE
#49: It looks like a - seems like a very large room.
I don't see any furniture.
PAUSE
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#66: Tell me about the occupants.
PAUSE
#49: I think this one in cube is more uptight than
+07 the other one. She. . . . I feel a lot of fear
with her. Its the same room, I think. Its that
same black and white floor.
PAUSE
There doesn't seem to be any activity in the
room per se.
#66: Tell me about the building that the room is
located in.
#49: You mean go outside and look at it?
#66: If that is the way that you can tell me about
the building.
PAUSE
+09 #49: Appears to be a large black door. It looks like
it would be an exiSt door, front door - from the
inside its black.
PAUSE
I can't seem to get outside of it. I see now
somewhere in this building, I think, a blue, like
a Persian rug, but its very predominantly blue.
With that Persian kind of design in a squared off
manner.
#66:
Okay.
#49:
And some furniture. You know, like a sitting
room or living room.
#66:
Um hm.
PAUSE
#49:
There's a stairway. I think I'm on the
main
floor
and I see a white door like an entrance
hall
and
there's a stairway. It would be on the
you were coming in the door.
left
if
#66:
All right.
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#49: Goes along the side and goes up to the next
floor.
#66: All right. The stairway . . .
+12 #49: Oh, I see. Yeah. I'm looking . . I'm standing
on the stairs and I see a guy in a white shirt
walking around.
#66: Go on.
PAUSE
PAUSE
#49: The place seems. . modish. In its furnishings
and so forth'.
PAUSE
+14 I think I'm outside. Looks like a courtyard; a
bricked in courtyard. . or something.
#66:
#49:
PAUSE
Describe the height of the building.
PAUSE
Has a (not audible) wood door as the entrance
door.
PAUSE
I get the impression that its white. A white
+16 building. There are trees around it. Its
very carefully landscaped. Manicured.
PAUSE
The trees are like right next to the building.
PAUSE
+18 I think that the brick courtyard area is red
brick. Its a very definite red, like the color
of most brick.
PAUSE
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#66: All right.
#49: I'm trying to get a view of the building overall.
#66: All right. When you feel that you would like to
I would like you to refocus on the individuals
or on 'Any people that are located inside this
building. Perhaps the gentleman you saw when
you were standing on the stairs. Description of
the people inside the building.
#49: Okay.
PAUSE
+22 I had a fleeting glimpse of what looked like a
lot of people in one room.
#66: Tell me of your glimpse.
#49:
Now. . . when I was with those two women, I got
the feeling that there was no one else or that
there was hardly anyone in this huge room.
But now, I see a room with . . . it just was
a quick look, like a lot of people close .togeth
in a room.
PAUSE
I still have that lavish feeling. Lavish room.
Furnishings and so forth.
PAUSE
#66: All right.
#49: Its not just a feeling, I can see it, but its
. . you know, I don't think I can
describe it.
#66: Okay.
PAUSE
PAUSE
#49: I think that that person that I saw, if in fact,
if that was a person and I'm seeing through his
eyes, he's definitely one of the students - not
one of the hostages.
#66: Okay.
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#49: And he was walking . . . He walked into that
room and saw this group of people it seems.
#66: All right.
#49: He . . . yeah. . . . This person is nervous;
unsure. But I think its a captor.
#66: Okay.
4,,
I
All right, we've been at this quite a while now.
At this particular moment I have no further
questions that I have about the target, but I'd
like to give, you the opportunity to comment on
anything that you feel like you would like to say
about the images that you've been having; feelings
that you've been having.
Okay, I think these two women are isolated from
the majority of the people. I think that they
are in a room which I described. Its more baren
than what I seem to be seeing in the rest. It
seems like its a basement room. And it has this
black tile with white streaks in it of some kind
and . . it. . it appears to be almost devoid of
furniture of any kind. And I 'get the feeling that
its. . . . Well, by looking around it, the impres-
sion I get is that its a large, almost empty room.
And the one woman, Kathy Koob, I think is still
very fearful; the other on, Swift. .I didn't get
that feeling.,1-0t-ralmost a13-6-UtT feeling with
her. And,ag'-I said, then I saw that view f a lo
of peopae in one room. Another room. A more
furn' hed room. - -
------
#66: Okay.
#49: I would say on the first floor, because I . .
that . . the one that I saw walking, he seemed
to be going in a certain direction rather than
upstairs. And I think he's one of the students.
#66: How many floors did this building have?
#49: I would . . . Adding together the various views
I got, I think that one is in the basement. It
seems to be . . or at least its a room apart from
Ithe rest of the Embassy or whatever this room is,
this building is. And, the main floor and at leas
another floor.
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#66: All right. Anything else you'd like to add?
PAUSE
#49: My overall impression is. . I didn't sense the
fear that I thought I would there.
#66: Um hm.,
#49: Almost a holding pattern feeling I got overall.
More . . . When I did hit the emotions, like with
that one fellow, I think I got into, it wasn't
overwhelming fear but it was more of anxiety.
#66: Okay.
#49: And I described the building pretty well, I guess.
#66: Okay, if you'll spend just a few minutes now and
see if you can't sketch some of the ideas that
you've had. It would be very helpful.
