TRANSCRIPT REMOTE VIEWING SESSION 842

• Document Type: CREST
• Collection: STARGATE
• Document Number (FOIA) /ESDN (CREST): CIA-RDP96-00788R000700150001-9
• Release Decision: RIFPUB
• Original Classification: S
• Document Page Count: 22
• Document Creation Date: November 4, 2016
• Document Release Date: June 17, 1998
• Sequence Number: 1
• Publication Date: January 5, 1982
• Content Type: REPORT

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INSCOM
GRILL FLAME
PROGRAM
CLASSIFIED BY: MSG, DAMI-ISH
51630Z JUL78
REVIEW ON:
NOT RELEASABLE TO FOREIGN NATIONALS.
creriTT
ORCON
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GRILL FLAME
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SECRET
SUMMARY ANALYSIS
REMOTE VIEWING SESSION 842
1. (S/NOFORN) This report documents a remote viewing-. session conducted
in compliancq with a request for information.
2. (S/NOFORN) The remote viewer's impression of the target are provided
as raw intelligence data, and as such, have not been subjected to any
intermediate analysis, evaluation or collation. Interpretation and use
of the information provided is the responsibility of the user.
3. (S/NOFORN) The protocol used for this session is detailed in: the
document GRILL FLAME Protocol, AMSAA Applied Remote Viewing Protocol (S),
undated.
4. (S/NOFORN) Following the session the remote viewer was interviewed
for his impressions. At TAB A are drawings, and a narrative concerning
the drawings, made by the remote_viewer. At TAB B is the target cuing
information provided the remote viewer.
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TRANSCRIPT
REMOTE VIEWING SESSION 842
#72: This will be a remote viewing session for
5 January 1982 with a start time 9 o'clock.
#06: Just a. .
PAUSE
#72: It is now 9 o'clock. Our target for today
is the individual whose photo you have been
shown. Concentrate on the man in the photo.
Describe where the man in the photo, is
located.
PAUSE
#06: Had a . . . different building. Large, red
brick building. This brick is painted red.
Its old.
PAUSE
PAUSE
Steps.
Steps on both sides. ? . of a entry.
PAUSE
I saw windows -- they're boarded up.
PAUSE
Several. . . . Three stories.
PAUSE
He's being held in a boarded-up room.
Just got a flash of . . radios. Scanner
type radios.
PAUSE
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#06: Its like an old mansion.
PAUSE
Being away, I have a Being away
from the steps I. . . have a gravel drive.
PAUSE
Looks. . . . to be about . . ? three
hundred feet to a hedge and gate fence-line.
Very bleak, flat area. Like farm fields.
More like pasture.
I'll look for mountains.
Behind me on my left are mountains.
PAUSE
#72: All right. Go back to the house. Go to an
overhead perspective. Look around the
countryside and describe
#06: just a minute
PAUSE
Looking to the right, there's a road - main
road. Main road goes to the town before.
Its all just desolate area. Very mountainous
to my rear. Patterns of fields.
PAUSE
#72: All right. From the building, the gravel
road goes to a hedge type fence.
#06: Thate correct Stonework and . . . metal fence.
' #72: Where does the hedge type fence lead to?
PAUSE
#06: Its just down the front of the building.
Perhaps 150 feet - both directons. Its like
a country road. Tall, skinny trees on both
sides. If you go right on that road, it goes
to . . the main road.
PAUSE
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#06: To the left of the main road, it goes to the
_
'grime town with the park and, the train
station.
Now,
-Nemo'
PAUSE
What's peculiar about this house, its . . .
. . its color and the front left and right
sides have like a . . . capola or a
like a . . . . round turrent type shape. Very
old. Shape.
PAUSE
See something that looks like ? ? 7 ? I don't
know what that is. Its funny design, - I'm
trying to locate where its at I see it.
PAUSE
Its like ribbons or something upside down. . .
coming from an upside down bucket or something.
