SUMMARY ANALYSIS REMOTE VIEWING (RV) SESSION CD-12
Document Type:
Collection:
Document Number (FOIA) /ESDN (CREST):
CIA-RDP96-00788R000300500001-4
Release Decision:
RIPPUB
Original Classification:
S
Document Page Count:
17
Document Creation Date:
November 4, 2016
Document Release Date:
April 4, 2000
Sequence Number:
1
Case Number:
Publication Date:
May 20, 1980
Content Type:
REPORT
File:
Attachment | Size |
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CIA-RDP96-00788R000300500001-4.pdf | 546.41 KB |
Body:
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NOT RELEASABLE TO FOREIGN NATIONALS
OR CON
INSCOM
GRILL FLAME
PROGRAM
SESSION REPORT
CLASSIFIED BY: MSG, DAMI-ISH
051630Z JUL 78
REVIEW ON: tAid
GRILL AME
RET96-00788R000300500001-4
SG1A
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SUMMARY ANALYSIS
REMOTE VIEWING (RV) SESSION CD-12
1. (S) This report documents a remote viewing session conducted in
compliance with a request for information on a target of interest to USI.
The prupose of the session was to ascertain the whereabouts of
2. (S) The remote viewer's impressions of the target are provided as
raw intelligence data, and as such have not been subjected to any inter-
mediate analysis, evaluation or collation. Interpretation and use of the
information provided is the responsibility of the requestor.
3. (S) The protocol used for this session is detailed in the document
GRILL FLAME Protocol, AMSAA Applied Remote Viewing Protocol (S), undated.
4. (S) Following is a transcript of the viewer's impressions during the
remote viewing session. At TAB A are drawings made by the remote viewer
reference his impressions of the target site. At TAB B is target cuing
information provided the remote viewer.
SECRET
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TIME
SG1A
TRANSCRIPT
REMOTE VIEWING (RV) SESSION CD-12
#43.5 This will be a remote viewing session for 20 May 1980
with an on-target time of 0900 hours.
PAUSE
Okay #19.5 it is now time to start today's session.
I want you to relax, relax and concentrate on the following
information. I want you to locate and describe the follow-
ing individual to me. The individual's name is
PAUSE
+03 #19.5 See a wide set of stairs or steps made of concrete.
They're like a raised portion of stone or something on each
end. There's a very unkept yard or kind of a wild jumble
of plants, both sides; very narrow front yard. There's a
very strange color involved here. It's like a turquoise
color, white turquoise...a funny color green. See a
door with chipped white paint; it's a square framed door,
and it's got sliding glass. Sort of an arched type over
the door. Some kind of an arch.
+06 This is a multi-family dwelling;appears to be probably
4 flats, stone. There's alot of plaster colored stone,
and large windows with same kind of sliding glass on the
front. Get kind of a strange roof. Apparently, it's
a...it's got a design across the front...a raised area,
but the roof went...it appears to look flat. Anyway, I
don't know why, but I think the design is in the stone.
Narrow alley-ways between the rest of the house is on
the street...the buildings. ,It's very, very little yard.
The street's got all strange colors. Like they're all
odd colors; off color colors, pink and turquoise, and
white and purple. Strange colors. Fences, little fences,
chain-link fences. There's some small factory building.
Very close.
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#43.5: Okay. I want you to relax, relax now, and focus
your attention on the door on this building you were
describing and go into that building through that door.
Tell me what you see.
PAUSE
+10 #19.5: Saw like a small hallway. Closed hallway. Very dark.
It's a light rose color. Getting sort of a...like a...
kind of a cooking smell. Like a restaurant, diner or
something right next to it. It's just a short hallway.
It's two doors.
#43.5: Move down the hallway and tell me what else you see.
#19.5: It's a door at the end. Opens into a small room. There's
a door immediately to the left as you come in the door.
If you come in the main hallway there's a door to the left.
And, it's also a small room. These look like small flats.
Maybe 2 rooms, at the most. There's an alley, or something
in the rear. I'm having difficulty with the inside for
some reason. Rbal strange.It's like all these buildings
are connected together, you know, with common walls.
#43.5: Okay #19.5 I want you to relax now and clear your mind.
Clear your mind and relax. Change your perspective and
tell me, tell me if is at this location.
An individual known ...is he at this location?
PAUSE
+14 #19.5: I don't see anyone at this location. I think I have a
face connected with this name.
#43.5: Okay. Tell me about it.
