INSCOM GRILL FLAME PROGRAM SESSION REPORT

• Document Type: CREST
• Collection: STARGATE
• Document Number (FOIA) /ESDN (CREST): CIA-RDP96-00788R000600450001-7
• Release Decision: RIPPUB
• Original Classification: S
• Document Page Count: 17
• Document Creation Date: November 4, 2016
• Document Release Date: June 10, 1998
• Sequence Number: 1
• Content Type: REPORT

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SECRLI
INSCOM
GRILL FLAME
PROGRAM
SESSION REPORT
CLASSIFIED BY:MSG,DAMI-ISH
DATED: ,051630Z3UL78
NOT RELEASABLE TO FOREIGN NATIONALS REVIEW
GRILL FLAME
0--/-
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SUMMARY ANALYSIS
DP96-00788R000600450001-7
REMOTE VIEWING (RV) SESSION DCC-28
1. (S/NOFORN) . This remote: documents a remote viewing session conducted in
compliance with a request for information.
2. (S/NOFORN) . The remote viewer's impressions of the target are provided
as raw intelligence data, and as such, have not been subjected to any
intermediate analysis, evaluation or collation. Interpretation.and use of
the information provided is the responsibility of the requestor.
3. (S/NOFORN) The protocol used for this session is detailed in the document
Grill Flame Protocol, AMSAA Applied Remote Viewing Protocol (S),. undated.
4. (S/NOFORN) . Following is a transcript of the viewer's impressions during
the remote viewing session. At TAB A are drawings made by the remote viewer
reference his impressions of the target site. At TAB B is target cuing
information provided the remote viewer.
5. (S/NOFORN) . This remote viewer has worked against this target in the
past (see DCC-16).
NOT RELE
REIGN NATIONALS
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TIME
TRANSCRIPT
REMOTE VIEWING (RV) SESSION DCC-28
#14: This will be a remote viewing session for 21 April 1981;
mission time is 900 hours.
PAUSE
Al]. _right #31 the time is now 9 o'clock. Your mission for
SG1A today is to locate I want you to focus
SG1Aon at his work. Focus on at his work.
Relax, concentrate, focus on and describe his
surroundings.
PAUSE
SG1A
SG1A
+04 #31: Hmmm.ah I, ah...,built, milt!-story building
about.,,,three or four storiest and, ah, it got an "L" in it
and...inter,ior corner. Somewhere somewhere in the "L"
interior "L" was this feeling of a angled railing from left
and to the bottom right....the ribs or :(mumble) ....in the
foreground. Then I was in a wooded. hillside up above and
behind a building. As though I was looking down the
fo2ested hillside on to the back of this building....
seeing it's a roof. A lot of it I couldn't see though,
because of the hill....being in the way. It'SasTthoUgh tbe..
building is set at the bottom of a hill. Let me clear and
then give me a target me again.
#14: Okay.
#31: Give me about a minute.
PAUSE
#31: Okay.
SG1A
#14: SG1A want you now to focus on Focus on
and describe his job. Describe the type of work
this man does.
PAUSE
+10 #31: I keep getting this amphitheater feeling...an audience...
and he's in the audience. The, that Slightly up on.. .up in
back away from something that's happening, but he's not
interested. He's?like...a person WhadzAiMtening to a
...speech would be. He's not really interested. He's sort
of...mind is wandering as he sits in a row seat, and that's
one impression. Only one impression
*Litt
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#31: Just a minute.
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PAUSE
#31: I....said show me some action regarding his work. Down
a street and in a up a little stairwell, and into
a side of a building to the left of some pillars
I keep seeing him sitting with his arms crossed across his
stomach upright in a chair with his legs crossed
and usually musingly uninterested.
PAUSE
#31: I....looking at his hands. I'm not getting much interior
type office place at all. I'm getting a lot of movement. .
Like the guy gi' has a base of operations that really
much of his employment is done at other peoples offices...
doing other things. You know. Like I watched his hands.
He.....seems to carry a briefcase. I'm watching his
hands I'm like walking along next to him down a street.
He's wearing a coat. A dark full-length coat, like a raincoat.
It's a little cool yet, still he's got gloves on, I think.
But, he doesn't have a hat on. I'm trying to get him to show
me where he works.
PAUSE
.40411.- +15 #31: I keep seeing him walking down a sidewalk. This feeling of
big city buildings, cemented block building on my. left.
I keep getting this big federal office building feeling....
type of situation. I'm going to get in the hip pocket and
let him take me to work, and then, ah
Niftier
#14; Okay. Very good.
PAUSE
+20 #31: I'm in a hallway now....outside a door....1 still have office
type feeling....having place type feeling....just get
the feeling of a ...desk...umm...desk opposite the door
and some sort of a high ceiling room....some sort of...not
tables and formally (phonetic) set chairs on the left and the
right....like he sits at this table, his desk in the front of
the room. It's not very long. It's only about 20 feet long.
He seems to sit up straight in a chair and he crosses his hands
in his lap and he listens to people, and two which he looks
at which are back sitting in the other chairs, and he looks
at them like they are giving tests and givingAestimony, or
like they're .asking .a favor or like they are explaining a problem
and he sits and listens. He's sort of one step up above them,
you know. He's like Now, I'm sitting on his shoulder
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#31: ....and I look down at what he's reading, and it's a document
....I could have sworn When I .looked at it, it had ..like a
book and...like document that had pullout, maps on the right
side....something to do with Balkans, Balkans something or
other.
PAUSE
+25 #31: I see ah hings again (phonetic) punching...and carefully
moving keys on some sort of a machine that sits to the left,
small, little machine about the size of a typewriter.(Mumble)
is on the (mumble).
