SUMMARY ANALYSIS REMOTE VIEWING (RV) SESSION CCC-56

• Document Type: CREST
• Collection: STARGATE
• Document Number (FOIA) /ESDN (CREST): CIA-RDP96-00788R000300370001-9
• Release Decision: RIPPUB
• Original Classification: S
• Document Page Count: 25
• Document Creation Date: November 4, 2016
• Document Release Date: April 3, 2000
• Sequence Number: 1
• Publication Date: April 11, 1980
• Content Type: REPORT

Nor,
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INSCOM
GRILL FLAME
PROGRAM
SESSION REPORT
0300370001-9
CLASSIFIED BY: MSG, DAMI-ISH
051630Z JUL 78
REVIEW ON:
?7744-41?
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SUMMARY ANALYSIS
REMOTE VIEWING (RV) SESSION CCC-56
1. (S) This report documents a remote viewing session conducted in
compliance with a request for information on a target of interest.
2. (S) The viewer was provided with the geographic coordinates of the
target area of interest at the time of thesession. The viewer was
periodically disturbed by ambient room noise during this session.
3. (S) The protocol used for this session is detailed in the document,
Grill Flame Protocol, AMSAA Applied RemOte Viewing Protocol (S), undated.
4. (S) Following is a transcript of the viewer's impressions during
the remote viewing session.- At TAB A are drawings made by the viewer
reference his impressions of the target site,
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TRANSCRIPT
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REMOTE VIEWING (RV) SESSION CCC-56
#14: This will be a remote viewing session for
11 April 19804 Target time is 0900 hours.
PAUSE
All right #10.5 your target for today is identified
by geographic coordinates. These coordinates are:
SG1A
I want you now to focus your consciousness of these
coordinates. Your time window is 1200 hours local
target time. Relax now, relax and focus and
describe the target to me.
PAUSE
+06 #10.5: Got some kind of a pattern which is on the ground.
It resembles a...circle...a light circle
surrounded by a check mark
PAUSE
I don't know....I was in a structure or not. Let
me try some more.
PAUSE
+OS I am a double rail. I think I am in a
courtyard or a beginning to make some sense.
Some rythm. I am reminded of a piazza...there are
...there's a square pattern that I'm looking down
but the imagery is very fleeting here. But, it
is as though I am looking down a wall of alternate
light and dark, 'from very close to the walls. The
faces of these walls appear to have behind them block
like in the structures, and they go around 3 sides of
this circle which is I think 3 sides of this
circle, which is laying on the ground as though it was
the open piazza, but the shape is rectangular or
square because of these surrounding buildings...oh!
Jesus! let me try again. It's very difficult to
work today.
#14: Does the noise bother you?
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#10.5: Yes. But, I am going in short-spurts
#14: Ok. Before we lose it, let me ask you this specific
question. that I want you t6 answer. Why is this
target like this?
PAUSE
+15 #10.5: I am somewhere moving down. This; feels good. Moving
down on a ladder inside a. ..some kind of a cement
walls on each side of me 0 though I can see the sun
up above at the upper end of the shaft.
PAUSE
It feels now as though I am in a place of finished
concrete which is much bigger than this shaft feeling.
I feel structure may be just baren cement linedpit,
big room, maybe 50 or more feet in depth, and maybe
and maybe, oh! more than that, maybe 75 Or BO: feet
in depth, and inside is maybe a 150 feet across, and
it's very finished with peculiar arrangements of one
wall of near where I came down on the ladder. But,
it is essentially empty. I cannot see that there is
+18 anything here. Some thing when I first came down the
ladder which was a dark rounded object of some size
and with knobs or bump on it, but it means nothing
to me. I don't know what it is. It's rounded and
large...25 feet or so, bUt, almost as though it was
like a auxiliary generator or heavy piece of equipment
like that there. But,...there is some sort of overhang
+23 along one side of this deep basin or pit. I'm looking
down this overhang, which is in reality a carved oUt
piece in the bottom, but I can see nothing there. God.
For all I know, I could be in a septic tank.
#14: Ok. Ask yourself again, what is the function of this
target. Why does it look like it does?
#10.5: Ok. Let me clear. Give me about 2 minutes and then
ask me again, ok.
#14: Ok.
#10.5: Let me just try to get out of this place and just try
to do it. Clean slate.
#14: Would you like me to read the coordinates again when
you're ready?
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#10.5: Yeah. You could do that. Let me give you about
two or three to blank out. Get my light show going
again. I going to start this right from scratch.
It's hard, but I'm going to try.
