GRILL FLAME REMOTE VIEWING (RV) SESSION CC8 REPORT

• Document Type: CREST
• Collection: STARGATE
• Document Number (FOIA) /ESDN (CREST): CIA-RDP96-00788R000800040001-0
• Release Decision: RIPPUB
• Original Classification: S
• Document Page Count: 22
• Document Creation Date: November 4, 2016
• Document Release Date: September 5, 2003
• Sequence Number: 1
• Publication Date: September 27, 1979
• Content Type: REPORT

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ORCON/NOFORN
GRILL FLAME
PROJECT
SESSION REPORT
COPY 2. of2.
CLASSIFIED BY: Director, DIA
DECLASSIFY ON: 30 Nov 99
EXTENDED BY: Director, DIA
REASON: 2-301-C (3) (6)
GRILL
FLAME
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. SUMMARY ANALYSIS
REMOTE VIEWING (RV) SESSION CC8
1. (S) This report documents a Remote Viewing (RV) session
conducted in compliance with a request from SOD, J3, OJCS,
Pentagon, Washington, D.C. The purpose of the session was
to provide information relevant to the hostage situation in
the U.S. Embassy compound in Teheran, Iran.
2. (S) The remote viewer's impressions of the target are
provided as raw intelligence data and as such have not been
subjected to any intermediate analysis, evaluation or collation.
Interpretation and use of the information provided is the
responsibility of the requestor.
3. (S) The protocol used for this session is detailed in the
document, Grill Flame Protocol; AMSAA Applied Remote Viewing
Protocol:(S), undated
4. (S) Following is a transcript of the viewer's impressions
during the remote viewing session. At TAB A are drawings made
by the remote viewer reference his impressions of the target
site. At TAB B is target cueing information provided the
remote viewer.
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REMOTE VIEWING (RV) SESSION CC8
#66: This will be a remote viewing session (edited
for security).
PAUSE
Its time now to focus your attention on the
target for today. You have in your possession
a photograph of two individuals.
Focus your attention on these individuals.
Focus your attention on the area where they
are located.
Relax and concentrate. Focus. Focus.
PAUSE
Relax and concentrate.
PAUSE
#32: I'm outside of a white building.
#66: Describe it to me.
PAUSE
#32: Strong impressions. Isolated.
PAUSE
+02 Rectangular.
PAUSE
#66: Yes?
PAUSE
#32: Not yellow, white.
PAUSE
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#32: Set of bars.
PAUSE
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#66: Okay.
#32: There are no buildings against it.
#66: Focus your attention solely on the individuals
now. Move into their specific area in with
them and describe the area to me.
#32: Okay.
PAUSE
(Not audible) is a.
PAUSE
I don't know.
PAUSE
Dark room. Isolated.
PAUSE
(Not audible) in a much narrower space.
PAUSE
+05 That's crazy, I see bars.
PAUSE
Its as if he were in the cell.
#66: Okay.
PAUSE
What's going on right now? What's the activity
right now?
PAUSE
+06 #32: Its just a few people. . . . in fatigues.
PAUSE
Its a machine gun or something.
PAUSE
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#32: (Not audible) . . it sure is.
PAUSE
They've been interrogated.
PAUSE
#66: Tell me what makes you say that.
#32: I don't know. Its just that they were
recouperating.
PAUSE
One of the sessions of . . being talked to
or at.
#66: Okay.
PAUSE
#32: The guy in the beard's very scared.
PAUSE
#66: Tell me about the perception that gives you
this idea.
#32: He's just sitting there in the corner.
#66: Which one is this now?
#32: Beard.
#66: The man with the beard. All right.
#32: Yeah. He's . . . hunched over, thinking.
PAUSE
(Not audible - mumbling).
PAUSE
#66: Tell me about the room that they're located
in.
#32: Two different areas.
#66: Okay. Tell me about these areas.
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#32: Marine's in the small part. I still see bars.
#66: Okay. The marine is in the small room with bars.
