INSCOM GRILL FLAME PROGRAM SESSION REPORT

• Document Type: CREST
• Collection: STARGATE
• Document Number (FOIA) /ESDN (CREST): CIA-RDP96-00788R000600530001-8
• Release Decision: RIPPUB
• Original Classification: S
• Document Page Count: 14
• Document Creation Date: November 4, 2016
• Document Release Date: June 10, 1998
• Sequence Number: 1
• Content Type: REPORT

Approved For Release 2000/ 000600530001-8
INSCOM
GRILL FLAME
PROGRAM
CLASSIFIED BY:MSG,DAMI-ISH
DATED: 051630ZJUL78
NOT RELEASABLE TO FOREIGN NATIONALS REVIEW ON:"c.~-c1
- - ~. --- T
GRILL FLAME
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SUMMARY ANALYSIS
REMOTE VIEWING (RV) SESSION DCC-47
1. (S/NOFORN) This report documents a remote viewing session conducted in
compliance with a request for information concerning a target building.
2. (S/NOFORN) The remote viewer's impressions of the target are;provided
as raw intelligence data, and as such, have not been subjected to any
intermediate analysis, evaluation or collation. Interpretation and use of
the information provided is the responsibility of the requestor.
3. (S/NOFORN) The protocol used for this session is detailed in the document
Grill Flame Protocol, AMSAA Applied Remote Viewing Protocol (S), undated.
4. (S/NOFORN) Following is a transcript of the viewer's impressions during
the remote viewing session. At TAB A are drawings made by the remote viewer
reference his impressions of the target site. At TAB B is target cuing
information provided the remote viewer.
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REMOTE VIEWING (RV) SESSION DCC-47
TIME
#66: This will be a remote viewing session for 1300 hours,
12 May 1981.
This will be a pro-session briefing to the remote viewer.
Today's target is identified to you as the building in the
photograph which I now show you.
#01: Okay.
SG1 B
#66: This building relates to `the . individual you know as _
We wish you to help =and his job, by remote viewing the
buildin in the photograph and scanning the building to
help SG1 B
#01: Okay.
#66: We'll be scanning the building in the present time, right now,
the right now scan of the building. Do you have any other
questions pertaining to today's mission?
#01: No.
#66: All right. You now have 10 minutes to prepare for today's
session.
Relax, relax and concentrate now. Concentrate and focus.
Focus on the building in the photograph I have shown you.
Focus and concentrate. Focus on the target building, scan
the target area, and report your perceptions to me......
+02 #01: In a....it's in a main entry area... Some, uh, decorative
flower work of some kind on a door, doors. It's like a open,
open area in the front of a counter. It looks very, almost
like a bank. Glass, counter work with glass. Open bay....
Got a, uh..got a doorway to a hall on the left... With a..
kind of offices to the sides-and a main, uh, office area at
the end.... The, uh, there's like a divider wall of some kind..
It's to the right.. This is a very luxurious type of area...
+05 Apparently a, like a more formal or higher class type office..
Got a row of windows in the rear-all the way down the build-
ing... Let me scan this building for things that M should
be lookin' for. SG1 B
1 QT. $ABI'iE TO FOREIGN NATION J a
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+07 #01: Feel like a, uh..the only, the only input I'm getting is like
a custom made cabinet or bar.. Sort of a "L" shape, built
like catty-corner to a corner of a room. I see a, looks like
a tea serving set or silver serving set of some kind on it..
Doesn't appear to be any kinda alcohol or anything visible
but it's there, it's like under the cupboard. This is a, I
got cups, some kind of a decorative tea set. I don't know why
I'm attracted to that.
#66: Describe the room where this is located.
#01: I'm trying to. I get pale blue, color pale blue. I get, uh..
light, light furniture, not heavy overstuffed furniture but
almost like Dansk type furniture, very lightly built. I get
some very expensive rugs..Persian type carpets,. wide desk...
There's a lot, like a lot of red in the rug..design. Get what
looks like a window mounted air conditioners. Two flag stan-
chions...
#66: Describe your position of observation.
SG1A
#01: Dead center in the room..
#66: And as you stand in this room now, concentrate solely on helping
- and describe your imagery to me.
#01: I just get a piece of wood looks like a jack-like a double
intersecting cross, small. Has something to do with the, uh,
the bar type counter with the tea set...
#66: Describe the experience which you have that makes you say it
has something to do with the tea set. What is the experience
you have?
#01: I keep moving to there. I get this free-flowing imagery of
this like wooden jack, double intersecting cross. It's like,
uh, I get..keep getting them recurring visions and they're
one after the other... Try to..get the color blue in there
as well but I keep getting a pattern like a oval, oval leaf
pattern in black, or very dark green on blue background.
Something to do with a counter or bar top and the, uh, a wooden
jack. Keep asking if there's any kind of a device in here
and I'm not getting any of those, any direct answers to that.
I don't, I don't think there's anything device-wise. I just
keep getting this series of impressions.