PAUSE
#14: All right #10.5 the coordinates for this target
are:
SG1A
You've already given me a description of the target.
Question now is, Why?
PAUSE
#10.5: I'm I had a feeling of....I saw
it looking along a hall It was square, long and as
I was looking, a square object that entirely filled
the hall came rushing at me, and I had the feeling of
acceleration.. and I had the feeling of layering in
the hallway, and as this thing went by me...zoom....
+30 it...like went along these layers or passed these
layers and as though they were lights, and as they
went by it would block a light and then it would block
out the next light. I don't know if this was horizontal
or vertical. I had the word linear acceleration, but
I saw the thing rushing and I had the feeling that on
a side,- the left side, there were observing places.
Like heavy thick shielded glass, or something to...
It seemed transparent in the sections of one wall.
That's it for me.
#14: Ok. Relax, stretch out a little bit. Come back to
11 April 0935. Ready for debrief.
#10.5: The first viewing I had was Maybe looking, downfrOm
some sort of reasonably high oblique....I can't vouch
for the accuracy of the amount and number of segmented
things here. Just this feeling there were a number of
them. It was almost as though I was looking down at
some number 1 is what I call this piazza or plaza
type feeling. Ok. It was that I was looking down at
the circle surrounded by a square..on 3 side square
but that....,.it was all 2 dimensional at this point,
so I'm only drawing the 2 dimensional figure and the
square...the straight lines around it, were segmented
whiteOlack, white black like that. And there was
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something peculiar about the circle...as though
it had some
#14: What have you got here?
#10.5: Sorry about that. I didn't realize I had this
off. I'll start over again. First thing I was
looking at...was as though I was looking down from
a high oblique and a circular object, 2 dimensional,
Surrounded on 3 sides by lines. Maybe making part
of a square, and then that these lines had light,
black, light, black. There was something peculiar
about the circle as I was just going to say, and
that it was like it had several different flavors
to it. Several different inner rings or concentric
circles to it, but that it was not a noticeable
concentricity. They were not white and black like a
bulls eye or anything like that. It was just this
feeling that there was more to the circle than just
one line. That's 1.
Then the next vision or image that I had rather is
that I was looking....this is what gave me the
3 dimensional feeling....is that I was looking...
ok like this.....and here in this thing was this
circle laying flat...2 dimensional, ok and that
here were the segmentations. In other words, it became
a 3 dimensional object to me. Which made me feel
that I was looking at some sort of inclosed in area.
Closed in on three sides, but open on above I had
the feeling it was open above. I again had the
feeling of this alternating light and darkness.
Essentially a flat bowl, I mean a flat plane type of
feeling. I didn't get any feeling for surrounding ,
territory at this stage in the session. That's 2.
Then, as I was sort of cogitating on this creature,
then the feeling I had was, that I was, in fact,
dealing with a 3 dimensional object. Let me start
up here. I was, in fact, dealing with a 3 dimensional
object which resembled the sketch in 3. I'll bring
that out farther, 'cause it's squared off on the end.
It had this circle in it, and again like that.
I had the feeling that this surrounding square pattern
here was like block houses or bunkers that were an
integral part of.this. It was an all interconnected
thing. Not bunkers is the wrong word block houses
is more like it. This low squat plain, very plain,
building structure, single story, drab, almost earthen
in tone. I didn't get any dazzling hues or colors or
anything like that. It was almost as though it was
a gray or earth tone brown, or something like that.
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#10,5: The dimensions of this thing were that the building
.....had the feeling that the building were, maybe...
uh 14 feet high and that the length of them were
maybe...they were very, squat had this very squat
feeling. There were maybe 40 feet all the way around.
You know, 40 feet wide, all the way around, and for
the full size the feeling of this full size here
would have been maybe, I don't know, 100..120 feet.
Again, on 3, this circle is not a pit. It's a pattern
only. That's all I was perceiving. Just that it was
a pattern here. So that was the feeling that I had there.
I've written on sketch 3, here the feelings for it.
I'm going to write 2 dimensional in the circle. I had
no feeling of depth or anything else like this as far
as what later came in the session. But, then you asked
me these magic question the "why" of all this thing.
The why of all this thing was as though
-I'm going to do another one. I'll keep it simple.
The "why" of this thing...Jesus....is that I was
coming down a metal ladder like you find in climbing
towers or climbing pits. It's fixed permanently to
the wall, I didn't have any feeling of a cage around
it. You know. Like alot of times there's a safety
cage around these type I didn't have a feeling of
that. Just a blank, barren ladder going down
that was affexed to the wall, like this ok
and that I was going down this sucker, and it was
nestled right in a corner of a shaft type feeling. That
goes on up...here is the lip...this type of a feeling....
and that goes on down ok this is concrete
barren concrete wall of a large shaft. Now, the feeling
here was that the shaft was as big as this room, but
that just in the corner of it is where this ladder was.