Okay.
PAUSE
#32: The other guy's more . . (not audible -
mumbling).
#66: Okay.
#32: Dark. Sunlight. Sun by a window. (Not
audible- mumbling).
PAUSE
#66: Look out the window and describe what you see.
PAUSE
#32: Courtyard. Walls. Gate. A gateway.
#66: Okay. Now, focusing back on the room itself.
#32: Um hm.
PAUSE
#66: Describe how you get into this room.
#32: Through door. Dark door. Ordinary door.
PAUSE
#66: Describe the walls to me.
#32: (Not audible)
#66: Okay.
#32: A handle on the door, lever type.
PAUSE
+12 Desks. Desk.
#66: Desks. Okay.
#32: A desk.
#66: A desk.
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#32: A desk. Sit down.
PAUSE
There's a chair by the (not audible).
PAUSE
#66: Is he alone in this room?
#32: Yeah.
PAUSE
I get the impression he's thinking of his
wife and kids.
#66: Okay.
PAUSE
#32: I see him in a sport shirt.
PAUSE
+14 Hands are . . . . are loosely . . . . tied
together. Like (not audible - mumbling).
Lee-way between (not audible). Like a weed.
PAUSE
Dark (not audible - mumbling).
#66: Okay. Tell me about the room. The floor.
What's on the floor?
#32: Okay. A door.
PAUSE
The wall. The opposite wall. There are two
windows.
PAUSE
Over with the windows there. . . (not audible)
is a divider. Behind him is the wall to the
outside of the building.
PAUSE
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#32: Doors - open. Two.
PAUSE
#66:
I get variations. I got a . . . big room,
like a reception room and then I got them in
a bedroom type.
Its flicking on and off.
Okay.
PAUSE
Okay.
#32:
I think there's a guy with him, but . .
not there all the time.
he's
#66:
Um hm.
I have no further questions
about these
areas.
I'd like you to add anything
to say at this time.
that you'd
like
PAUSE
#32:
Let me go back out.
PAUSE
There's stairs to the indoor. Like a porchette.
Small. . . . Two windows that lead onto the
porch, I think.
The other guys on the other side of the building
in a much smaller inclosure. There's just wall
there. Four corners of the building seem to be
. . . . a protrusion of posts or columns that go
beyond a roof by a . . . foot and a half.
There's something in the middle of the roof.
PAUSE
#66: Yes.
#32: Maybe. . . looks like just a (not audible)
in height.
This stairway (not audible - mumbling).
PAUSE
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#32: The entire courtyard is surrounded by wall.
PAUSE
#66: Okay. I'd like you to bring your attention
back to focus On the room now.
#32: Which one?
#66: Back on the room where I'm located and I'd
like you to draw the images that you see.
#32: Okay.
PAUSE
#32: Where you're located?
#66: Okay.
PAUSE
#66: Move your arms and move your legs a little bit.
PAUSE
I'll give you a little bit of light here.
PAUSE
#32: I'm going to give you the first impression
of the big room. Although I get an impression
of two types of rooms for him.
The windows were more or less the same.
PAUSE
There was a . . . desk. . . On the wall was
a picture that seemed out of place, almost
like a fireplace.
#66: Um hm.
PAUSE
#32: I'll put on "fire place". This was solid.
I didn't say this, but they were gold printed
panels. And this was a . . . a double door.
Extremely spacious which is (not audible).
Okay.
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#66: Um hm.
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#32: This is . . . This kept alternating with
this and here was a. This is the man
with the beard.
PAUSE
And it was just a . . . bedroom. Not
abnormally small. A decent size bedroom;
like a half-room. It had . . . a window
and there was a window -- now, look at the
darn similarities. It had a door. There
was a bed here but I don't know the position.
I'll just put it here because - that's not
true either. It was deeper, like the window
was (not audible). Something like this.
There was a bed here. He was sitting on a
chair here someplace. I'm looking down a
flat surface. There was more positioned .
like this. .