PAUSE
I don't know what that is. Can't. . . For some
reason can't seem to put it in the picture, but
its . . like a design of upside down ribbons,
PAUSE
#72 All right. At the intersection of the road in
front of the building and the main road, what
is located there?
#06: Just a minute.
PAUSE
Just taking me a minute, I'm having trouble
getting there.
#72: Just take your time.
PAUSE
#06: It goes under the main road. Its like a . .
oval tunnel. The country road goes under the
main road towards a small town, village. Main
road appears to be raised - like on a mound of
built-up earth. Like a super highway.
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#06: I see a lot of scrub brush and a lot of tall,
Nftwe thin trees - lining these roads.
Networ;
PAUSE
Everywhere there's a road there's tall, thin
. . . trees.
Behind me on the main road. . . . it goes Very
high mountains. I think there is one last town
in the very high mountains.
PAUSE
See one very modern town, then the mountains.
PAUSE
#72: All right. Let's go back to the building and
look around the area directly in the vicinity
of the building.
PAUSE
#06: I see a vehicle parked in a . . . . like a
leanto kind of garage in the back. Open door.
Trying to ascertain what kind it is.
PAUSE
Its like a larger sedan - a larger Fiat sedan.
Its white. Some kind of damage to the rear
left. Can't quite make it out but there's like
a rust color there - brown color.
#72: All right.
#06: Its got a Vehicle's
out of Milan. . . Milano. Its four door. Black
interior. Four, well maybe 3 years old. Its a
big Fiat.
PAUSE
#72: All right. Are there any other manmade structures
in the vicinity of the building?
#06: Hmmm.
PAUSE
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#06: Like to the rear right is a. . . . at the next
field over is a . . flat, white building.
PAUSE
I don't Just like white walls. I
get stone, get flat roof. Not getting a lot
of detail on that. That's all. Don't know
what it is. I don't think its occupied.
#72: No problem. Don't worry about it.
PAUSE
#06: Very barren, open area. Its just all . ? ?
slight rise of hills directly behind the house.
Patches of trees here and there.
PAUSE
#72: All right. Let's take a look around the
interior of the building. Start on the entry
floor. . .
#06: Entry floor is the second floor. Feel like
the main entry is stairs. Foyer and
stairs. Left side is the
Left side is the like operational area. Got
radios and . . Its a lot like a dining room.
Keep getting an impression of this woman -
perhaps five males. Many guns. Under the
. . directly under this room on the first
floor is the room where the General's at.
PAUSE
I'm getting a For some reason, I'm
not getting a good feeling about his condition.
But he's . . . Its like he's been harmed, but
he's alive.
PAUSE
#72: All right. That is all of the questions that
I have for you. Do you have anything that you
wish to add?
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#06 This is . . . . This is really out away
from the town.
PAUSE
Perhaps 30 miles. 35 miles. Its right in
the foothills of the mountains. That's all
I got. I'm trying to get a good . good
picture of this building.
PAUSE
That's all I got.
#72 All right I want you to return to this room
in this building. Return to this room in
this building
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TAB
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TRANSCRIPT
REMOTE VIEWING SESSION 842
(Description of Drawings)
We will now continue the session with a descrip-
tion of the drawings starting with the building.
#06: Okay. Page 1 is the building that I had that
was in the middle of nowhere. This was like
on a slight rise of ground up the end of a
gravel driveway and it had like . . . I've
depicted here the double steps entry from both
sides. You had to go up these curved steps to
the door. Its a double door - wood. Get a
lot of old fashioned windows. The windows on
the left side appeared for some reason to be
boarded up. It was red brick. It was like
brick painted red. Or very red, red type brick.
And, a lot of white trim. And the roof was a
dulling gray, kind of black. You know, like
black roof that's weathered somewhat. A lot of
tall skinny trees everywhere. Mostly lining. .
none up the sides of the driveway but across
the face of the building. . where the . . not
the building across the face of the fence line
in the front. It appeared to be a mixture of
stone and wrought iron. And all the country
roads had these tall skinny trees everywhere.