That type of a feeling. I had the feeling that it was
of a tighter...then, later in the session, I had the
feeling here that I was surrounded by wall all around
me, and that I was, in fact, going down a shaft. Large.
shaft...uh...20 feet by 20 feet plus or minus And,
that up here was the top, open sunlight above ok
and this thing comes over here like that and this
goes on. I probably should have done that lengthwise
on the paper but
Ok. I thought I was proceeding down and drifting down
this concrete shaft. Concrete lined shaft about 20 by
20 feet. As I approached, what I thought was the bottom
of it, I thought I had gone pretty far down. I thought
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-I'd gone maybe 50 feet or something. It was no small
little jump downhill. It was, maybe a 50 feet depth,
and when I like left the ladder, and turned around,
the view was much more larger than up on the ladder.
Because, up on the ladder, if I had turned around,
I would have seen 4 walls, like this. When I was at
the bottom of the ladder, and I turned around away
from the ladder, I saw the distance was like...
from here all the way out to Llewelyp, or something
like that. You know. And, then it was way down the
other end of the building and it was back This big
thing down there
Ok. This is the view from the base of the ladder
looking away from the ladder. Here in the foreground
is some big thing. I had the feeling only that it was
cylinder shaped, and it had this funny knob on it, and
it was maybe 20 feet black metal, but essentially,
the rest of this bay or whatever, I could not perceive
anything, but, you know it was a difficult session,
so I was trying to be very conservative and just take
what I got, and this is just what are we talking
about....40 feet, ok, and this is, again, this blank
concrete, concrete wall...uh...square, geometry
...uh...very linear, ok, not like a cave. You know.
It was very, very man made. Blank concrete wall here.
Goes that way and it comes out here I'm
going to have to draw a series of these, a couple of
these here, down at the bottom now, you understand why
I said I could be in some turkey's septic tank for all I
know, because
With my luck I would be. Ok. That's looking
directly...sketch 5 is looking directly away with
my back to the ladder. Ok.
Now, for sketch 6, I'm turning 90 degrees to my right,
which means the ladder will be off my right shoulder
ok. In this thing here is the ladder in
the foreground on the right margin. Actually, goes
on up farther. It's like I had my back in the crack.
Ok. The ladder stand hinge holding it on...or supports
or whatever. Ok. Here in the foreground is this
big thing. At first I thought this big rounded object
was the thing at the bottom of the hole, but I...
it was sort of...the attitude with this thing was that
it was sort of...ok...that it was positioned there
temporarily. I didn't think it was out of line...it
was mislined...it was not geometrically set up. I
didn't get the feeling it was permanently installed.
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I had the feeling it had like maybe been dropped
down there, and hadn't been installed yet. So, it
was still down at the bottom of this pit. You know.
Just off to the side, and they blocked and tackled
it down or something, and they set it there, and
then later on it will be moved somewhere in this
thing, and it will be hooked up. But, right now,
it's just sort of sitting there. That could also
....yeah....ok....all right. But, anyway that was
the feeling there, like that.
There's this black shinny thing. Very irregular;
very nongeometric; very nonspecific, if you noticed
that. Anyway, ok. Ok. Here's the far corner and
there's that corner. Ok. All right, ok. The
perspective here in 6 I am looking 100 and...
100 plus feet into the distance. I am looking in
under a cement appendagethat sticks out from the
wall, ok. I'll draw another perspective. I didn't
go across the room, but I'll draw another perspective
as though I was looking across the -11:1010 in sketch 7.
Ok. And, this is like this overhang here, where I
felt that if I wanted to, I could walk down there.
Or a person could walk down and under this overhang,
but, that was very raw and unsupported. It was
part of the overall concrete structure. It wasn't
artificial. It wasn't held up you know by posts
or anything like that. It was just automatically,
struCturally sound, and was free-standing. Free-
standing in the sense that it wasn't supportive.
But, it was a part of this wall here, ok. This is
a cement cube which protrudes from wall, but a part
of it. Ok. And, this is still....this whole feeling
is...ok This is...uh...125 feet, ok, down there.
This is still the same feeling of, of farness. You
know. This is maybe 125 feet across wide, like that.
All right. That's 6,
7, I, 7 is not real imagery. 7 is imagery as though
I had moved from. 6 across, ok, and, I'll just do it
real quick. It would look like this, ok. Down
there. That...and this will have to be a perspective...
protrudes back into the wall, like that Ok. All right.