PAUSE
(Not audible - mumbling) toward the window.
Okay.
I'll concentrate on the rooms first.
#66: Um hm.
#32: The marine guard was really in a small bloody
room. . . from what I could see. Maybe half
the size of this thing here. There's something
here. I'm not even sure that it is a bed. It
looked more like a bunk tied on to the side of
the building. It looked like a cell.
A real jail cell.
PAUSE
He was kind of lying down.
#66: And you said there was others there? Were they
#32: They were guards mainly. I . .
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#66: Then what did you say, that they were resting
or something?
#32: Yeah. He was just sitting. The others lying
down.
#66: You said something about interrogation?
#32: Yeah, they had the long . . . been talked to -
not interrogation, but they had been talked to
or being questioned. Right. I got the impres-
sion that . . . they were being talked to about
their beliefs of Islamic or (not audible).
Its like they were trying to justify their position
What these guys seemed to be (not audible) or be
afraid of, is that they were going to be tried
but they had been selected or something.
#66: Um hm.
#32: I just felt that they were more isolated from
a group I didn't see. Any group of any other
. . . any group or any other prisoners.
#66: Okay.
#32: The physical layout was something like this.
It just (not audible).
PAUSE
Building.
PAUSE
Something like this.
PAUSE
Its quite a . . . more square. I don't know
too much about that side here. Okay.
Now. The guy with the beard was in on this
side here someplace. I can't tell with this
if its the big room or the small room because
it kept flicking on and off. But the marine,
I got back here someplace in a very small room.
Like a cell type room here. Okay.
#66: Okay.
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#32: And all around this was a walled courtyard.
With a gate. Something like that. I don't
know if this was attached to the building or
not.
Then there was a . . . (not audible) sort of
a porch here. Okay. Now these four columns
jutted out above the roof. And there's some-
thing here. And I don't know what to call it.
#66: Um hm.
#32: Okay. Just something on the roof a little
higher than the columns. Like that.
The porch. . to the stairs. The things was
this entire building was isolated from anything
else.
#66: Okay.
#32: I got the sense of isolation. No buildings
tied on to it.
#66: Okay.
#32: At any point.
PAUSE
I don't know (not audible) said a hell of a
lot of things (not audible).
Is there anything else that you wanted me to
draw?
#66: No. I think that will do it. Is there any-
thing you feel you want to add?
#32: No. I got the impression because I became
humanly interested, the guy with the beard
was not holding up toowell.
#66: Um hm.
#32: Extremely depressed, extremely dejected. This
guy (not audible) tough
#66: Okay.
#32: It worries him but it doesn't, no panic or
anything.
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#66: Okay.
#32: Just general worry.
PAUSE
#66: Okay. How do you feel about your imagery?
#32: Ah. . . There was some noise in the beginning.
Some pretty heavy; that's the first time I
heard the noise although I was pretty well
prepared. The only thing that I . . .
#66: Didn't make sense again?
#32: Um hm. Was the . . you asked me where I was
or where he was, then I'd look at the room,
and I got the impression of a big reception
room.
#66: Okay.
#32:
IntTheiNu=TtOd=1th
sO;sstafsngnde ton te
damn thing would shrink into a bedroom size
room.
#66: All right.
#32: Okay. And that kept going on and off, on and
off. Everytime that I wanted to look around
and start describing it, the room would change.
#66: All right.
#32:
1/
Okay. Whereas the small room for the marinefi
that was stable.
#66: Okay.
#32: I didn't feel too sure about the bottom but I
saw it twice.
#66: Okay, fine, good. That'll do it then.
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TAB
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TAB
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TARGET CUING INFORMATION
REMOTE VIEWING (RV) SESSION CC8
1. (S) The remote viewer had been exposed to open source
news media information. He had not seen any overhead imagery
prior to the session. He knew he would be working against the
hostage situation in Iran.
2. (S) The following page shows the only information provided
to him at the time of the session.
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