I don't . . . they looked a lot like popular
trees. 1 don't know what kind of tree it is;
just tall, skinny trees.
The leanto like garage is in the immediate rear,
right and actually. abutts this building and that's
where the car was, the Fiat.
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#72: Okay, what's distinctive about the building?
#06: The. . . These pointed roof designs on either
end and I'm not sure I'm depicting them properly.
But there appeared to be like these two capolas
or propulas or whatever they call them, with the
pointed roofs. And it also has like a . . .
mansard type roof to the front. Twin chimneys -
both sides. Its. . . I've drawn in two rows of
windows here but its three floors.
I don't know how to explain that. Also, I had
an occupied feeling about it like . .
whoever owns the building is as much a hostage
as this General is. Its like they selected and
called this building out as their base of operations
and . . . just moved in and took it over.
#72: So, its not an abandoned. .
#06: No. Its not an abandoned building.
PAUSE
Page 2 - I've depicted the building which I'll
label building with an arrow and its immediate
property line. And then I put in a white building
where I saw this white building. Fiat roof white
building. Idbn't know what it is. Some sections
of woods. And mostly its sectioned off open farm
fields or pastures. I think its pastures. And,
if you follow the farming road to the right,
it goes out into the mountains. And if you go
left it goes down and under an oval overpass
for a super highway that's built up on a dirt
embankment. And if you go North on this super
highway you hit one modern city and you go straight
into some like Alpine mountains. You go South,
you go into the original city I drew in the last
session. If you continue on the farm road it
sort of turns a little bit South and then there's
a little village there. And that's it. I mean
its just desolate.
I've already said it.
#72: Okay.
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#06: I've depicted here a quick sketch on Page 3
of the original city layout which I'll label
"A". And the industrial areas which are dotted
lines. And I've drawn a circle of approximate
30 mile radius around the original city. And
I believe this location is somewhere to the
Northeast of the original city about thirty
miles. Right at the foothills of these moun-
tains. I've depicted the location with an "X".
The last page is a picture of the tag, and I
don't know if I said. . . Milan based on the
MI letters on the tag , or if I sense that it
is a Milan tag. But its almost a perfect square,
white; black letters. Capital letter MI left
side with a bar on the right and numbers top
and bottom and that's how I picture this tag
to be. Its on the Fiat. Its a white Fiat,
3 years old, possibly 4 years old. Black interior,
and its got some kind of damage to the rear left.
That's all I have.
#72: Okay, how did you know it was a Fiat?
#06: I don't know.
#72: Just a sense that it was a Fiat.
#06: Sensed that it was a Fiat. A large. . . The
large Fiat. The big one. The biggest one they
make. You know, the big four door sedan.
#72: Okay. On Page 1 you described the home - I
think that you indicated that the entry was
on the second floor.
#.06 Yeah.
#72: And then the dining room, or a command type
center with radios.
#06: Yes. Its on the immediate left.
And I got. . . They're not just radios, they're
scanners. And. . . And, I think that's very
important because if they're using it, the local
police or cavanary are using radios to communicate
with, I think that that's. . . I think they're
being monitored.
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#72: Okay, and you indicated that there was
possibly 5 men . ?
#06: Five male and one female.
And the female appears to be older. And
seems also to be a disinterested individual.
So, it could be like an old woman that owns
the place or a housekeeper of some kind of
something of that nature.
#72: Any feeling of how long they've been here?
#06: No.
#72: Okay.
PAUSE
I don't have anything else.
#06: That's all I have.
#72: Okay.
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TARGET CUING INFORMATION
REMOTE VIEWING SESSION 842
1. (S/NOFORN) Immediately prior to the session the remote viewer
was shown a photograph of the target, and two drawings he had com-
pleted in a previous session.
2. (S/NOFORN) The remote viewer was asked to locate the individual
in the photograph and describe his surroundings.
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