And, here's the ladder coming down, and here's
the big black thing in the....the round black thing
there, and here's this Underhang here, ok. Like- that.
There, that's what I'm talking about. That sketch 6
sketch 7, sketch 6 is viewed from across the
hall or across the, the big area.
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#14: It looks like you're looking at it from...kind of
above.
#10.5: Yeah. Slightly above, but, only because of the
way I drew it. Remember, I did not go there.
That is an extrapolated perception. Ok. Ladder..
and this is the black object, Ok. All right.
The last question, then, the last thing I had was....
I had to refocus.. .you gave me the coordinates again,
I think, and you asked me the "why" once more.
In 8 is the why once more imagery which was at the
end Of the earlier part of the session. Uh
I had the feeling I was looking in a nearly square
looking down a nearly square hall, ok, and,
again, there was sort of segmentation here.....
segmentation. And, I had the feeling that on this
side over here somehow, at about this point,.......
this is a transparency ok,...like very
thick leadened glass, ok, for observing the activity
inside, ok. Like that. And, there was light
there were lights there were lights along here.
Funny lights...uh...like..?it was lights and shadows.
How do I describe it. It was like...umm like each
one of these...I don't know if I was looking hori-
zontal or. vertical. I have absolutely no idea.
Absolutely no idea. My view was horizontal, but it
could have been looking down this way, thinking the
thing As layed right out in front of your face.
But, the lighting was peculiar in that there was
light and shadow in regular bands, ok. As though
maybe,- if this was a shaft...looking down a mine
shaft, or something like that, then, if these are
levels., each level would have light on it. But,
there would be. a very, dark shadow until you got to
the next level which would have a light on it. And,
then there would be a- very dark shadow, and then
you'd have a light...very faint lighted area where
the light would Come out from that leclel. You see
what I mean, So, it's alternating light and dark
bands emanating light shadow. Ok. Like that. And,
then light and then shadow. And, it's all the way
around this thing. But, inv,different you know.
It's not, it's not boom, boom, boom, boom, boom, like
that. It's like there might be a light here, and
a shadow, but then there's a light here and a shadow,
and alight'over here...you know. It's all jumbled
around. Irregular lighting, but the idea of light
and shadow, light and shadow is the same.
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And, in 9 my last sketch no, it won't be
my last sketch....is the feeling that I was drifted
over to the left side of 8 here's our friend
back and drifted over to the left side of 8
...... I was like over on the aide, ok
and, I had the feeling of this rush going by me
down the hall, v-r-o-o-m. Just going vroom, right
towards me and past my point of view, down the hall,
and, that this thing was I don't know. This
thing was I had the feeling that it was like a
rising elevator or a horizontally moving elevator
box. Because...1 had a box feeling and I'll draw it
in as though it's...uh...00ps, too far... .....
draw it in in dotted lines so you can see through
the whole thing. Ok. And, that this box, which was
in fact a hard metal box, ok, was rushing down this
hall, past me. Metal, large, metal cube, rushing
past me, ok, vroom, and
large metal cube here,
And, the thing fits ti
on the left the i
an elevator car moving
Ok, and this is the cu
That's the end of any
have. The other 2, I
this is the metal cube...
ok. All right. Like that.
ht into ok right here
ea is like a concept like
in its shaft, ok.
e. All right. That's it.
ubstantive type stuff that I
1 Out on the same sketch.
One is that very p culiar one...little flight
of fancy, or whatever
Ok. Like that. That' ground level. Ok. Like that.
And, up here on ground level was that thing, whatever
that thing is.
And, the other thing....can I associate it with it....
I had the feeling that there were some hills
around,- but I didn't g t the feeling that there was
real mountaineous area but that there were some.:
hills around in the ba kground.. And, that's it.
Hills in background. throw this in at the end,
but, it was somewhere nterspersed in all that garbage.
And, I had the definit exterior feeling that it was
all brown and grey ... t was like waste land almost.
Ok. Returning to sket h 9, there's one thing. That
is that..I said in the session that when: this cube
rushed by me on the ha 1, or whatever it is, the shaft
or the hall, I had the definite feeling of the word
association:actelerati n and the next thing was linear
accelerator.. And the only other thing to add to 9
is that this from , sketch 8, this transparency
on the left side was s rt of like right in front of
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me. As though it was here where these dotted lines
are. That's it. But, acceleration and linear
acCelerator were the things that came to mind.
That's all I have.
#14: Ok. End of session.
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TAB 1
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