#19.5: Uh 5, 5'7" or 8, light build, perhaps 160 pounds;
brush cut mustache, black, black hair cut fairly shortl
uh...not a, not a good dresser; gold bracelet or something
on his left arm; I get an impression there's some kind of
either a dark scar or tatoo or something on the upper
right arm. The top of the forearm. I think he's close
+16 to this address, but he's not at that address. I get an
impression of a like a two, two-story corner building.
It's got a sandwich...it's dark green indentated kind of
corner on the ground floor, and there's like a sandwich
shop there that's opened to the air. And, there's side
door entrance hallway with walk-up stairs to the second
floor. Lower, lower part of the building is predominantly
green; brown green, dark green color. There's all the
signs for the sandwich shop. They are all in Spanish
advertising some kind of....some kind of special type
sandwich. The, the upper portion of the building has ]
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SG1A
some kind of a sign, or something fastened to it.
Large telephone pole on the corner. There's a sign
that's an up and down sign. Gala....or Galla...or
something. Think, think this area is a little bit further
north. Not, not far, maybe 2 blocks at the maximum, and
it's across the street. It's across the main street that
the address is on.
There's some people here that know. him. There's people
in this neighborhood that know him. It's highly likely
that he's got more than one resident address.
#43.5: Okay. I want you to continue to focus on Keep
focusing on the individual and tell me some more about him.
Tell me what he does. What is his occupation?
PAUSE
+20 #19.5: See some connection ...I want to say gambling, but that
might be analytic, because there's, there's a strong
feeling that he handles a great deal of money. He, he
transports things. It's like a middle man, go between type
person. Probably deals in just about anything for money.
I don't, I don't get any political feeling at all about him.
He's like neutral politically although he might be, might be
politically connected, but it's only for money reasons.
I think he's a little crazy. I don't know why I said that.
I just got a feeling he's a little crazy. Very, very
dangerous individual.
#43.5: Okay. I have no further questions. Is there anything else
that you want to add?
#19.5: Uh This street corner that this other building is on
is...appears to be an intersection of 2 major roads.
They could be almost 4-lane highways, except Ahatj.s?
what appears to be cars parked down both sides on both
streets'. You know, they're not a residential road.
I don't think. That's all I have.
#43.5: Okay. Relax and move about a little bit, here. I'll shut
this thing off for a few minutes and let you get yourself
organized and then we can do some drawing.
PAUSE
Okay. Why don't we go ahead and you begin with the
drawings.
#19.5: Okay. Page 1. I had a feeling of a....I said before....
it's like a main street. I want/AV make it a 4-lane highway
but, it's more like there's cars parked down both sides
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of the road, like this. Sporatically parked down the
road, you know, they're not...it's not thick or
conjested or anything, and seen an impression of
sort of a mixture of this sort of thing...uh...building
like this and then very close to it, like a house type
building set back from the street with fences. There's
a sidewalk out here, incidentally. And; that these....
were probably large homes at one time, and they are
now like flats and things.?...very narrow alleyways
in between, and that the first impression that I had
was that this building where the X is which is right
down from a this sort. of affect two side streets.
This block is probably...uh...just that...one city block.
This is like almost dead center, city block...call this
a house broken up into flats and this is a building,
this is a building it's like almost a 4-lane highway.
Side street, side street. There's alot of....I'm going
to write this out this way alot of color on this
main street. It's really strange. The colors are just
really weird. And, this house or building, or
whatever it is, I got an impression I was looking sideways
at it, and there was like a stone thing that went like
this and, what these were concrete steps.
Most of the steps did not appear to be in very good shape.
It was like it was.,.you know, the concrete's all chipped
and cracked, and sections of plaster missing. That sort
of thing. This went up to a like a raised section of the
...this house floor like that. The front went something
like this. Like it had a roof design to it up here. But,
that was like .a facade. Kind of a fake kind of roof. But,
that was actually a flat roof like this, and there was
single door like this with the sliding glass in it. On
both sides were rather large sections of windows. This
might have even been a false porch. Where you would have
entered a porch or hallway. It's outside the slided
windows. This was like a turquoise color. Mediterranean
blue kind of color. Flat roof, windows down the side.
This was actually a narrow alley on both sides. There was
just alot of weeds and stuff in the yard. Like bushes
around the side. It wasn't a very attractive place, to
tell you the truth. There was this short,. kind of fence.
