INSCOM GRILL FLAME PROGRAM SESSION REPORT

• Document Type: CREST
• Collection: STARGATE
• Document Number (FOIA) /ESDN (CREST): CIA-RDP96-00788R000601040001-1
• Release Decision: RIPPUB
• Original Classification: S
• Document Page Count: 18
• Document Creation Date: November 4, 2016
• Document Release Date: June 11, 1998
• Sequence Number: 1
• Content Type: REPORT

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INSCOM
GRILL FLAME
PROGRAM
CLASSIFIED BY: MSG, DAMI-ISH
05163OZ JUL78
REVIEW ON: e-
GRILL FLAME
NOT RELEASABLE TO FOREIGN NATIONALS
ORCON
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SUMMARY ANALYSIS
REMOTE VIEWING SESSION 883
1. (S/NOFORN) This report documents a remote viewing session
conducted in compliance with a request for information.
2. (S/NOFORN) The remote viewer's impressions of the target are
provided as raw intelligence data, and as such, have not been
subjected to any intermediate analysis, evaluation or collation.
Interpretation and use of the information provided is the
responsibility of the requester.
3. (S/NOFORN) The protocol used for this session disedetailed
in the document GRILL FLAME Protocol, AMSAA App
Viewing Protocol (S), undated.
4. (S/NOFORN) Following is a transcript of the viewer's
impressions during the remote viewing session. At TAB A are
drawings and narrative provided by the remote viewer. At
TAB B is target cuing information furnished the remote viewer.
NOT RELEASABLE TO FOREIGN NATIONALS
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REMOTE VIEWING SESSION #883
#66: This will be a remote viewing session for 0900 hours
1 April, 1982.
Following is a pre-session briefing to the remote viewer.
At this time, I show you two photographs of individuals which
you have seen before in your las+-. session. Last week
we focused our attention on the Female in the photographs.
This week we focus our attention on the male in the
photographs. Your task for this morning will be
to locate the male, describe his present employment to
me and present residence to me. And by present time,
I of:coue mean in generic terms, a window of plus or
minus two or three days here. We're not talking about.,
if he happens to be in a book store buying a magazine
that's not his present location. We're talking
generically, his residence, where he lives now and his
employment, where he works now in the generic term
of present, today.
Do you hswe any que,stionsuuconcerning your:task for this
morning.
1.
#32: No.
#66: All right. You now have appoximately 20 minutes in which
to prepare yourself for this morning's session.
Relax now. Relax and concentrate. Focus your attention
now. Focus and concentrate on the individual in the photo-
graph I've shown you. Focus on him. Focus on his employment,
on the place where he works and describe this area to me.
like:.lke alu m an this yard is associated
building. There is the(,place of business, that receives
the business order and gives hi-?r his directions. That ;_
place of business administration has long narrow windows, as one
might find, like in a very modern church, but it is a place
of business. The main impression about his work is this
thing about the ch link fence that seems to be the
perimeter fencing with a sort of a t af-overhang
ype ing, but it's ,)
I seem like calling ltd
1 97
'
not lumber. It has something to do with awoum., conduit
piping of sort.
#66: Describe the area surrounding this place of employment.
#32: There's a ..there's a ch in link fence forms the
ri_ ___ t.,,.. ,4-h4.nn of to
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#32: The two things, the, this a, this wumble) because
, in the suburbs and like in a suburban surrounding..'.) n
Almost from suburban to while the,
the principal business ding is very modern and in a
city area.
#66: From above this place of work, from above the place of work,
scan the area around the place of work and describe the
most significant feature.
PAUSE
#32: It's at the foot of a hill, below the, that area, again you
come back to a , a, a multiple railroad track area like a
where the, 1 a switchin area where they load, unload
and a railroac yard. It's (mumble) it's a, the impression
. tie railroad yard also is that the weird features
that there are, lights like orange.lights, it's not a white
light, it's a whole place is characterized by orange
lights and flashes of light, like somebody welding and stuff.
#66: All right. Let's move now to this individual's residence,
the area where he lives now. Relax and focus now your
attention only on the area of residence. Focus on the
area of residence and describe your perceptions to me.
One or two things, his real . ,again is, used
to be in the suburbs. I get e impression that he is in
the...the like a boardin ho but it's not. Not enough
people to call it a hAITIC -house, but maybe like a place
where , pension, or w ever you call it.: Place where he
has his rooms and meals. I et the impression that's on
the, just it's a be --a suTurb, -fieTore the new city
starts.
#66: Describe this neighborhood to me.
