WHY UNCLE SAM'S EARS ARE BURNING

Document Type: 
Collection: 
Document Number (FOIA) /ESDN (CREST): 
CIA-RDP90-00965R000807500035-7
Release Decision: 
RIPPUB
Original Classification: 
K
Document Page Count: 
1
Document Creation Date: 
December 22, 2016
Document Release Date: 
January 24, 2012
Sequence Number: 
35
Case Number: 
Publication Date: 
October 3, 1982
Content Type: 
OPEN SOURCE
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PDF icon CIA-RDP90-00965R000807500035-7.pdf109.88 KB
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Sl Declassified in Part - Sanitized Copy Approved for Release 2012/01/24: CIA-RDP90-00965R000807500035-7 Ai Tl:ui k ~ ' ?li.ED ON PAG. - THE ; 4SHT IGTON P03T 3 0c?033_ 1982 Why Uncle Sam's Fars Are tsurmng THE PUZZLE PALACE: A Report on America's Most Secret Agency; By James Bamford. Houghton Mifflin. 465 pp. $16.95 - By DAVID WISE I T MAY COME as a sfiock, but the National Security Agency has even been listening in on the pay phones at, Grand Central Station. "Hello, honey? Yeah, I'm sorry it got.so late, but I missed the 5:42, and I went into the Oyster Bar to have a martini, and then ..." . One can easily imagine conversations like these clacking:, out in six-ply, multicolored paper on those crypto machines i in the basement at Fort Meade, Maryland, being rushed to I DAVID WISE often writes about intelligence. His most re- cent bookis Spectrum, aspy novel:':'.: . the analysts in W Group, run through Cray-1, NSA's mon- ster computer, and carefully studied for hidden meanings Have the Russians invented a new code? Should the presi- dent be informed through the CRITICOM network? Or is it just another hapless commuter in.trouble with his wife? Of course, he might not be safe from eavesdropping even inside the Oyster Bar. A few years ago, it was revealed at a congressional hearing that government agents could bug the olive in a martini, hiding a tiny transmitter where the pi- mento should be. Just don't bite down too hard. The news about Grand Central is only one small nugget buried in the gold mine that James Bamford's astonishing book on what is correctly subtitled "America's most secret agency." It is also a frightening book, because as Bamford points out, the biggest of America's secret intelligence agen- ciec--with the technology to intrude not only into the pay phone, but the bedroom, the boardroom, and any Place it wants to listen-was not even created by law. It was born, swaddled in secrecy, by an executive order signed by Presi- dent Truman in 1952 that itself remains top secret three de- cades later. There has always been a certain ostrich-like, head-in-the- sand quality to NSA's cult of secrecy. Anyone who has read the newspapers, or books, or watched television since Harry Truman signed that order is cer- tainly aware that NSA makes U.S. codes and breaks the codes of foe and friend, vacuuming electronic signals out of the ether with its over- - head satellites, and its dish antennae at listening posts girdling the globe. And most folks who drive along the Baltimore-Washington Parkway have probably noticed the signs for Fort George Gordon Meade, where NSA has been headquar- tered since the late 1950s. Yet the mere mention of the words COMINT (communications intelli- gence) or SIGINT (signals intelligence), the twin grist of NSA's mill, sends normally talkative government officials into a kind of prayerful, mystical silence. NSA, which some say stands for No Such Agency, successfully preserved its aura of secrecy. Until now. There is a marvelous scene in one of the late Peter Sellers' Pink Panther movies in which Sellers, as the bumbling Inspector Clou- seau, inadvertently demolishes a magnificent- Steinway. "But that's a priceless piano," some-1 one protests. "Nut eny more," Sellers intones in his mock- Gallic accent So it is with NSA's secrecy now that James Bamford, a lawyer turned investigative reporter and writer, has given us The Puzzle Palace. NSA will never be the same. Unlike Peter Sellers, Bamford has not de- stroyed the grand piano. He has merely shined his brilliant spotlight into. some murky, neg- lected corners of our government. His critics will charge.that in the process be has harmed U.S. security, it can be safely assumed that self-appointed patriots will denounce Bam- ford's daring book. But the Soviets (not to mention our allies, whose communications NSA also intercepts) are well aware that the United States is listening. So are they. Only the American public, which pays for NSA with its taxes, has been kept in the dark. NSA is a vital agency, but it cannot expect to operate in total, monastic secrecy in a democracy. Nor should it-a point that re- quires emphasis, because,'in the past, at least, NSA has turned its big ear inward and vio- lated the constitutional rights of Americans. The Puzzle Palace was a book waiting to be written. In 1964, Thomas B. Ross and I in- cluded a chapter on NSA in our book, The In- visible Government. Three years later, David Kahn, in his comprehensive work, The Code- breakers, provided the first 'detailed account In the congressional and other investigations that followed Seymour M. Hersh's 1974 reve- lations of CIA domestic spying, NSA officials for the first time had to testify in public, and the agency came under increased scrutiny. The Senate Intelligence Committee under Frank Church revealed that NSA, with the coopera- tion of three cable companies, had been read- ing international cable traffic in and out of the Declassified in Part - Sanitized Copy Approved for Release 2012/01/24: CIA-RDP90-00965R000807500035-7