PANORAMIC STEREO EXPERIMENT

• Document Type: CREST
• Collection: NGA Records (Formerly NIMA)
• Document Number (FOIA) /ESDN (CREST): CIA-RDP78B04747A000600140005-6
• Release Decision: RIPPUB
• Original Classification: K
• Document Page Count: 16
• Document Creation Date: December 28, 2016
• Document Release Date: March 28, 2001
• Sequence Number: 5
• Publication Date: June 15, 1962
• Content Type: REPORT

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Declass Review by NIMA/DOD
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PANORAMIC STEREO
EXPERIMENT
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INTRODUCTION Photo reconnaissance from medium and high
altitudes imposes stringent requirements on the interpretation system
if small target objects are to be recognized and functionally understood.
One of these requirements is high magnification, which implies higher
resolution in the original negative than has been available from con-
ventional cameras and films. Another is stereoscopy, As all photo
interpreters know, targets which are fairly large, simple in structure,
and familiar in appearance can be recognized by monocular viewing;
but their relative heights, details of structure and arrangement, and
(if they are unfamiliar) their probable functions cannot be deduced with
any certainty without making use of stereo viewing. The intelligence
interpreter faced with the problem of understanding an unknown structure
or other target needs every additional bit of information made available
by improved stereo techniques.
Aschenbrenner1 and others have shown that in medium- and high-
altitude photography the stereoscopic effect obtained with conventional
verticals having 60 per cent overlap is at best barely adequate for the
interpretation of small, complicated, and unfamiliar objects; convergent
STATINTL
stereo pairs with a base/height ratio of three times the "normal" are
STATINTL
decidedly superior. In the experimental program just concluded,
have combined convergent stereoscopy with the unique
SJATINTL advantages of the -panoramic camera and the efficiency of projection
STATINTL stereo viewing. The _ has a focal length of twelve inches and can
lAschenbrenner, Claus M. , "High altitude stereo techniques, 11 Photo-
grammetric Eng. , Vol. 16, no. 5, December 1950,. pp. 712-719.
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thus be taken to quite high altitudes without sacrificing the resolution
obtainable with modern film emulsions. Moreover, with an appropriate
viewing device, useful stereoscopic fusion can be maintained over a
surprisingly wide portion of the panoramic scan.
The combination of panoramic configuration with converging
camera axes poses serious problems of geometry. The projection de-
vice or the interpreter's eyes, or both, must accommodate two kinds of
distortion: the increasing obliquity (and decreasing scale) toward the
edges of the panoramic strip, perpendicular to the flight line; and the
obliquity in the direction of flight produced by the forward tilt of the
camera axis (Figure 1). The experimental projection viewer used simple
mechanical means of rectifying these distortions.
Two areas were chosen for test flights: the Central Valley of
California and the west shore of San Francisco Bay, The flat surface of
the Central Valley gave a useful indication of the horizontal plane in the
projected stereo model, and the rectangular road pattern served as a
check on the rectification of tilt in both x- and y-directions. In this area
there is a variety of rural and semirural structures, orchards and field
crops, highway overpasses and bridges, whose images in the stereo
model effectively demonstrated the possibility of perceiving and measur-
ing heights. The San Francisco Bay shore includes a wide range of
natural and cultural landscapes: rolling and rugged topography, shoreline
and water features, large urban areas with many industrial and military
installations, open and dense vegetation.
The convergent coverage was obtained with a single camera,
mounted with a fifteen-degree forward tilt, by repeating each pass in the
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reverse direction. This amount of convergence provided a base-height
ratio which gave satisfactory stereo exaggeration in the projected
model: target objects could be clearly discerned and understood, and
with a suitable measuring device their heights could have been determined.
All flights were made at 20, 000 feet, which with a 12-inch focal length,
gave a contact scale of approximately 1:20, 000 at the center of format.
At 20X magnification both viewing scale (1:1, 000) and sharpness were
excellent for study of small targets.
The following paragraphs summarize the work performed by
for the Panoramic Stereo Experiment.
EQUIPMENT MODIFICATION The_panoramic camerS TtNTL
suitable in all respects for use in this program except that the film trans-
port and the scan rate were too slow. The film transport rate was
speeded up to five seconds. The scan rate was increased to 0. 5 second
for three flights; for the April 26 flight, on which a slow film was used,
the scan rate was slowed to about 1. 5 seconds so as to permit a longer
exposure time.
A new camera mount, combining stability with an unusual degree .
of rotational freedom, was designed and fabricated. The mount provided
not only the required forward tilt of 15 degrees, but also 10 degrees of
lateral tilt correction and a full 360-degree rotation about the vertical
axis, The mount was installed in a Cessna 180 aircraft.
Since the road pattern in the Central Valley is very regular, it
was.convenient to position exposures by visual observation. The flights
over the Valley were therefore planned for manual exposures. Photographs
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were taken one-half mile apart, with identical ground areas covered on
the return pass. An A-2 view finder was purchased and modified to fit
the space limits of the aircraft and camera mount. In addition, two pairs
of auxiliary cross-hairs were etched on the glass viewing plate, so that
at the instant of exposure the aerial photographer could identify the center
of format, not only of the photo being taken, but also the previous photo
and the photo to be taken next. This addition greatly facilitated the proc-
ess of manual exposure.
The photographs of the Bay Area were taken with intervalometer
setting, timed so that the stereo mates overlapped instead of covering
identical areas,
TEST FLIGHTS On April 13 a test flight was made over the
Central Valley. In spite of extensive ground testing of the camera before
the flight, the film transport system proved faulty and satisfactory cover-
age could not be obtained. A new cam was installed and the flight was
repeated the next day. Photographs were taken over a five-mile pass
from a point just south of Modesto. It had been planned to fly additional
photography over the Bay Area on the same day, but this could not be done
because of coudy weather near the coast.