#32: It's, if you were to draw a line, it would be right on the
? cis arm t?ld city,' like
.
r.he suburbs s ar ...
it's still a house where there's, I don't know, four or five
four, boarders maybe something like that ...think at
he's.. he hasn't been there that long but this is his
crowning place (mumble)
of where the n _
. ?a not once two or three,
t t It's
#66: Describe how I can best locate this house.
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#32: car access , what
T ou bo ockfrom alsoey
the several of that in the ci y. ere's something about
a - ant or a food establishhm, almo - . i ect across
fro nouse.
#66: What is there.
#32: With an emblem.
#66: Describe the emblem.
#32: It's red and it's got oldza dlen, like it were-a golden
~''oVn a golden threa , , a re circ e, like a like a
the` old American margarine commercial, but I'm
not too sure whether it's a crown or not It has particular
and;ipeculiar- meaning to auto the business and that store.
It's the only salient feature I can find.
#66: Um, um. I have only &Xt; more question then. It's
time now to expand your awareness, extend your awareness
beyond the confines of my narrow questions. Further and
further beyond and now AxM_out of this time window
into the future. Focus on the period one to five May,
1982. Concerning this problem, focus on one to five May,
1982, and describe the event of interest 1 to 5 May, 1982.
PAUSE
d
#32: Another point of a , this event is a.....to a outright
harm in almost a stupid assault type tactic. here's no
intent of kidnaping.
#66: Describe what you see.
#32: I see black cloths and an assault r-five,
'f !1 Y 1
o be a mi1i ary ease, like the stupid.
airport in
ore they did and did in a .
Bryssefs, and some of the other meaningless.
#66: Describe the activity you perceive.
#32: Intent at meaningless slaughter in a courtyard.
Describe the surrounding area.
#32: Has so'rnethirig to do with what looks like and old.kaserne
with walls and black fences of brick type driveway like an
old military klasernetype thing. It's an official spot
it's a..
errorl
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#66: Describe intrinsic objects which identify location.
#32: Say again.
#66: Describe intrinsic objects which -
#32: The flag and a white flag.
#66: Describe time of incident.
#32; About 0945.
#66: Say again.
#32: 9:45 in the morning.
#66: Is this digital vision or description?
#32: No, it's a time and day estimate of day.
#66: All right. By the, assume by, it's'light outside?
#32: 0945 in the morning.
#66: Okay. Scanning the area of the incident, continue to
describe the area surrounding.
PAUSE
#32: There's a main entrance to the building. There are two...
arches..to the courtyard there two entrances to the right
left of about 20 or 30 yards each. Those two outer entrances
are to let automobiles in on special occasions to give
access to moon shape driveway, to the main entrance of the
building. The building is an additional building characterized
by a great deal of glass. Where's a...particular...feature
that grass, the glass looked smoked and gray from the outside,
fives a like a one way glass that you can't see through,
see in from the outside. And the--
#66: Passing through this area to the far side of the building
describe.
#32: Inside the building.
#66: Outside.
#32: What you want, the rear?
#66: Yes.
#32: Ah.. an area about, this is tough.
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#66: Just replay it.
#32: 25...20 yards, 25, I don't know, 30 at the most,
what you have there is a , a few trees, I can see an
impression of a small grove, enough to make esthetically
feeling in the wall .... has an entrance of a smaller
building to the right, rear of the main bolding. That's
about it for now.
#66: Okay. As this event takes place, what is the principal
sense identity, the principal activity which strikes you?
#32: It's the senseless slaughter directed against an official.
US. The presentation.
#66: Okay. I have: no further questions.
#32: I don't hav? ! anything else.
#66: Return your perceptions now to my voice in the room.
And let's prepare to draw those concepts you have had.
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TAB
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REMOTE VIEWING SESSION #883
(DRAWING NARRATIVE)
#32: Okay, in sketch #1 which I labeled work area the
predominent feature of what I had was a chain link
fence that was the prdmciPpl perimeter fencing. And the
second and lasting impression was that of a aluminum
type pipe which is what I call a conduit type pipe which
it would be used to cover wiring for, well for covering
wiring, whether it be for communcations or that other
electrical wiring. When I force myself to find out where
this sight was after I determine other features, I found
an open air overhang or warehouse or shed with open sides;
and a roof in which a lot of this material was stored and I
think I have described on the tape where I think this was
located.
In conjunction with the work area, I also drawn sketch
It 2. And this relates to the headquarters or the principal
main office of where this work area is administered by
or belongs to, and this building was characterized
by long narrow windows on a very modern type white
cement structure and that is about all I tell you about
principal admin building unless you have any questions.
#66: Tell me again about the neighborhood or the area the
city in which this was located.