#66: All right. Open your perspectives now broader to cover the
+11 whole building and continue, focusing solely on helping SG1A
#01: Just got an impression of a person. He's wearing a light
yellow shirt, brown tie, sleeves rolled up, no outer coat,
sandy bland hair. But I don't know what the connection is.
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.-HUM M
#66: Describe the activity of this individual....
#01: Paperwork... He's in some kind of a management position,
something to do with paperwork... He's like in his, uh, uh..
mid to late thirties. He's wearin' a school ring. One of
those big, bulbous type rings... I don't know why I got an
SG1A impression of him. I was tryin' to isolate another area of
interest to _ and that's what I got.
+16 #66: Continue now to help-.. SG1A
#01: That's all I'm getting.
#66: Okay.
#01: Getting, uh, incidentally I'm getting the pressure again
between the...just above and behind the eyes. I had that once
before... Not exactly sure what that means.
#66: Just explore the feeling. Just relax and concentrate and
explore the feeling for a moment... Explore it. Just relax
and explore it....
#01: Just pressure behind the eyes, like I really cracked my head...
......... Think that's all I'm gonna get.
#66: All right. I have no further questions about the target area.
And focus your attention now back on my voice, back on me here
in the room, remembering from the beginning of the session all
+21 the imagery you have had. Let's prepare now to draw the im-
pressions of the session.
#01: Okay. Debriefing here. Uh, page one is a, uh, an entry door.
I don':t know which one it is, but it comes into a foyer like
area with seats. Then on the left is a low gate that goes in
like a hallway. And then there's office doors on both sides
and you can just see an office down at the end of the hallway.
The hallway, I get a feeling like it angles "L" shape to the
right down there at the very end. Call that a "RL", right,
right L hallway. Uh, there's a bank like counter with the
glass front and everything and the little flip door on the side
and it's got files and safes off on the left and a big work
area in the back. Like two window air conditioners sticking
out of the back windows, which are very high up off the ground.
The entry doors, the two entry doors I perceived had some kind
of a flower pattern to 'em, or leaf pattern I think I said.
Write that on here...leaf pattern...
Uh, page two is a separate room, the real fancy office. And
I perceived a door towards the bottom of the page which went
to an outer office or reception. And the door, which I indi-
cated on the left of the page , goes to the foyer or outer
hall. I'm not sure where that's at, but it's like an outside
area.
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#66: Now, this area in two is the one to which you found, the
one in which you found yourself when I ask you to help SG1A
#01: Correct. And I started out by finding myself at the upper
right hand corner of the page at the tea set on the bar. Why,
I don't know. Uh, page three I'll do a picture of the inter-
connecting cross.
#66: Okay.
#01: Or jack, what I was calling a jack, which has something to do
back here. Also I have a feeling for a predominant blue color
in this room. Two flags behind the seat behind the desk, the
rug is like a Persian design rug with red, a lot of red in it.
And there's two bathrooms like in the back corner. One's accessed
from outside the building, or outside the room, and one's for
access from inside the room. And that essentially is it.
#66: Okay, now in drawing three then-
#01: Will be the jack.
#66: Okay.
#01: Okay, on page three is the, uh, the criss-crossed cross or the
jack, the wooden jack. And the image, when I was gettin' this
image it was associated to a bar or the "L" shaped cabinet in
the room on page two. And that's it.
#66: Okay, how do you feel about, uh, today's session?
#01: Pretty good. I still think hit his head somewhere.
Uh, this is obviously not t hnology that we're supposed
to be pursuing. Uh, we could've probably done better by try-
ing to find what the ambassador's most afraid of, rather than
SG1A looking for what is most concerned with, because the
ambassador just would have more familiarity with his own build-
ing. I don't, uh..it just isn't within the-
#66: Okay, you and I of course don't know whether or not is
here or when he's supposed to be there or anything.
#01: I have no idea when he's supposed to be there or anything. I
S G1A obviously can't target for that reason, 'cause he might
be in Timbuktu, Iowa, and i I'm targeting him in Timbuktu,
Iowa I'm hardly gonna do a very efficient job on the embassy
in Kuwait.
#66: Okay. In this case we weren't told wha relationship
to this building was.
#66: But, uh, in scanning the building trying to help we find
this pecul- you're attracted to this peculiar of We ea set
I
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#66: and this strange shaped device which may have something to
do with-
#01: Yeah. Jack, wooden jack or whatever it is. That's it.
#66: Okay, fine.
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TAB
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W A." of 10
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TAB
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REMOTE VIEWING (RV) SESSION DCC-47
1. (S/NOFORN) Information provided the remote viewer prior to the session
is documented as a pre-session briefing and is included in the transcript.
Attached is a copy of the building photograph shown to the viewer.
2. (S/NOFORN) During the session the viewer was asked to elaborate on por-
tions of his session which.appeared relevant to the task at hand.
NOT RELEASABLE TO FOREIGN NATIONALS
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 SG1A
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