On April 26 the third flight was made. Forty exposures were made
in each direction over an east-west strip twenty miles long in the Central
Valley. The film used was Eastman Kodak SO- 132, which has the rather
slow ASA speed of 1. 6 but the very high resolving power of 400 lines per
millimeter. Exposure time was accordingly lengthened and the scan rate
proportionally slowed. One pass was also made over the Bay shore,
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southeast to northwest. Before the return pass could be made, however,
a second malfunction appeared in the film transport system.
The camera was immediately repaired and retested, but contin-
uously poor weather conditions precluded reflying the Bay Area convergent
coverage until June 12. The flight covered a strip approximately thirty-
five miles long from San Jose to San Francisco International Airport;
44 exposures were made on the first pass, southeast to northwest, and
49 on the return pass. For this flight the co-pilot's seat and view finder
were reversed so that the aerial photographer could sit comfortably,
facing aft, instead of kneeling on the floor as on the earlier flights. This
adjustment materially improved the precision of ground coverage during
long passes.
STEREO PANORAMIC VIEWER Two projection viewers devel-
STATINTL opted by= were modified for stereoscopic projection using crossed
polarization. The modified viewer (Figures 2 through 6) displays the
70-millimeter panoramic negatives placed vertically in 18-inch plastic
carriers, on which guide lines are scribed for orientation. Thus the
flight line in the projected stereo model is always horizontal. The hori-
zon in the direction being viewed is kept at the top of the model simply by
reversing the film carrier. To help the interpreter's eyes accommodate,
the top and bottom of the 45-inch square viewing screen were masked off,
making the image area 15 inches high by 45 inches wide (Figure 3).
With the modified experimental viewer, registration of conjugate
images is done manually by the projectionist. First the two photo centers
are superimposed on the screen.. Then any part of the panoramic image
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On May 15 representatives of the contracting agency visited
to inspect the stereo panoramic viewer, view sample
stereo pairs, and discuss possible uses of convergent panoramic instru-
mentation in intelligence interpretation systems.
CONCLUSION The Panoramic Stereo Experiment was not
undertaken to provide image quality consistently satisfactory for opera-
tional use,or a final viewer design; but rather to demonstrate that it is
feasible to construct a projection stereo viewer incorporating rectifica-
tion for convergent panoramic photography, and to suggest directions
that further design work may take. =believes that this purpose $i TINTL
been achieved . The adaptation of existing equipment in the present
experiment was of course attended by severe limitations, of which the
most troublesome was the screen tilt resorted to for correction of
x-parallax. It is, however, entirely practicable to design a stereo
projection viewer 1 having more refined and reliable means of rectifica-
tion; all corrections would occur at the projector, in no way distorting
images or displacing the horizontal plane in the stereo model. With such
a projection viewer, stereo mates could be registered with a negligible
error in x-parallax (that is, no error that could not be comfortably
accommodated by the eyes) and no error in y,-parallax out to 20 to 22
degrees either side of nadir. The viewer could be operated by one man,
and would permit either continuous stereo interpretation within the
1Similar in design principle to printer, which gTu&T.1NTL
matically produces enlarged recti ied panoramic prints.
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angular limits just stated; or, with greater operator comfort and proba-
bly greater efficiency, monocular scanning with provision for switching
in the conjugate frame at any point where detailed stereo interpretation
is deemed necessary. The necessary controls could be built into a
panel about 8 by 10 inches in size (Figure 8).
The feasibility experiment just concluded has been based on the
most difficult geometry likely to be encountered in photo intelligence
work, and has pointed up the problems connected with further develop-
ment of the convergent panoramic idea. -belief that these prb IfTbTL
can be solved is based not only on this experiment, but also on extensive
experience with the geometry of panoramic photography. 1 Projection
equipment which will make it possible to combine scanning and stereos-
copic study, at .scales suitable for the understanding of small targets, is
needed to exploit the full information potential of panoramic reconnaissance
photography.
STATINTL 'See, for example, "Panoramic progress,"
Photogrammetric Eng. , Vol. 27, no. 5, December 1961,
pp. 747-754, and Vol. 28, no. 1, March 1962, pp. 99-107.
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IF I ~ 11 It` i. - 1-1 convergence lines
direction of flight
point of ---I
convergence
direction
of camera
scan
Figure 1. Distortion effects in stereo pair of panoramic photographs
with convergent tilt of 15 degrees.
film
carrier
Figure 2. Plan view of stereo panoramic viewer.
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Figure 3. Photograph of experimental stereo panoramic viewer.
Projector heads are seen at left, masked Polacoat screen with
cable tilting mechanism at right.
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Figure 4. Rear view of stereo projectors, showing coupled film drive belt.
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Figure 5. Close-up of stereo projectors, showing conjugate photographs held
in film carrier and cams which rotate photographs about their theoretical con-
vergence point. See Figure 6 for geometry of y-parallax correction.
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1
s
Figure 6. Rotation of film carriers about convergence point corrects
errors in y-parallax. Film carriers are viewed looking toward screen
from light source. Counter-rotation of pinion raises or lowers frame
so that convergence lines are horizontal when crossing the optical axis..
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image area 45"
- flight I line - -
5? from I flight line
p
11
100 from I flight line
no error in x-parallax.
error in x-parallax can be accommo-
dated by eyes without mechanical or
optical correction
error in x-parallax can be corrected
mechanically by tilting screen
150 from X flight line
A
at angles greater than 15 degrees, optical
correction at projector head is required
for interpretability of stereo model
20? from (flight line
Figure 7. Increasing error in x-parallax with increasing
distance from flight line.
V
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Figure 8. Control Panel for Stereo Projection.
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