#32: This appeared to the sketch #1, warehouse complex was
on the slower portion of the valley type area in a
suburban area, like it would be the, if you could label
the different sections, one would be the old city.section
and then beyond that went a completely suburban even going
into a rural area. The warehouse type atmosphere was
somewhat to the west and outside of the city but in the
suburban area, 'cause I still see single houses in a town-
ship village type atmosphere. Whereas the headquarters
admin building appeared to be in the new city type.
#66: Drawing # 2 then is, drawing #2 then the admin building
is a separate complex or some distance?
#32: Oh, quite definitely.
#66: Some distance from the drawing # l'.
#32: Absolutely.
#66: Okay.
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.5 La
#32: Then in sketch #3 which I'll just put this man's residence,
I'll label it residence, if you.!wish. This was very difficult
to describe because it reminded me of being in, in Heidelberg
where-like to use an old cliche, everything looks alike.
But I try to at least describe the general atmosphere
of where he lived and I've described what type building
he lived which I've thought would be a boarding house.
And it seemed to be a couple blocks, one or two blocks
away from a trolley circut and to try and find
distinguishing features, because everything was so alike,
I was looking around in the street for something that
would really stand out. And what I found closest and
somewhat diagonally across from the boarding house
was a food or a restaurant concession type emblem that
would be very distinctive to that particular area and
would look like a crown of sorts, ah, the best way I
can describe it is a spherical, little structure, like
a crown with red velvety background and the salient feature
was the gold striping that sort of criss-crossed this
circle which lead me to believe that it was a crown.
I got the impression that that had a distinc,rtive meaning
as to what this food or restaurant concession was all ,
about, in which be meaningful to national living in that
area. That was the best I could do on that.
#66: Okay, so the significant wary in which to find this
boarding house is that "across the street from this
restaurant with the peculiar emblem.
#32: Restaurant or a food concession, I'm not sure what it is.
#66: All right and it has this peculiar emblem.
#32: It has something to do_th food.
#66: Okay.
#32: All right. Yes, I'm sorry to interrupt go ahead.
#66: And the way I identify this,Lw~ T as you describe
it, is through this very pecu lai m M.
#32: Yes, yes.
#66: All right, let's go nouto the, beyond the questions of
this individual to a significant event of the one to
five may window.
#32: Yea, I'll label that event sketch and the domineht
impression there was , was an impression of some black
cloths or something being left at this entrance that I
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have indicated in sketch #5 which I will label now as the
main entrance. And these four or five difinitely terrorists
dressed in black whose intent was to go to the principal
official US type building that I have drawn in the back-
ground add to engage in a meaningless, futile,,=stLI id
slaughter of people through the use of automatic weapons.
Got the impression that concept of the idea was to under-
take a meaningless, like I say, useless slaughter much
like the ones that were re port d in.the press, say against
a rp , one or two airpoprts
the airport "
I believe i , wee terrorists would simply arrive
.,and shoot at random just to maim and kill the principal.-
t' a US o lClr3
s to do i 1- aMa1f c 'R
`1
i
tf~t nreri Icghe impression that it might be a
ounselor of an embassy type office.
#66: And that was towards the end of your impression. towards!;
the first part of your impression you felt more as though
it was some sort of a military base, I think you said.
#32: Yeah,, the it started was, I had the impression that
it was at the entrance of an old military-----Okay the
way.it started or the initial impression I found myself
in front of a fence, a combination fence wall that reminded
me of old European military ka:aerne, which I've tried to
draw in a sketch 4 and only when I push myself and went
deep into the courtyard that I come up with these other
inpressions of the driveway, the additional entrances
to the right and left of the main entrance, trees and
what have you. Anything else that you'd like?
#66: No, th t,you.--what you see when you think about this
event is black suited people with automatic weapons.
#32: That, that was the lasting impression.
#66: Okay.
#32: Okay, when I strayed from that and tried to get additional
detail, I came up with this other stuff. But that dis-
tinctive lasting impression was the main impression that
returned to me everytime that I was not busy trying to look
for something else.
#66: Okay, and let me examine another aspect. You did not see,
if I understand youucorrect, buildings on fire or
burning. You did not see explosions. You did not see
individuals firing shots.
#32: No.
#66: Bodies falling to the floor and so forth and so on.
#32: No, I don't think ah, ah I stopped it at, I didn't stop
it, it stopped. The impression was held static at 0945
kke lace.
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And the purpose of the assult was quite clear in my
mind. But it, the ensuoing results of such an action
simply did follow, because it was stopped and held.
It would be like asking your mind-what is the event and
the event shows you a photograph and that photograph
remains static and without further photographs, you can't
tell what happened.
#66: Okay.
#32: My impression was that of this photograph with this
assault in the process at 0945 at this particular place.
#66: Okay, do you have any further comment?
#32: No, I don't.
#66: Okay, fine.
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TAB
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 SG1A
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