PAUSE
(Not audible) Okay.
As you draw now, talk about your drawings the best
you can. And, if you try to make the lines as dark
as possible so that we can reproduce them.
#49:. (Not audible)
PAUSE
These drawings may be misleading because I never
got an overall view.
PAUSE
I . . I didn't see the courtyard in connection
with a building per se, so, you know, its hard to
#66: Okay.
#49: . to draw it.
PAUSE
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#49: That inside room, the first time when I was
trying to see through their eyes, I got the
same view with both of them. That was, was
very geometric, sort of. Something like that
Seemed like there was a wall here, . . . It
seemed like. . . Okay, there was a wall on
either side and this was maybe 15 feet and kind
of went back, you know, as part of the room.
If I were. . . maybe it would be better if . .
If I were looking down on the room, it would be
. . . which I didn't do, but just to give you a
description of how it seemed. It seemed like
there was an area like that and then there was
a wider area and I think it went off this way
too. And then there was like a big wide area.
This is an overhead view. And it seems like
they are sitting over in here somewhere so that
they can see' these corner walls.
#66: Um hm.
#49: Okay and they can sort of look over in here.
But I didn't see anything. Just looked like
an empty space. And they . . . if I looked this
way, it was like an empty room. I didn't see any
windows which made me think it was a basement.
That's the reason, I guess, that I got that feeling.
And same. . . I didn't really, now that I think
about it, I didn't really see much on the right
side, so that . . they may have been sitting like
over in the center and sort of surveying it that
way. I definitely saw walls here and here and
then the room extending beyond that. Okay.
#66: Okay.
#49: And that black and white tile. Do you know what
I mean by black and white? Its probably got white
streaks in it, that sort of idea.
#66: All right.
PAUSE
Okay.
PAUSE
#49: Let's see. Do you want me to do the stairway?
#66: Yes, because that . .
#49: Okay.
7 (7:
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#49: That seemed pretty clear. There was like a
white door. . . It was like a foyer. Sort of
a narrow foyer. And if you were looking at it
that way, the stairs are right here and that was
the wall. And I think it opened up over here
because this guy seemed to be coming from here
and I saw him right about here. But the stairs
probably go up and you can walk under them. I
would guess if I saw him correctly.
#66: Okay.
PAUSE
#49: And if in fact I followed him which I tired to
do in my, you know, seeing through his eyes, it
seemed like he walked into this big room and was
looking at all these people. If I was seeing
through his eyes.
#66: Uh huh.
PAUSE
#49: I wonder if there could be a partial wall there.
#66: Let's put a number on this picture that you've
just draw of the stairway.
#49: Just an arbitrary number?
#66: No. No. In order I guess, what would the next
number be. Four.
#49: Again, this is not the sequence in which I saw
this.
#66: All right.
#49: If that makes any sense. That's what I saw first.
Matter of fact I could do a sequence, that might
be better. I think I saw that first. Definitely
saw that first. This was second, I think and then
that was third.
#66: Okay, renumbering then in the sequence that you
saw the images. All right. I see. Okay.
#49: And I think I went back in again and saw them.
#66: All right.
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#49: (Mumbling) These two were my strongest. This
was strong - the courtyard with the red.
#66: Okay.
#49: The rest of it was just like glimpses of a well-
furnished place. And that blue Persian rug. It
seemed to be a big sitting room. A form of sitting
room or something.
#66: Okay, a couple of times you commented on the
lavishness.
#49: I got that looking at the furnishings. . . I
don't know if I could describe it in any great
detail, but I saw what seemed to be in a couple
places, Persian rugs.
#66: Okay.
#49: The only place I got a feeling of starkness was
where these two gals were, okay. Oh, things
like little wooden tables with mirrors on the wall,
you know, that kind of decorating idea.
#66: Okay.
#49: Very comfortable living conditions. I didn't
see any particular furniture that Icould describe.
I did, with that one blue rug. Would that help,
to give a description of that rug?
#66: You've given it to me verbally.
#49: Okay.
#66: Was there anything that you'd like to add to it?
#49: Well, I don't know if it would make any difference.
It was blue. Most Persian rugs have a lot of design
but this was blue and it just had like the Persian
design whatever they call it. It was just like
. . . you know like . . on the edges and in the
middle sort of.
#66: Okay.
#49: And the rest of it was a blue.
PAUSE
I guess that's it.
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#66: And was there anybody in the room where the . .
#49: I didn't pick that up in the room with this blue
rug and all.
#66: Uh huh.
#49: No. I didn't see anybody. I didn't get the
impression anybody was there.
#66: Okay.
#49: Okay.
#66: Is there anything else that you think you'd like
to add?
PAUSE
#49: I can't think of anything. No, not really.
#66: Okay, that'll do it then.
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TARGET CUING INFORMATION
REMOTE VIEWING (RV) SESSION CC15
1. (S) The remote viewer had been exposed to open source
news media information prior to the session. She had not
seen overhead imagery prior to the session. She knew she
would be working against the hostage situation in Iran.
2. (S) At the time of the session the viewer was provided
the appropriate geographic coordinates of the US Embassy
compound in Teheran, Iran and the pictures on the following
page.
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SGFOIA3
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