Like this, and it was a chain-linked fence. It's a
generally bun-down building, is what it was, and I didn't,
I didn't get the feeling like he was still there. I got
an impression of a...like not far north of there on this
main road this same main road there's an inter-
section of two large roads, and I felt like if I came
out of that building there, that house there, crossed
the street
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#43.5: That house there. You mean the one in figure 2.
#19.5: Yeah. Page 2 if I made a right if I came out
of the house and crossed the street, made a right, went
up, no more than 2 blocks, I would hit an intersection
of 2 major toads, and on that corner, on this left side
of this intersection, I would find a two-story building
and this two-story building, is where the X is on page 3....
is connected to a row of stores or whatever, on both
sides. I don't know how far back they go, but this would
be, again, like a this be a sidewalk here
#43.5: What direction is the building in figure 2 located?
#19.5: This being north that would be down here to the left
2 blocks to house,. we'll call it....in figure 2
So this is the same main road.
#43.5: That's what I....that road there is the same road that
figure 1.
#19.5: Yeah, yeah. I got a feeling like you could cross the
street and walk up to this intersection, and there's a
big telephone pole right there. Which is really packed
with wires and stuff. I mean this thing is really burdened.
Looking down ground level on that place I get this sort of
impression. Get the feeling like I'm looking at a
see if I can do this justice in my art work here
had a feeling like you know, you can walk in under that
corner, and there's a counter in there and there's signs
all in the back here, like right here all these
posters and signs and things and there's this is
like a counter and this is a some kind of a sandwich
shop. All the signs are in Spanish, and where I'm drawing
these heavy black lines is like some kind of a real.dark,
dark green paint. Like almost an emerald green paint.
It's like painted on like trim and that the rest of the
paint here is either a dark brown the rest of the back-
ground is either a dark brown or a like a dirty tan
color. Then, the second floor it's got a flat roof....
Second floor there's a sign or something that comes out..
it's got like a design on the bottom of it here and
it says GALA something. Sticks out of the corner. This
is sidewalk and there's that big telephone pole that is
standing right here. It's got all kinds of wires coming
off it like this, and there's a if you go down the
sidewalk to the left, there's a door and all that door is
is steps leading to the next floor, the second floor up.
Oh. These windows are round topped, and this is some
kind of a stucco kind of building. Whenever I see these
buildings I'm getting really off-the-wall colors. Like
pink and turquoise and purple and, you know, they went
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and raided a left over paint store, or something. It's
really bad news.
#43.5: Okay. Tell me about the individual himself.
#19.5: I got a feeling also he's got a receding hairline.
Light build; not a weak build, but not a strong.-build
either. Sort of in-between. I got a feeling like he's
probably in his early 40s or middle 40s. Brush cut
mustache
#43.5: Do you think you can draw him?
#19.5: I'm trying to get that straight in my mind. I might
be able to. Uh let's see: high forehead
nose is kind of thick brush cut, mustache, rather
thick lips. Good jaw. Thick but short eyebrows.
Hair kind of short. I guess that's close. You can
have this. See, I'm losing, track of my pages here.
That'll be page 5. And, I got the feeling like he's
not a dark complexion, but not a light complexion.
His primary goal is to deal in money, and I got the
feeling like he'll do just. about anything for that.
Although, I don't have I was trying to see if there
was any kind of a killer instinct in him and there's
not. There doesn't appear to be, but I think he's a
little bit on the demented side. There's something
crazy about him.
#43.5: That's interesting because you did say that he was very
dangerous.
#19.5: Yeah. I felt like he's a dangerous individual, but I
...instinctively, I don't think that he kills for money,
but, I think he would kill should his space be occupied.
I guess, that's where I get this demented feeling, you
know. Like you wouldn't want to get too close to him,
because he might perceive you threatening his space, and
then become very dangerous.
#43.5: Okay. This first building that you described. The one
in figure 2. Did you have a feel for how big this
building was?
#19.5: No larger than 30 by 60 feet, 50 feet. It's a house
type building that's been broken up into 4 cold-water
flats, you know.
6
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#43.5: Okay. But, are you saying that it's multi-storied?
#19.5: No, no. Single story.
#43.5: Okay. I had that feeling, okay, but I wanted to
clarify that, okay.
#19.5: I get a single story, but it's like in the middle of
multi-story buildings.
#43.5: Okay. I have no other questions. #19.5 is there
anything you want to add?
#19.5: No. That's it.
#43.5: How do you feel about the session?
#19.5: Feel good about the session. Weird.
#43.5: Okay. Thank you very much.
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TAB
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SG1A
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