PAUSE
#31: Feeling earner that he was....had something to do with
translations. That he....seemed to have read these docuMents
...like this document on the Balkans and that he would read
them and translate them, and that he would type them, and
both a translator as well as a writet. He writes documents
and works on some sort of a machine like a typewriter. I don't
know. It's very, very difficult. It's a very difficult, non-
action job, and it's difficult to discern the data within the
non-activity? I mean, as if he was a jack hammer operator
Would be easy, but this is a non-activity thing.
Because it is, it resembles conditions...so many others, it's
difficult to find out what it is.
#14: Okay. I have no further questions at this time.
#31: Well, let me spend a couple of more minutes and see what I
get.
#14: Okay.
PAUSE
#31: Ummm the ima' imagery I'm gettin' is some sort of a youngish
woman, maybe...30 who has close bobbed hair, and it's sort
+30 of brown hair, page boy like, sort of a....stocky, solid body.
Fleeting moment I saw the....jail bars in the foreground.
As though this woman was in jail, and that he had had something
to do with it or with her That's all I'm getting'.
I don't know. I'm not getting anything..
#14: Okay.
#31: Well, sketch 1 is my opening imagery in this.session. Some
sort of a building in'the background... I had the feeling
I was outside this building on the edge of the sidewalk
'ERR
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#31: ...and there was some funny sianted feature there. Slanted
likes which... .are in the foreground of sketch 1. And, these
things I don't know what they are. But, they were slanted
lines like a set of hand rails would look like for escalators
or staircases or something like that. And, that's just a
possibility. I'm not saying that that's what it was. Because
I didn't see any steps or anything.
Then sketch 2, I believe were I was, was on the hills behind
the building in sketch one. On the hillside up there. And,
that the same structure nestles back into thehillside and
there's a forest of trees in the foreground, and everything else,
you know. Feeling like I'm on the edge of the city. You know.
Sketch 3 we got our guy is not at a concert, but some sort of a
public discussion. He's sitting in one of the seats; there are
people all around him, and it's like in a small shallow amphi-,-
theater. Like you Might find int well, now that I think about
it, like you might find in a college, classrooM type of thing.
A very small thing, and like all the professors might get together
and have an. administrative discussion using one of the aemphitheaters,
uh...,.something like that. He's there sitting, he's sort of
board, you know. It's a boring speech or discussion. You know
how. people put their head in their hand, and just sort of
you know like we are around here all of the time (ha, ha, ha, ha).
Uh...4. God knows. I don't know what it is. Four is the. guy,
and I had the feeling I was.. looking over his shoulder reading
a... .he was reading a book which appeared to.be....some sort
of a pamphlet. Like an official pamphlet. Like .a trave log
or like a DA...it was in format like one of our DA pamphlets
you know., stapled thick, heavy, heavy beund staples., and there's
a pullout map in this thing,. which I thought had to. do with
the Balkans, was the word that came to me. And, he's sitting
at a desk, and then in the foreground in front of him, which is
the background of the picture there are like row like seats.
Like pews therel as though people come in and they're...it's
open diW...not open discussion) but people come in with
complaints or problems like counseling problems....I have no
idea,...what and it just so happened that there wasn't anybody
there now, and so he was sort of goofing off. He was reading
this brochure waiting for someone to come in. At this point
in time,. I thought that maybe his job was translation until
I looked past him into the foreground, I saw these seats looking
the other way. It's not like he's in an office with everybody
with their backs to him; they would look at him. And, there
are no other desks in there. I just can't...I can't figure
out what the guy does. It's something very low key, very
academic.
#14: You described a key punch type machine.
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#31: Oh, yeah! That's something I forgot.. When he was reading
this it seemed like he might have been monkeying around
with something with his left hand which looked like a
cal'. ...not calculator... ..looked like a typewritert maybe
Something with keys and things, and he would move and adjust
those things. I don't know what... I can draw a sketch
of that, if you want.
#14: Yes.. It might mean something to somebody.
#31: Yeah. But, as far as I can figure out, the guy's got a non-
active, he's non-active, he's...as I was trying to describe
in the session, there are probably so many things that people
do that are like this job anyway,youlknow. It's hard for him,
it's hard for me to describe what'it is.....to find out What
itis and describe it. The it's academic, it's quiet,
it's reading and listening and talking to people. He does move
about. He does carry a briefcase to and from work, I presume.
Because, I kept seeing and I had the feeling that some
certain aspect of his work took him out on the streets.
Like going from place to place, going from person to person or
something, but not like a courier is. He's not like picking
things up that are secret and carrying them. That's only a
miscellaneous part of his job where he has to go somewhere and
talk to Somebody. It's about as important as somebody walking
to the library. It's about as important as this job is...as
that part of a job is...the walking part of it. And, for the
life of me, I just can't figure out what it is he does.
#14: Okay.
#31: Okay. And added sketch 5, which is the typewriter device that
sits on the left. It's operated with both hands. It's a..
gray, grown (whistle) brown, gray metallic casing and has
push keys and then some sort of a slide thing on the right.
And something that either appeared to be a hole or clear up
top like, like a view port Or something. I know that it looks
like an adding machine, but I believe that it's really more like
a typewriter. Okay?
#14: Okay. That is all.
#31: Thank you.
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TAB
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r*.
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I
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Fo 2000/08/0 00450001-7
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TAB
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TARGET CUING INFORMATION
REMOTE VIEWING (RV) SESSION DCC-28
I. (S/NOFORN) At the start of this session the remote viewer was shown the
attached photograph and targeting information.
2. (S/NOFORN) During the session the remote viewer was asked to find
SGlik OMMMMMMMat his job and describe his work.
NOT RELEASABLE TO FOREING NATIONALS
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SG1A
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